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                <text>"Sudden" Sam McDowell during Yankees Spring Training, Bradenton, Florida, 3/6/1974 (McKecknie Field)</text>
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                <text>The press ate lunch in the long, white building in the  background. Iooss came outside and got this shot while most of the journalists and photographers were still chatting inside.</text>
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                <text>Lent by Walter Iooss</text>
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                <text>© Walter Iooss</text>
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                <text>Gift of Center Oil Corporation</text>
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                <text>MCCM Newsletter, March - May 2003.</text>
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                <text>© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.</text>
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                <text>2 Weeks in August: 14 Rural Absurdities</text>
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                  <text>© The Andy Warhol Foundation for the Visual Arts, Inc.</text>
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                <text>This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print. &#13;
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                  <text>Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University</text>
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                <text>Museum purchase; Rollins Acquisition Fund</text>
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                <text>This image is provided by the Michael C. Carlos Museum of Emory University and is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>Gift of Margaret and Charlie Shufeldt</text>
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                <text>Albrecht Durer, German, 1471 - 1528</text>
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                <text>In this engraving Durer introduced the values of the Italian Renaissance to northern Europe.  The print was much admired in his time and was to be a model for other artists for generations.  In 1494-95 as a precocious young artist Durer traveled from his native Nuremberg to Italy, where he encountered the intellectual and artistic currents of the Renaissance, including the interest in newly discovered works of ancient sculpture.  Thus, in this engraving, when he portrayed the first human beings created, he chose to model them with the perfection of the classical nude.  Adam and Eve are portrayed with the proportions and contrapposto stance of two renowned antique statues, the Apollo Belvedere and a type of the Capitoline Venus.&#13;
&#13;
The idealized human figures, based on works of art, stand in contrast to the careful observation of nature found in his depiction of the animals.  Despite their naturalism the animals also embody symbolic meaning.  Four of the animals surrounding Eve were associated with the four humors or temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, the elk melancholic.  According to medieval tradition the Fall of Man upset the original equilibrium of the humors and afflicted the human race with imbalanced temperaments.</text>
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                <text>Michael C. Carlos Museum, Emory University</text>
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                <text>Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007|&#13;
God Spoke the Earth: Stories of Genesis in Prints and Drawings, Michael C. Carlos Museum, September 13 - December 7, 2014</text>
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                <text>© Michael C. Carlos Museum, Emory University.  Photo by Michael McKelvey.</text>
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                <text>This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>Intaglio</text>
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                <text>Adam and Eve (The Fall of Man)</text>
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