<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9202">
    <dcterms:title><![CDATA[Views of the exhibition Chimera: Andy Warhol through the 1980s]]></dcterms:title>
    <dcterms:creator><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:creator>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:rights><![CDATA[Photos © Michael C. Carlos Museum, Emory University. Artworks © The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9201">
    <dcterms:title><![CDATA[Views of the exhibition Chimera: Andy Warhol through the 1980s]]></dcterms:title>
    <dcterms:creator><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:creator>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:rights><![CDATA[Photos © Michael C. Carlos Museum, Emory University. Artworks © The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9200">
    <dcterms:title><![CDATA[Views of the exhibition Chimera: Andy Warhol through the 1980s]]></dcterms:title>
    <dcterms:creator><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:creator>
    <dcterms:date><![CDATA[2018]]></dcterms:date>
    <dcterms:rights><![CDATA[Photos © Michael C. Carlos Museum, Emory University. Artworks © The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9199">
    <dcterms:title><![CDATA[Sandro Chia]]></dcterms:title>
    <dcterms:description><![CDATA[Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.<br />
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—<br />
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:source>
    <dcterms:date><![CDATA[1980]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
    <dcterms:identifier><![CDATA[2008.17.64]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9198">
    <dcterms:title><![CDATA[Sandro Chia]]></dcterms:title>
    <dcterms:description><![CDATA[Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.<br />
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—<br />
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:source>
    <dcterms:date><![CDATA[1980]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
    <dcterms:identifier><![CDATA[2008.17.62]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9197">
    <dcterms:title><![CDATA[Sandro Chia]]></dcterms:title>
    <dcterms:description><![CDATA[Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.<br />
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—<br />
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:source>
    <dcterms:date><![CDATA[1980]]></dcterms:date>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
    <dcterms:identifier><![CDATA[2008.17.62]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9196">
    <dcterms:title><![CDATA[Sandro Chia]]></dcterms:title>
    <dcterms:description><![CDATA[Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.<br />
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—<br />
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:source>
    <dcterms:date><![CDATA[1980]]></dcterms:date>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
    <dcterms:identifier><![CDATA[2008.17.61]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9195">
    <dcterms:title><![CDATA[Sandro Chia]]></dcterms:title>
    <dcterms:description><![CDATA[Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.<br />
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—<br />
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:source>
    <dcterms:date><![CDATA[1980]]></dcterms:date>
    <dcterms:created><![CDATA[1980]]></dcterms:created>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
    <dcterms:identifier><![CDATA[2008.17.60]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9194">
    <dcterms:title><![CDATA[Sandro Chia]]></dcterms:title>
    <dcterms:description><![CDATA[Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.<br />
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—<br />
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”]]></dcterms:description>
    <dcterms:creator><![CDATA[Andy Warhol (American, 1928-1987)]]></dcterms:creator>
    <dcterms:source><![CDATA[Gift of the Andy Warhol Foundation for the Visual Arts]]></dcterms:source>
    <dcterms:date><![CDATA[1980]]></dcterms:date>
    <dcterms:created><![CDATA[1980]]></dcterms:created>
    <dcterms:rights><![CDATA[© The Andy Warhol Foundation for the Visual Arts, Inc.]]></dcterms:rights>
    <dcterms:medium><![CDATA[Polacolor 2]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2008.17.59]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9193">
    <dcterms:title><![CDATA[2 Weeks in August: 14 Rural Absurdities]]></dcterms:title>
    <dcterms:description><![CDATA[AP Suite 19/20 2 WIA T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74430]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1995-1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut, folio cover]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 17 3/4 x 15 in. (45.1 x 38.1 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.001]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
