<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9380">
    <dcterms:title><![CDATA[Fibers from textile support, viewed under 10x polarizing light microsope]]></dcterms:title>
    <dcterms:subject><![CDATA[Cosmic Man painting (MCCM 2005.18.1)]]></dcterms:subject>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9312">
    <dcterms:title><![CDATA[Figure of a Baboon Playing a Lute]]></dcterms:title>
    <dcterms:description><![CDATA[Animals playing musical instruments appear in Egyptian art from the Old Kingdom to the Roman Period. The baboon crouches on his hind quarters and plays a lute, an instrument that was introduced in the New Kingdom. Composed of spotted faience, this figurine likely dates to the Third Intermediate Period or later when workshops of spotted faience operated in the eastern Delta. <br />
<br />
A recent interpretation of figurines depicting a baboon playing an instrument suggest they relate to the myth of “The Return of the Faraway Goddess.” In this myth, the feline goddess Bastet was angry at the sun god Re, and left Egypt for Nubia. Re sent the baboon god Thoth to entice Bastet with fables. Musicians and dancers accompanied Bastet back to Egypt, and her arrival brought good fortune to Egypt.<br />
<br />
Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century.  Georges Ricard purchased the faience baboon for the Senusret Collection on 1 February 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.]]></dcterms:description>
    <dcterms:date><![CDATA[Third Intermediate Period – Late Period, Dynasty 22 - Dynasty 26, 943–525 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
New York, Metropolitan Museum of Art, 44.4.17<br />
<br />
Emerit, Sibylle, 2013. Music and Musicians. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. ]]></dcterms:relation>
    <dcterms:format><![CDATA[Faience<br />
6 cm High x 2.8 cm x 1.9 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.564]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. The faience baboon was sold by Jean-Francois Mignon to Georges Ricard on 1 February 1975.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9410">
    <dcterms:title><![CDATA[Folding magnifier for counting threads]]></dcterms:title>
    <dcterms:subject><![CDATA[Cosmic Man painting (MCCM 2005.18.1)]]></dcterms:subject>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9980">
    <dcterms:title><![CDATA[Folio of the avatars of Vishnu from an illustrated copy of the Bhagavata Purana]]></dcterms:title>
    <dcterms:date><![CDATA[1819]]></dcterms:date>
    <dcterms:contributor><![CDATA[Courtesy of Harshna and Pyush Patel]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Manuscript]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2020.9.1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Kashmir]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9192">
    <dcterms:title><![CDATA[Fried Eggs and Arson]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20 Fried Eggs and Arson T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74445]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1995-1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 30 x 26 in. (76.2 x 66 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9414">
    <dcterms:title><![CDATA[Funori for consolidation treatment]]></dcterms:title>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9981">
    <dcterms:title><![CDATA[Ganjifa playing cards]]></dcterms:title>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Stiffened cloth with paint]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2020.10.1, .2, .25, .26, .28, .44, .49, .50, .51, .70, .73, .74, .98, .99, .100, .101, .120]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Maharashtra, Sawantwadi]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9348">
    <dcterms:title><![CDATA[Gargantua]]></dcterms:title>
    <dcterms:creator><![CDATA[Honoré Daumier (French, 1808-1879)<br />
H. Delaporte (printer) (French, active 19th Century)<br />
Aubert et Compagnie (publisher) (French, active 19th Century)]]></dcterms:creator>
    <dcterms:date><![CDATA[1831]]></dcterms:date>
    <dcterms:contributor><![CDATA[The Fine Arts Museums of San Francisco, museum purchase, Herman Michels Collection, Vera Michels Bequest Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Fine Arts Museums of San Francisco]]></dcterms:rights>
    <dcterms:format><![CDATA[Lithograph<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[1993.48.1]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9287">
    <dcterms:title><![CDATA[Gilded Cartonnage Mummy Mask and Trappings]]></dcterms:title>
    <dcterms:description><![CDATA[Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole. This brightly painted cartonnage mummy mask has a gilded face, a tripartite blue wig and a multi-strand beaded broad collar visible between the wig lappets.  This cartonnage mask is part of a set of polychrome and gilded cartonnage mummy trappings that include a wesekh-collar, a panel with winged goddess Nut, and a center panel. <br />
<br />
The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. <br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[late Ptolemaic Period, ca. 197-30 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Washington, DC. Smithsonian, CAT number A553190 <br />
]]></dcterms:relation>
    <dcterms:format><![CDATA[Linen, gesso, pigment, gold<br />
Mummy mask: 34 cm High x 20 cm x 6 cm<br />
Abdominal trapping: 15.3 cm High x 25.2 cm<br />
Collar: 15.3 cm High x 26.2 cm<br />
Leg cover: 37 cm High x 11.2 cm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.247 (abdominal trapping), 2018.010.248 (collar trapping), 2018.010.639 (leg trapping), 2018.010.673 (mummy mask) ]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9294">
    <dcterms:title><![CDATA[Gilded Mummy Mask]]></dcterms:title>
    <dcterms:description><![CDATA[Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole.<br />
<br />
This cartonnage head has a gilded face, and a polychrome wig, bust and details. The tripartite wig is divided into three registers on either side. At the top are confronting falcons, the middle has representations of the mummy before the seated Osiris, and at the bottom, two sets of the Four Sons of Horus face each other on either side. The top of the wig is crowned with a winged scarab and vulture goddess Nekhbet, both with wings outstretched. Nekhbet wears the atef-crown. To either side of the wig are registers with rosettes, udjat eyes, and various geometric motifs. On the back of the case are the figures of Isis and Nephthys protecting the mummy.<br />
<br />
The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 in Lille, France at the Exceptionnelle vente aux enchères publiques, lot number 9.<br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[Ptolemaic Period, 3rd Century BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
London, Petrie Museum of Archaeology,from Hawara, Egypt, Ptolemaic, 332-330 BC.<br />
<br />
Stadler, Martin Andreas 2004. Ägyptische Mumienmasken in Würzburg (Schenkung Gütte). Wiesbaden: Reichert.]]></dcterms:relation>
    <dcterms:format><![CDATA[Linen, gesso, pigment, gold<br />
45.5 cm High x 30.2 cm x 23.3 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.127]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 at the Exceptionnelle vente aux enchères publiques in Lille, lot number 9.]]></dcterms:provenance>
</rdf:Description></rdf:RDF>
