<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9980">
    <dcterms:title><![CDATA[Folio of the avatars of Vishnu from an illustrated copy of the Bhagavata Purana]]></dcterms:title>
    <dcterms:date><![CDATA[1819]]></dcterms:date>
    <dcterms:contributor><![CDATA[Courtesy of Harshna and Pyush Patel]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Manuscript]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2020.9.1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Kashmir]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9348">
    <dcterms:title><![CDATA[Gargantua]]></dcterms:title>
    <dcterms:creator><![CDATA[Honoré Daumier (French, 1808-1879)<br />
H. Delaporte (printer) (French, active 19th Century)<br />
Aubert et Compagnie (publisher) (French, active 19th Century)]]></dcterms:creator>
    <dcterms:date><![CDATA[1831]]></dcterms:date>
    <dcterms:contributor><![CDATA[The Fine Arts Museums of San Francisco, museum purchase, Herman Michels Collection, Vera Michels Bequest Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Fine Arts Museums of San Francisco]]></dcterms:rights>
    <dcterms:format><![CDATA[Lithograph<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[1993.48.1]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9996">
    <dcterms:title><![CDATA[Vishvarupa: the cosmic form of Krishna]]></dcterms:title>
    <dcterms:date><![CDATA[18th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Jayantilal K. and Geeta J. Patel family to further the study of Hinduism.]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Opaque watercolor with gold]]></dcterms:format>
    <dcterms:identifier><![CDATA[2019.3.1]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Rajasthan, Nathdwara]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8981">
    <dcterms:title><![CDATA[Ted Williams, Yankee Stadium, The Bronx, N.Y.]]></dcterms:title>
    <dcterms:description><![CDATA[Williams spent his entire career as a left fielder for the Boston Red Sox. This photograph was taken during Williams’ last year with the team. Iooss was 17 years old.]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1960]]></dcterms:date>
    <dcterms:contributor><![CDATA[Donated by Kurt Olender]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Archival pigment print]]></dcterms:format>
    <dcterms:identifier><![CDATA[2016.037.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8990">
    <dcterms:title><![CDATA[Willie Mays - Philadelphia, PA 8/62 ]]></dcterms:title>
    <dcterms:description><![CDATA[This iconic image shows Willie Mays, eyes locked on the ball, returning east to Connie Mack Stadium in Philadelphia as a San Francisco rather than a New York Giant. The Giants went on to capture the National League pennant in 1962, finally falling to the Yankees in game seven of the World Series. Of Mays, Iooss simply says, “Willie exuded joy.”]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:date><![CDATA[1962]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Kurt Olender]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Archival pigment print]]></dcterms:format>
    <dcterms:identifier><![CDATA[2016.037.005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8983">
    <dcterms:title><![CDATA[Sandy Koufax - 1965 World Series Game 7. L.A. at Minnesota, 10/14/65]]></dcterms:title>
    <dcterms:description><![CDATA[“He was the best. The best pitcher I ever saw, maybe the best pitcher anyone ever saw or will see.” –wi]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1965]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Kurt Olender]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Archival pigment print]]></dcterms:format>
    <dcterms:identifier><![CDATA[2016.037.003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8994">
    <dcterms:title><![CDATA[Sandy Koufax - 1965 World Series, Minnesota, 10/14/65]]></dcterms:title>
    <dcterms:description><![CDATA[There are only so many angles that a photographer can capture from the press box. Iooss created this non-sequential series of images to represent what he calls Koufax’s “perfect motion.” The central image is also featured in this exhibition.]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:date><![CDATA[1965, printed 1990]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by Walter Iooss]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Contact print]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2017.016.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8991">
    <dcterms:title><![CDATA[Lou Brock, 1967 World Series, St. Louis at Boston]]></dcterms:title>
    <dcterms:description><![CDATA[Brock’s Cardinals defeated the Red Sox in game seven of the 1967 World Series. Brock had the highest batting average of the series and was awarded the Babe Ruth award, presented to the player with the most impressive post season achievements. Among them, seven stolen bases in the 1967 World Series.]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:date><![CDATA[1967]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Kurt Olender]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Archival pigment print]]></dcterms:format>
    <dcterms:identifier><![CDATA[2016.037.006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9223">
    <dcterms:title><![CDATA[Andy Warhol&#039;s Index (Book)]]></dcterms:title>
    <dcterms:description><![CDATA[This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print.<br />
<br />
The detail photograph of Warhol at the right, implies that he viewed himself as a master printmaker in the tradition of Albrecht Dürer (German, 1471-1528), the printmaking great of the Northern Renaissance. Dürer’s monogram, a combination of his initials, A and D, appears at bottom right. Warhol’s unusual jacket offers a second, subtler nod to Dürer. Not only indicative of Warhol’s fashion-forward style, the jacket’s shredded sleeves and high collar also recall the traditional attire of a landsknecht, a type of sixteenth-century German mercenary frequently depicted by Dürer.]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:date><![CDATA[1967]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by Jeff Schulte]]></dcterms:contributor>
    <dcterms:format><![CDATA[Monograph]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.15.1]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9229">
    <dcterms:title><![CDATA[Andy Warhol&#039;s Index (Book)]]></dcterms:title>
    <dcterms:description><![CDATA[This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print.<br />
<br />
The detail photograph of Warhol at the right, implies that he viewed himself as a master printmaker in the tradition of Albrecht Dürer (German, 1471-1528), the printmaking great of the Northern Renaissance. Dürer’s monogram, a combination of his initials, A and D, appears at bottom right. Warhol’s unusual jacket offers a second, subtler nod to Dürer. Not only indicative of Warhol’s fashion-forward style, the jacket’s shredded sleeves and high collar also recall the traditional attire of a landsknecht, a type of sixteenth-century German mercenary frequently depicted by Dürer.]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:date><![CDATA[1967]]></dcterms:date>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, INc.]]></dcterms:rights>
    <dcterms:format><![CDATA[Monograph]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.15.1]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
