Browse Items (49 total)

In the Cross River Region of Nigeria, the rivalry between masking associations gave artists incentives to generate new art forms and styles. Each association lavished great expense on masquerade paraphernalia in a bid to display the most impressive…

Suite 19/20 Bed of Bones T. Huck 2000

Here, Rama is shown slaughtering Khara’s demon army and then resting after battle with Lakshmana and Sita, who massages his feet. Depictions of Rama on both sides of this manuscript page emphasize his nobility, grace, and might, illus-trating the…

The Rajasthani text at the top of this painting directs us to begin at the bottom right, where Guha, chief of the Nishadas, a forest tribe, reports his earlier encounter with Rama to Bharata, outside of his royal tent. The other scenes depict Guha’s…

It could be said that the Ramayana begins with a failure:
Rama should be king, but his rightful claim to the throne is denied.
Here king Dasharatha, having joyously resolved on the succession of his eldest son Rama, has sent the charioteer Sumantra…

Numbered "52" on verso.

Suite 19/20 Martha and the Greased Pig T. Huck 2000

Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the 16th Century with the publication of three woodcut series,…

Having defeated Ravana, rescued Sita, and returned to his kingdom, Rama here takes center stage at his coronation in Ayodhya. Holding his characteristic bow and arrow, clothed in gold, his crowned head ringed by a shining halo, he sits on a throne in…