<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8905">
    <dcterms:title><![CDATA[St. Anthony Reading]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[33131]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1519]]></dcterms:date>
    <dcterms:contributor><![CDATA[James T. Laney Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2011.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[Recent Aquisitions, Michael C. Carlos Museum, February 26 - June 5, 2011]]></dcterms:relation>
    <dcterms:relation><![CDATA[MCCM Newsletter, Spring/Summer 2011.]]></dcterms:relation>
    <dcterms:format><![CDATA[Engraving]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 5/8 x 3 7/8 in. (14.3 x 9.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2010.044.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9346">
    <dcterms:title><![CDATA[St. Jerome in His Study]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[1514]]></dcterms:date>
    <dcterms:contributor><![CDATA[Metropolitan Museum of Art, Fletcher Fund, 1919]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Metropolitan Museum of Art]]></dcterms:rights>
    <dcterms:format><![CDATA[Engraving<br />
9 11/16 in High x 7 7/16 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[19.73.68]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9384">
    <dcterms:title><![CDATA[Stain and patched hole]]></dcterms:title>
    <dcterms:subject><![CDATA[Cosmic Man painting (MCCM 2005.18.1)]]></dcterms:subject>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9283">
    <dcterms:title><![CDATA[Statue of Horus]]></dcterms:title>
    <dcterms:description><![CDATA[This large bronze of the falcon god Horus wears a uraeus and the double-crown of Upper and Lower Egypt. The distinctive eye markings of the falcon are carefully incised as are the individual feathers on the falcon’s back and wings. A portion of the tail has broken off. The figure would have likely been perched atop a base or perhaps a small coffin.<br />
<br />
The statuette once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.<br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[Late Period - Ptolemaic Period, 722-30 BC]]></dcterms:date>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
New York, Brooklyn Museum, 05.394<br />
]]></dcterms:relation>
    <dcterms:format><![CDATA[Bronze<br />
22.1 cm High x 5.9 cm x 11.2 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.107]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The statuette once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9281">
    <dcterms:title><![CDATA[Statuette of a Seated Cat]]></dcterms:title>
    <dcterms:description><![CDATA[Cats, in ancient Egypt, were not just pets but symbols of Bastet, the goddess of fertility and protection. The popularity of Bastet’s cult from the Late Period to the Ptolemaic Period led to the creation of a large number of seated cat statuettes. This cat is seated with head held erect and tail curled to the right. Her expression is attentive with ears slightly back. These features express the essence of a cat being dignified and aware. The left ear of the cat was pierced and wears a modern gold earring.<br />
<br />
The statuette was once part of the Capitant collection and was purchased by Georges Ricard for the Senusret Collection on 21-22 May 1977 in Avignon, France at the Hotel des Ventes d’Avignon: Exceptionnelle grande vente aux enchères publique: Meubles, objets d’art, lot number 47. <br />
]]></dcterms:description>
    <dcterms:date><![CDATA[Late Period, 722-332 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Museum of Fine Arts Boston 53.2385<br />
Leiden, Rijksmuseum van Oudheden AB 166]]></dcterms:relation>
    <dcterms:format><![CDATA[Bronze<br />
13.5 cm High x 5.8 cm x 8.4 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.736]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The statuette was once part of the Capitant collection and was purchased by Georges Ricard for the Senusret Collection at the Hotel des Ventes d’Avignon Exceptionnelle grande vente aux enchères publique: Meubles, objets d’art on 21-22 May 1977.  <br />
]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9280">
    <dcterms:title><![CDATA[Statuette of Osiris]]></dcterms:title>
    <dcterms:description><![CDATA[This bronze statuette depicts the mummiform god of the underworld Osiris. The body of the god is wrapped in a close-fitting shroud with his hands poking out of vertical slits. In his right hand he holds a flail, and in his left, a crook. On his head, Osiris wears the atef-crown, which combines the white crown of Upper Egypt with a central uraeus and ostrich feathers to either side of the crown. His beard and broad collar are delicately incised, as are the feathers on his crown, his flail and crook. The bronze stands on a rectangular base. <br />
<br />
The statuette was once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.<br />
]]></dcterms:description>
    <dcterms:date><![CDATA[Late Period, 722-332 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
London, The British Museum, EA29409]]></dcterms:relation>
    <dcterms:format><![CDATA[Bronze<br />
19.3 cm High x 4.6 cm x 3.4 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.531]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Ex collection Lord George Talbot (1763-1850), acquired by Georges Ricard in 3/3/1975 from Roger Galliano, who was a collector and an expert for French customs.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9289">
    <dcterms:title><![CDATA[Statuette of Sekhmet]]></dcterms:title>
    <dcterms:description><![CDATA[This standing figure represents a lion-headed goddess, most likely Sekhmet, whose name means “The Powerful One.” Her attributes include a sun disk with a uraeus. Together they connect her with the sun god, Re, and emphasize her roles as his daughter, as the “Eye of the Sun,” and as protector of the king.<br />
<br />
The goddess stands with arms at her side and is clothed in a gown to her ankles. The lioness wears bracelets and armlets and a multi-strand broad collar on her chest. Her head is covered by a combination of a tripartite wig and leonine mane. Her eyes were once inlaid. High-waisted torsos and long legs are typical for the Third Intermediate Period, along with finely detailed incision. <br />
<br />
The statuette was once part of the Dr. Jacob von Hirsch (1874-1955) collection and sold at the auction, Collection Hirsch: antiquités égyptiennes, grecques et romaines (Paris: Hôtel Drouot, 1921), lot number 33. The statuette was purchased by Georges Ricard for the Senusret Collection 13 October 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. <br />
]]></dcterms:description>
    <dcterms:date><![CDATA[Third Intermediate Period, 1076-723 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Christie’s New York, Antiquities sale no. 12257, lot 42. Ex collection Omar Pacha Sultan, Cairo]]></dcterms:relation>
    <dcterms:format><![CDATA[Bronze<br />
37.7 cm High x 7.4 cm x 7.1 cm]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.139]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[The statuette was once part of the Dr. Jacob von Hirsch (1874-1955) collection and sold at the auction, Collection Hirsch: antiquités égyptiennes, grecques et romaines (Paris: Hôtel Drouot, 1921), lot number 33. The statuette was purchased by Georges Ricard for the Senusret Collection 13 October 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6841">
    <dcterms:title><![CDATA[Stealing of the Amrita: Page from a Mahabharata Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu.  Garuda&#039;s mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru&#039;s serpent sons.  The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods.<br />
<br />
Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him.  His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages.  In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise.  Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita.<br />
<br />
Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree.  The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance.  He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise.<br />
<br />
To retrieve the amrita, Garuda battled Indra and the other gods.  He defeated all of them except for Vishnu, who was himself injured.  Vishnu promised, then, that Garuda would become immortal and become his vahana.<br />
<br />
The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[59165]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6842">
    <dcterms:title><![CDATA[Stealing of the Amrita: Page from a Mahabharata Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu.  Garuda&#039;s mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru&#039;s serpent sons.  The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods.<br />
<br />
Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him.  His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages.  In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise.  Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita.<br />
<br />
Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree.  The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance.  He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise.<br />
<br />
To retrieve the amrita, Garuda battled Indra and the other gods.  He defeated all of them except for Vishnu, who was himself injured.  Vishnu promised, then, that Garuda would become immortal and become his vahana.<br />
<br />
The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[59165]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9973">
    <dcterms:title><![CDATA[Stela of Nebetiotef and Letter to the Dead from Merirtyfy to Nebetiotef ]]></dcterms:title>
    <dcterms:creator><![CDATA[Alice Zheng]]></dcterms:creator>
</rdf:Description></rdf:RDF>
