The Rajasthani text at the top of this painting directs us to begin at the bottom right, where Guha, chief of the Nishadas, a forest tribe, reports his earlier encounter with Rama to Bharata, outside of his royal tent. The other scenes depict Guha’s…
After Ravana kidnaps Sita, Rama journeys to rescue his wife. On the way, he meets Hanuman, who becomes his faithful servant. In this scene, Rama, Lakshmana, and Hanuman rest in the forest on a leaf mat in a moment of quiet devotion that contrasts…
Bocio, meaning "empowered cadaver," are power objects (bo) that represent deceased human beings (cio) though the figure may appear to be alive. A bocio is not a spirit, but a kind of decoy meant to trick death by substituting for a real person.…
This is the last in a series of ten devotional images of the Virgin and Child that Durer engraved over a period of more than twenty years. This is the only one, however, that portrays a sleeping child. Depictions of the infant Jesus asleep in his…
The monumental size and extremely lifelike quality of this portrait of Coornhert (1522-1590), the master who taught Goltzius the art of engraving, are rivaled in this period only by the portrait of Goltzius engraved by his pupil Jan Muller. While…
In the Cross River Region of Nigeria, the rivalry between masking associations gave artists incentives to generate new art forms and styles. Each association lavished great expense on masquerade paraphernalia in a bid to display the most impressive…
Bocio are power objects (bo) that represent deceased human beings (chio). A bocio is not a spirit, but a kind of decoy meant to trick death by acting as a substitute for a real person. Formerly, the Fon people of Dahomey (now Benin) placed bocio…