Browse Items (49 total)

The Rajasthani text at the top of this painting directs us to begin at the bottom right, where Guha, chief of the Nishadas, a forest tribe, reports his earlier encounter with Rama to Bharata, outside of his royal tent. The other scenes depict Guha’s…

Bocio are power objects (bo) that represent deceased human beings (chio). A bocio is not a spirit, but a kind of decoy meant to trick death by acting as a substitute for a real person. Formerly, the Fon people of Dahomey (now Benin) placed bocio…

Suite 19/20 Fried Eggs and Arson T. Huck 2000

This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu. Garuda's mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost,…

Suite 19/20 Kohler City Revisited T. Huck 2000

Sons battle their father and uncles in this illustration of a scene from a later version of the Ramayana. Now ruling in Ayodhya, Rama begins the Ashvamedha, a horse sacrifice to define his territory. In this ritual, a horse, followed by the king’s…

Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of three woodcut series,…

Suite 19/20 Martha and the Greased Pig T. Huck 2000

This figure represents "Mami Wata," the pidgin English term for "Mother of Water," a water spirit who has enjoyed a wide following in Central Africa, West Africa, and regions of the African Diaspora. It was carved by an Ibibio artist living in…