<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8774">
    <dcterms:title><![CDATA[The Circumcision]]></dcterms:title>
    <dcterms:subject><![CDATA[Woodcut]]></dcterms:subject>
    <dcterms:description><![CDATA[Albrecht Durer was the greatest and most innovative printmaker of the Renaissance.  A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of three woodcut series, including the Life of the Virgin.  In Durer&#039;s hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail.  The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists.]]></dcterms:description>
    <dcterms:description><![CDATA[The Life of the Virgin]]></dcterms:description>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[27752]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1505, 1511 edition]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Mr. and Mrs. Stephen H. Loeb]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2008.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1-May 25, 1958|<br />
Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986|<br />
Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005]]></dcterms:relation>
    <dcterms:relation><![CDATA[John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: Emory University Museum of Art and Archaeology, 1986), 51.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[11 3/4 x 8 1/4 in. (29.8 x 20.9 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[1983.001.009]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9344">
    <dcterms:title><![CDATA[The Circumcision]]></dcterms:title>
    <dcterms:creator><![CDATA[Hendrick Goltzius (Dutch, 1558-1617)]]></dcterms:creator>
    <dcterms:date><![CDATA[1594]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by the Pitts Theology Library, Candler School of Theology]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Pitts Theology Library, Candler School of Theology, Emory University]]></dcterms:rights>
    <dcterms:format><![CDATA[Engraving]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.021.005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9188">
    <dcterms:title><![CDATA[The Crossing Guard]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20 The Crossing Guard T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74470]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1995-1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 30 x 26 in. (76.2 x 66 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.014]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9329">
    <dcterms:title><![CDATA[The Crucifixion]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[1498-1499 (printed ca. 1650)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of William Knight Zewadski]]></dcterms:contributor>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University and is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut<br />
15 3/8 in High x 11 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[1976.017]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8975">
    <dcterms:title><![CDATA[The Descent from the Cross]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[66727]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1509-1510]]></dcterms:date>
    <dcterms:contributor><![CDATA[John Howett Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2016.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 x 3 13/16 in. (12.7 x 9.7 cm)<br />
Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.052.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9349">
    <dcterms:title><![CDATA[The Great War-Madillo (for A.D.)]]></dcterms:title>
    <dcterms:creator><![CDATA[Thomas Hück (American, born 1971)]]></dcterms:creator>
    <dcterms:date><![CDATA[2017]]></dcterms:date>
    <dcterms:contributor><![CDATA[Purchased using funds donated by the Massey Charitable Trust]]></dcterms:contributor>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut on Kitkata paper<br />
16 in High x 18 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[2017.027.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9330">
    <dcterms:title><![CDATA[The Harrowing of Hell]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[1510 (printed 1650)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of William Knight Zewadski]]></dcterms:contributor>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University and is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut<br />
15 1/2 in High x 11 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[1976.019]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6915">
    <dcterms:title><![CDATA[The Ideal Ending: Rama&#039;s Coronation]]></dcterms:title>
    <dcterms:description><![CDATA[Having defeated Ravana, rescued Sita, and returned to his kingdom, Rama here takes center stage at his coronation in Ayodhya. Holding his characteristic bow and arrow, clothed in gold, his crowned head ringed by a shining halo, he sits on a throne in the pose of royal ease, with one foot raised and the other resting firmly on a footstool. Below are the ritual vessels used in the consecration. To his left, Sita leans into her husband with a look of satisfaction; behind stand his three brothers bearing the implements of kingship. At the front edge of the pavilion, to the left, Rama’s monkey allies, joined by the demon defector Vibhishana—here in human form—attend their new king. To the right sit a group of Brahmin ascetics who have come from the forest to pay their regards. A depiction of Ayodhya frames this public display of kingship. A high horizon line—an index of Mughal influence in this later Pahari painting—is demarcated by a palatial wall. On the left, the towers of Ayodhya are balanced by the treetops of a dense forest on the right, a division that corresponds to the courtly and ascetic groups attending the coronation. The ongoing oscillation of city and forest forms a central objective of the Ramayana itself: by a bloody assault on the demonic forces of the wild, Rama secures a perfectly ordered kingdom.]]></dcterms:description>
    <dcterms:source><![CDATA[59155]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1840]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Jayantilal K. and Geeta J. Patel &amp; Family to further the study of Hinduism]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and gold on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 8 5/8 x 11 1/4 in. (21.9 x 28.6 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.010.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Guler]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9341">
    <dcterms:title><![CDATA[The Jolly Guano Brothers Ride Again]]></dcterms:title>
    <dcterms:creator><![CDATA[Thomas Hück (American, born 1971)]]></dcterms:creator>
    <dcterms:date><![CDATA[2001-2005]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by Jeff Hartz Gallery]]></dcterms:contributor>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut<br />
50 in High x 32 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.020.006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9003">
    <dcterms:title><![CDATA[The Kidnapping of Sita, Admonishment of Lakshmana]]></dcterms:title>
    <dcterms:description><![CDATA[After his sister is mutilated, Ravana plots revenge in the form an elaborate scheme to kidnap Sita. Ravana’s brother Maricha takes the form of a golden deer and bounds past Rama’s hermitage. Sita requests her prince to kill the deer, so Rama instructs Lakshmana to watch over Sita while he goes hunting. When Rama is gone, Lakshmana hears Maricha, dying from Rama’s arrow, call for help in Rama’s voice, and is fooled into abandoning his post to search for Rama. Ravana seizes the opportunity to abduct Sita.<br />
 <br />
Reading the painting from left to right, Ravana carries Sita away from her opulent hermitage in the highly stylized forest while Rama chastises to Lakshmana over the corpses of Maricha and the golden deer.<br />
 <br />
The juxtaposition of these two scenes in painting is unusual, and the focus on Lakshmana suggests that a failure of fraternal duty leads to Sita’s abduction as much as the villainy of Ravana. By ignoring his elder brother’s command, Lakshmana ignores his duty. All around, flowers blossom in vibrant colors, contrasting the perfection of nature with the failings of Lakshmana.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[Courtesy of Harshna and Pyush Patel]]></dcterms:source>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:medium><![CDATA[Watercolor with gilding]]></dcterms:medium>
    <dcterms:identifier><![CDATA[L2015.024.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, possibly the Deccan]]></dcterms:coverage>
</rdf:Description></rdf:RDF>
