<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8974">
    <dcterms:title><![CDATA[Christ Nailed to the Cross]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[66724]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1509]]></dcterms:date>
    <dcterms:contributor><![CDATA[John Howett Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2016.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 x 3 13/16 in. (12.7 x 9.7 cm)<br />
Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.052.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8977">
    <dcterms:title><![CDATA[The Last Judgement]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[66733]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1510]]></dcterms:date>
    <dcterms:contributor><![CDATA[John Howett Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2016.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 x 3 13/16 in. (12.7 x 9.7 cm)<br />
Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.052.004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9343">
    <dcterms:title><![CDATA[Christ Appearing to His Disciples (Doubting Thomas)]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1510]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by the Pitts Theology Library, Candler School of Theology]]></dcterms:contributor>
    <dcterms:format><![CDATA[Woodcut<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.021.004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/7590">
    <dcterms:title><![CDATA[Portrait of Dirck Volckertsz Coornhert]]></dcterms:title>
    <dcterms:description><![CDATA[The monumental size and extremely lifelike quality of this portrait of Coornhert (1522-1590), the master who taught Goltzius the art of engraving, are rivaled in this period only by the portrait of Goltzius engraved by his pupil Jan Muller.  While the inscription on the oval frame states that the portrait was &quot;painted from life&quot; (ad vivum depictus), the engraving itself was executed only after Coornhert&#039;s death.  It was an act of homage and remembrance from student to master.<br />
<br />
The portrait and its oval border were engraved on one copper plate, while the decorative surround was printed from another.  The objects in each corner of the frame represent Coornhert&#039;s talents and accomplishments as an engraver and lover of painting, as a musician, as a swordsman, and as a humanist scholar.  The motto in Dutch at the top center, &quot;Weet, of rust&quot; (Know, or be still) was Coornhert&#039;s own.  The Latin inscription at the bottom praises Coornhert&#039;s love of truth and freendom as expressed in his writings.]]></dcterms:description>
    <dcterms:description><![CDATA[Border inscription: Theodorus Cornhertius, ad vivum depictus et aeri incisus ab H. goltzio/ Natus Amstelredami anno MDXXII.  Denatus Goudea anno MDXC.]]></dcterms:description>
    <dcterms:creator><![CDATA[Hendrick Goltzius, Dutch, 1558-1617]]></dcterms:creator>
    <dcterms:source><![CDATA[13180]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1591-1592]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Margaret and Charlie Shufeldt in honor of Dr. Walter S. Melion]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2008.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009]]></dcterms:relation>
    <dcterms:relation><![CDATA[MCCM Newsletter, September - November, 2009.]]></dcterms:relation>
    <dcterms:format><![CDATA[Engraving]]></dcterms:format>
    <dcterms:format><![CDATA[20 1/2 x 16 5/16 in. (52.1 x 41.4 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2007.027.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6826">
    <dcterms:title><![CDATA[Hanuman Leaps to Lanka]]></dcterms:title>
    <dcterms:description><![CDATA[Numbered &quot;48&quot; on verso.]]></dcterms:description>
    <dcterms:description><![CDATA[Rama and his companions have now joined forces with the forest monkeys to retrieve Sita. Sugriva, king of the monkeys, sends Hanuman (center), his nephew Angada (right), and the king of the bears, Jambavan (left), south in search of Sita. After they realize Sita is being held captive on the island of Lanka, Jambavan convinces Hanuman to use his superhuman powers to leap across the ocean to find her. Here, Hanuman wears both the prayer beads and white markings of an ascetic and the garb of a wealthy royal, marking his status as Rama’s devotee and equal. He wields his signature weapon, a mace, as he leaps from Mount Mahendra across the ocean toward Ravana’s fort, ornately painted with vases on display in niches. Ravana may be morally bankrupt, but his demon kingdom flourishes. The depiction of Jambavan as a bear—here depicted with a very humanlike beard—highlights an interesting evolution in this character. In Valmiki’s Ramayana, Jambavan is king of the apes, but later tellings understand him to be king of the bears, diversifying Rama’s allies.]]></dcterms:description>
    <dcterms:source><![CDATA[59190]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1680s]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Jayantilal K. and Geeta J. Patel &amp; Family to further the study of Hinduism]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Ink and watercolor on paper<br />
Framed: 11 1/4 x 14 1/2 in. (28.6 x 36.8 cm)<br />
Image (visible): 7 3/4 x 11 in. (19.7 x 27.9 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.016.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Malwa]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6831">
    <dcterms:title><![CDATA[Hanuman Fights for Sita]]></dcterms:title>
    <dcterms:description><![CDATA[Numbered &quot;52&quot; on verso.]]></dcterms:description>
    <dcterms:description><![CDATA[Having penetrated the citadel of Lanka, Hanuman finds Sita imprisoned in a grove of ashoka trees (upper left). Sita, diminutive and vulnerable in her translucent sari, her eyes cast downward in piety and terror, refuses to be taken away by Hanuman, as she will allow no man but her husband to touch her. Rama himself must wage war on the kingdom of Lanka to ensure her safe return. As Hanuman departs from his meeting with Sita, Ravana dispatches general after general to defeat the monkey. Hanuman crushes each in turn, leaving them maimed and bleeding in the grove, one shown having lost his arm. While other paintings portray demons as fierce, animal-like creatures, here the demons appear as Rajput noblemen, wearing turbans and regal clothes, signaling their high status in a wealthy kingdom and the potential for appearances to deceive.]]></dcterms:description>
    <dcterms:source><![CDATA[59196]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1680s]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Jayantilal K. and Geeta J. Patel &amp; Family to further the study of Hinduism]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Ink and watercolor on paper<br />
Framed: 11 1/4 x 14 1/2 in. (28.6 x 36.8 cm)<br />
Image (visible): 7 3/4 x 11 1/8 in. (19.7 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.016.002]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Malwa]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6778">
    <dcterms:title><![CDATA[Rama Leaves for Exile, Bharata Laments]]></dcterms:title>
    <dcterms:description><![CDATA[The Rajasthani text at the top of this painting directs us to begin at the bottom right, where Guha, chief of the Nishadas, a forest tribe, reports his earlier encounter with Rama to Bharata, outside of his royal tent. The other scenes depict Guha’s account. At top left, Guha converses with Lakshmana, who watches over Rama and Sita as they sleep on the forest floor, about the precarious state of Ayodhya. A scene of the court is seen at top right, with Dasharatha surrounded by his three queens. Guha then explains how, taking on ascetic garb, Rama matted his hair with the sap of a banyan tree (center), prior to crossing the Ganges River, ferried by Guha (bottom left). The story ends in the bottom right, where Bharata appears again, collapsing in grief after hearing of Rama’s arduous journey.<br />
In reaction to Rama’s untimely exile, the painting illustrates multiple forms fraternal piety: Lakshmana’s steadfast devotion and Bharata’s pious grief. One joins Rama in his forest trial; the other must endure his absence, reluctantly ruling a kingdom bereft of its true king.]]></dcterms:description>
    <dcterms:source><![CDATA[59200]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1710]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Jayantilal K. and Geeta J. Patel &amp; Family to further the study of Hinduism]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Opaque watercolor and gold on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 10 1/2 x 16 1/2 in. (26.7 x 41.9 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.036.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Rajasthan, Mewar]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6847">
    <dcterms:title><![CDATA[Rama Shall be King?]]></dcterms:title>
    <dcterms:description><![CDATA[It could be said that the Ramayana begins with a failure:<br />
Rama should be king, but his rightful claim to the throne is denied.<br />
Here king Dasharatha, having joyously resolved on the succession of his eldest son Rama, has sent the charioteer Sumantra to summon him. As is typical of Mewari style, the painting tells a sequential narrative, with individual scenes separated by architectural motifs and blocks of color. It centers on Rama’s brief chariot journey, across a sparse, stylized field, from his private but majestic home (right) to Dasharatha’s palace (left), its lofty height indicated by a short set of stairs. In the assembly, Rama, seated reverently below three brahmin advisors and the enthroned king himself, learns of his imminent coronation.<br />
The coronation, however, will soon be interrupted by the plotting of Kaikeyi, one of Dasharatha’s three wives. Invoking two royal boons promised to her years earlier, she demands that the king banish Rama to a life of asceticism in the forest, and consecrate her son, Bharata, in his place. Bound by oath, Dasharatha complies,  before dying of grief over this perversion of natural succession.]]></dcterms:description>
    <dcterms:source><![CDATA[59185]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1710]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of William E. Torres]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and gold on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 10 1/2 x 16 1/2 in. (26.7 x 41.9 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.012.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Mewar]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9989">
    <dcterms:title><![CDATA[Rama leaves for exile, Bharata laments]]></dcterms:title>
    <dcterms:date><![CDATA[ca. 1710]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Jayantilal K. and Geeta J. Patel family to further the study of Hinduism.]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015]]></dcterms:rights>
    <dcterms:format><![CDATA[Watercolor with gold]]></dcterms:format>
    <dcterms:identifier><![CDATA[2015.36.1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Rajasthan, Mewar]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9992">
    <dcterms:title><![CDATA[Varaha - the boar]]></dcterms:title>
    <dcterms:date><![CDATA[ca. 1730-1740]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Jayantilal K. and Geeta J. Patel and family to further the study of Hinduism.]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:format><![CDATA[Opaque watercolor]]></dcterms:format>
    <dcterms:identifier><![CDATA[2017.12.1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Himachal Pradesh, Chamba]]></dcterms:coverage>
</rdf:Description></rdf:RDF>
