<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9287">
    <dcterms:title><![CDATA[Gilded Cartonnage Mummy Mask and Trappings]]></dcterms:title>
    <dcterms:description><![CDATA[Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole. This brightly painted cartonnage mummy mask has a gilded face, a tripartite blue wig and a multi-strand beaded broad collar visible between the wig lappets.  This cartonnage mask is part of a set of polychrome and gilded cartonnage mummy trappings that include a wesekh-collar, a panel with winged goddess Nut, and a center panel. <br />
<br />
The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. <br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[late Ptolemaic Period, ca. 197-30 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Washington, DC. Smithsonian, CAT number A553190 <br />
]]></dcterms:relation>
    <dcterms:format><![CDATA[Linen, gesso, pigment, gold<br />
Mummy mask: 34 cm High x 20 cm x 6 cm<br />
Abdominal trapping: 15.3 cm High x 25.2 cm<br />
Collar: 15.3 cm High x 26.2 cm<br />
Leg cover: 37 cm High x 11.2 cm ]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.247 (abdominal trapping), 2018.010.248 (collar trapping), 2018.010.639 (leg trapping), 2018.010.673 (mummy mask) ]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9984">
    <dcterms:title><![CDATA[Kurma the tortoise and the churning of the ocean]]></dcterms:title>
    <dcterms:date><![CDATA[mid 19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Courtesy of Harshna and Pyush Patel]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Opaque watercolor]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2016.12.1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Punjab]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9278">
    <dcterms:title><![CDATA[Model Solar Boat]]></dcterms:title>
    <dcterms:description><![CDATA[Models of sailing boats were more common in burials of the 11th and 12th Dynasties to aid the deceased’s transportation in the afterlife. This model represents a solar boat with an erroneously placed crew and mast. The original solar boat had a raised prow and cover. The stern is missing and replaced by a rectangular box that originally had two round sticks at each corner. The falcon originally sat atop a cylindrical object that is now missing. <br />
<br />
The mast and crew were originally part of another boat, a sailing vessel. Ten figures stand around a central mast, wearing knee-length kilts and short wigs. Their arms are outstretched to adjust the rigging of sails. Kneeling figures sit one at the bow and the other at the stern, facing inward. <br />
<br />
A few model solar boats survive from Middle Kingdom tombs at Bersheh and Meir, but they are rare. Their purpose was to help the deceased join Ra in his bark as noted in the Coffin Texts and the Book of the Dead which contain the spells “for bringing the great bark of Ra” (Book of the Dead, Spells 102 and 136A).<br />
<br />
Ex-collection Henriette Zanon, Monte-Carlo, Monaco, since early 1900s. Purchased by Georges Ricard for the Senusret Collection on 3 May 1975.<br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[Middle Kingdom, mid-Dynasty 11 - Dynasty 12, ca. 2000-1760 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Cairo, Egyptian Museum, nos. 4949, 4953.<br />
In: Reisner, George Andrew. Models of ships and boats (CG ; 4798-4976. 5034-5200) (Cairo:  Impr. de l&#039;IFAO, 1913), pp. 101-102, CG 4949, Pl. XXII, bottom, and 106-107, CG 4953, Pl. XXIV, top (from Bersheh).<br />
<br />
Merriman, Ann. Egyptian Watercraft Models from the Predynastic to Third Intermediate Periods. British Archaeological Reports, International Series no. 2263 (Oxford, England, 2011), pp. 401-402, and cat. 206, 207.<br />
<br />
New York, Metropolitan Museum of Art, no. 14.3.21. <br />
In: Hayes, William C. 1953. Scepter of Egypt I: A Background for the Study of the Egyptian Antiquities in The Metropolitan Museum of Art: From the Earliest Times to the End of the Middle Kingdom (Cambridge, Mass.: The Metropolitan Museum of Art), pp. 271-2, fig. 178; 270, fig. 177.<br />
<br />
Berkeley, CA, Phoebe Apperson Hearst Museum of Anthropology houses fragments of a 12th Dynasty model cedar boat from Tebtunis that includes a falcon, PAHMA no 6-20848.]]></dcterms:relation>
    <dcterms:format><![CDATA[Wood, stucco, paint<br />
Height: 50.8 cm High x 89.3 cm x 15.2 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.415]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Ex collection Mrs. Henriette Zanon, Monte-Carlo, since early 1900, and thereby by descent]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9286">
    <dcterms:title><![CDATA[Stela of the Standard Bearer, Smen]]></dcterms:title>
    <dcterms:description><![CDATA[This round-topped stela belongs to a man named Smen who was the “standard bearer (of the boat) Menkheperure (Thutmose IV), the destroyer of Syria.” On the top register, Smen gives praise to Osiris-Wennefer, who is seated before an offering table. Behind Smen, the text reads: “born of the mistress of the house, Tjenna and the dignitary Shemsu.” The lower register depicts a man, Khaset, and a woman, Ruia, seated on a couch being libated by their daughter, Hesitre.<br />
<br />
Smen, meaning “goose,” was a member of military unit that served in Syria during the reign of king Thutmose IV. His wife, Hesetre, is shown offering to her parents, Khaset and Ruia. Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. <br />
<br />
This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. <br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[New Kingdom, Dynasty 18, Reign of Thutmose IV, 1400-1390 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
For Louvre C 202, see: <br />
Boreux, Charles 1932. Musée National du Louvre, Département des Antiquités Égyptiennes : guide-catalogue sommaire (Paris: Musées Nationaux), p. 88; Pierret, Paul. Recueil d&#039;inscriptions inédites du Musée Égyptien du Louvre (Paris : Franck, 1874-1878), pt. 2, p. 35. The stela appears in the Hôtel Drouot Sale Catalogue, March 12-13, 1862, no. 5. See also PM VIII, no, 803-045-670]]></dcterms:relation>
    <dcterms:format><![CDATA[Limestone<br />
65 cm High x 44 cm x 7 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.408]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9310">
    <dcterms:title><![CDATA[Shabti of Sety I]]></dcterms:title>
    <dcterms:description><![CDATA[The Egyptian ruler Sety I was buried with over 1000 shabtis of different materials, many of which are found in Egypt and museums around the world. When the king’s tomb (KV 17) was discovered by Giovanni Belzoni in 1817, he found shabtis strewn across the tomb floor. The king’s wooden shabtis were coated with resin, known as ‘black varnish,’ symbolizing the god Osiris and life after death. <br />
<br />
Shabtis were placed in the tomb to serve as surrogate for the king if he was called upon to do manual labor in the hereafter. The mummiform figurine is inscribed with the “shabit text” – Chapter 6 of the Book of the Dead – and royal cartouches containing the king’s name, Sety, and his throne name or prenomen, Menmaatra.<br />
<br />
The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.<br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[New Kingdom, Dynasty 19, Reign of Sety I, 1290-1279 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References: <br />
Many parallels in Leiden, Rijksmuseum van Oudheden; London, British Museum; New York, Metropolitan Museum of Art; Rome, Vatican Museum, among others.<br />
<br />
Schneider, H. 1977. Shabtis, Part II (Leiden: Rijksmuseum van Oudheden), pp. 30-32.<br />
Aubert, J.-F. &amp; L. Aubert 1974. Statuettes Égyptiennes: Chouabtis, Ouchebtis (Paris: Maisonneuve), pp.79-81, pls.12-13.]]></dcterms:relation>
    <dcterms:format><![CDATA[Wood, resin<br />
19.6 cm High x 5.8 cm x 4.1 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.609]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9979">
    <dcterms:title><![CDATA[Earth-touching Buddha]]></dcterms:title>
    <dcterms:date><![CDATA[Pala Kingdom, ca. 10th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[The Ester R. Portnow Collection of Asian Art, a gift of the Nathan Rubin-Ida Ladd Family Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2004]]></dcterms:rights>
    <dcterms:format><![CDATA[Black stone]]></dcterms:format>
    <dcterms:identifier><![CDATA[2001.1.7]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9294">
    <dcterms:title><![CDATA[Gilded Mummy Mask]]></dcterms:title>
    <dcterms:description><![CDATA[Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole.<br />
<br />
This cartonnage head has a gilded face, and a polychrome wig, bust and details. The tripartite wig is divided into three registers on either side. At the top are confronting falcons, the middle has representations of the mummy before the seated Osiris, and at the bottom, two sets of the Four Sons of Horus face each other on either side. The top of the wig is crowned with a winged scarab and vulture goddess Nekhbet, both with wings outstretched. Nekhbet wears the atef-crown. To either side of the wig are registers with rosettes, udjat eyes, and various geometric motifs. On the back of the case are the figures of Isis and Nephthys protecting the mummy.<br />
<br />
The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 in Lille, France at the Exceptionnelle vente aux enchères publiques, lot number 9.<br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[Ptolemaic Period, 3rd Century BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
London, Petrie Museum of Archaeology,from Hawara, Egypt, Ptolemaic, 332-330 BC.<br />
<br />
Stadler, Martin Andreas 2004. Ägyptische Mumienmasken in Würzburg (Schenkung Gütte). Wiesbaden: Reichert.]]></dcterms:relation>
    <dcterms:format><![CDATA[Linen, gesso, pigment, gold<br />
45.5 cm High x 30.2 cm x 23.3 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.127]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 at the Exceptionnelle vente aux enchères publiques in Lille, lot number 9.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9311">
    <dcterms:title><![CDATA[Coil Neck Pitcher]]></dcterms:title>
    <dcterms:description><![CDATA[This jug is composed of green, free-blown glass. The body is spherical with a cylindrical neck and a funnel mouth. An applied ring is below the rim and a thick applied festoon rests low on the neck. The ribbon strap handle is pulled up from the jug’s shoulder and folded on the underside and over the rim. The bottom of the jug is kicked, with an irregular conical depression and a large pontil mark. The foot was formed with an applied coil. The spherical body exhibits a subtle spiral ribbing achieved by pattern blowing. The rim coil beneath the rim and neck coil at the base of the neck are typical fashion of the fourth century AD. <br />
<br />
The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.]]></dcterms:description>
    <dcterms:date><![CDATA[Roman, 300-400 AD]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Allaire Collection of Glass, nos. 44R and 56R<br />
Lucerne, Kofler-Truniger Collection<br />
Ancient Glass, Formerly the Kofler-Truniger Collection, Christie’s, London, 5-6 March 1985, lot 56]]></dcterms:relation>
    <dcterms:format><![CDATA[Glass<br />
18.8 cm High x 13 cm x 12.7 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.700]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Eastern Roman Empire, possibly Syria]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.<br />
]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8985">
    <dcterms:title><![CDATA[Views of the gallery]]></dcterms:title>
    <dcterms:description><![CDATA[Gallery installation photographs from &#039;And Something Magical Happened&#039;: Baseball Photographs by Walter Iooss]]></dcterms:description>
    <dcterms:date><![CDATA[September 2, 2017 - January 7, 2018]]></dcterms:date>
    <dcterms:rights><![CDATA[Photo © Michael C. Carlos Museum, Emory University. Artworks depicted are © Walter Iooss.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8986">
    <dcterms:title><![CDATA[Views of the gallery]]></dcterms:title>
    <dcterms:description><![CDATA[Gallery installation photographs from &#039;And Something Magical Happened&#039;: Baseball Photographs by Walter Iooss.]]></dcterms:description>
    <dcterms:date><![CDATA[September 2, 2017 - January 7, 2018]]></dcterms:date>
    <dcterms:rights><![CDATA[Photo © Michael C. Carlos Museum, Emory University. Artworks depicted are © Walter Iooss.]]></dcterms:rights>
</rdf:Description></rdf:RDF>
