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<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9275">
    <dcterms:title><![CDATA[Textile]]></dcterms:title>
    <dcterms:creator><![CDATA[A. Hellman]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9276">
    <dcterms:title><![CDATA[Textile]]></dcterms:title>
    <dcterms:creator><![CDATA[A. Hellman]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/10039">
    <dcterms:title><![CDATA[Textile]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/10040">
    <dcterms:title><![CDATA[Textile]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/10041">
    <dcterms:title><![CDATA[Textile]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/10042">
    <dcterms:title><![CDATA[Textile]]></dcterms:title>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8775">
    <dcterms:title><![CDATA[The Adoration of the Magi]]></dcterms:title>
    <dcterms:subject><![CDATA[Woodcut]]></dcterms:subject>
    <dcterms:description><![CDATA[Albrecht Durer was the greatest and most innovative printmaker of the Renaissance.  A native of Nuremberg, Germany, he had established an international reputation by the beginning of the 16th Century with the publication of three woodcut series, including the Life of the Virgin.  In Durer&#039;s hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists.]]></dcterms:description>
    <dcterms:description><![CDATA[Life of the Virgin]]></dcterms:description>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[27753]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1503, 1511 edition]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Mr. and Mrs. Stephen H. Loeb]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1 - May 25, 1958|<br />
Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986|<br />
Old Master Works on Paper from the Permanent Collection, Michael C. Carlos Museum, May 11 - August 22, 1993|<br />
Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005]]></dcterms:relation>
    <dcterms:relation><![CDATA[John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: The Museum, 1986), 52.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[12 1/16 x 8 9/16 in. (30.6 x 21.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[1983.001.010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9181">
    <dcterms:title><![CDATA[The Annual NRA Squirrel Hunt &amp; BBQ]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20 The Annual NRA Squirrel Hunt &amp; BBQ T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74473]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1995-1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 30 x 34 in. (76.2 x 86.4 cm)<br />
Image: 21 1/2 x 28 in. (54.6 x 71.1 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.015]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8883">
    <dcterms:title><![CDATA[The Betrayal of Christ]]></dcterms:title>
    <dcterms:description><![CDATA[Albrecht Durer was the greatest and most innovative printmaker of the Renaissance.  A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of the woodcut series, the Apocalypse.  In Durer&#039;s hands the woodcut came to rival the technique of engraving with its subtle modeling and intricate detail, and he was able to achieve even greater refinement in his engravings.  These three engravings belong to the series of fourteen that make up the Engraved Passion.  Unlike Durer&#039;s two woodcut versions of Christ&#039;s Passion, these engravings were not accompanied by devotional text.  This, together with the complex detail of the prints, suggests that the series was intended for art collectors interested in aesthetic contemplation as much as in religious meaning.  The significance of each scene is only fully revealed in studying the image for an extended period of time.<br />
<br />
 It was this narrative sophistication, combined with his skillful manipulation of light and shadow, that made Durer&#039;s engravings highly desirable to connoisseurs and widely copied by his contemporaries and successors.]]></dcterms:description>
    <dcterms:description><![CDATA[from the Engraved Passion]]></dcterms:description>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[13183]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1508]]></dcterms:date>
    <dcterms:contributor><![CDATA[Anonymous gift in honor of Dr. John Howett]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2008.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009]]></dcterms:relation>
    <dcterms:relation><![CDATA[MCCM Newsletter, September - November, 2009.]]></dcterms:relation>
    <dcterms:format><![CDATA[Engraving]]></dcterms:format>
    <dcterms:format><![CDATA[4 5/8 x 3 in. (11.7 x 7.6 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2007.034.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9978">
    <dcterms:title><![CDATA[The Buddha as Vishnu]]></dcterms:title>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Courtesy of Harshna and Pyush Patel]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Opaque watercolor with gold]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2020.11.5]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[North India, Punjab Hills]]></dcterms:coverage>
</rdf:Description></rdf:RDF>