<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8977">
    <dcterms:title><![CDATA[The Last Judgement]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[66733]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1510]]></dcterms:date>
    <dcterms:contributor><![CDATA[John Howett Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2016.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 x 3 13/16 in. (12.7 x 9.7 cm)<br />
Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.052.004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9182">
    <dcterms:title><![CDATA[The Marriage of Jim and Dolly]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20 The Marriage of Jim and Dolly T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74463]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1995-1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 30 x 26 in. (76.2 x 66 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.012]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9342">
    <dcterms:title><![CDATA[The Martyrdom of St. Catherine]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[1498]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by the Pitts Theology Library, Candler School of Theology]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Pitts Theology Library, Candler School of Theology, Emory Universtiy]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.021.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6846">
    <dcterms:title><![CDATA[The Mutilation of Shurpanakha]]></dcterms:title>
    <dcterms:description><![CDATA[Ravana’s sister Shurpanakha fell deeply in love with Rama when she encountered him in the forest. Rama, faithful to his wife, Sita, rejected the demoness’s advances and incited Lakshmana to punish her by cutting off her ears and nose. This manuscript illustrates the aftermath of these events. In the upper left, a wounded Shurpanakha, seeking revenge, enlists the help of her brother Khara, flanked by two demons, who leads an army to kill the heroes (center). Below, after Rama directs his brother and wife to seek refuge, Rama valiantly prepares for battle. <br />
This manuscript shows Shurpanakha as a fair-faced, beautiful maiden wearing a sari identical to Sita’s. This depiction contrasts with Valmiki’s portrayal of her as a hideous-looking demoness and humanizes Shurpanakha, especially in comparison to her animal-faced demon brothers]]></dcterms:description>
    <dcterms:source><![CDATA[59178]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.002]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Kishangarh]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Indian]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9345">
    <dcterms:title><![CDATA[The Rhinoceros]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[1515]]></dcterms:date>
    <dcterms:contributor><![CDATA[Metropolitan Museum of Art, Gift of Junius Spencer Morgan, 1919]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Metropolitan Museum of Art]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut<br />
9 3/8 in High x 11 5/8 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[19.73.159]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9347">
    <dcterms:title><![CDATA[The Seven Sacraments Altarpiece]]></dcterms:title>
    <dcterms:creator><![CDATA[Rogier van der Weyden (Flemish, 1399/1400-1464)]]></dcterms:creator>
    <dcterms:date><![CDATA[1455-1460<br />
87 3/4 in High x 86 9/16 in]]></dcterms:date>
    <dcterms:contributor><![CDATA[Royal Museum of Fine Arts, Antwerp]]></dcterms:contributor>
    <dcterms:rights><![CDATA[Image courtesy of the Royal Museum of Fine Arts, Antwerp]]></dcterms:rights>
    <dcterms:format><![CDATA[Oil on Oak Panel<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[393-395]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8880">
    <dcterms:title><![CDATA[The Virgin with the Swaddled Child]]></dcterms:title>
    <dcterms:subject><![CDATA[Intaglio]]></dcterms:subject>
    <dcterms:description><![CDATA[This is the last in a series of ten devotional images of the Virgin and Child that Durer engraved over a period of more than twenty years.  This is the only one, however, that portrays a sleeping child.  Depictions of the infant Jesus asleep in his mother&#039;s lap are prefigurations of his Passion.  Just as the sleeping child will awake, so will Christ rise again from the dead after his Crucifixion.  The swaddling clothes also prefigure the funeral shroud.  In addition, the corporal, the altar cloth on which the Host symbolizing Christ&#039;s body was placed during the celebration of Holy Eucharist, was interpreted as a symbol of both swaddling and shroud.]]></dcterms:description>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[12627]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1520]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Patrons of Paper]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Michael McKelvey.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007]]></dcterms:relation>
    <dcterms:format><![CDATA[Engraving]]></dcterms:format>
    <dcterms:format><![CDATA[5 3/4 x 3 5/16 in. (14.6 x 8.4 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2006.057.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8992">
    <dcterms:title><![CDATA[Tony Scott and Garry Templeton, Dodger Stadium, Los Angeles, CA]]></dcterms:title>
    <dcterms:description><![CDATA[The stadium had recently been painted its now characteristic &quot;Dodger Blue.&quot; Iooss had a shot in mind, but he needed the visiting team’s uniforms to cooperate. After a couple of near misses, the Cardinals’ away uniforms finally hit the mark.]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:date><![CDATA[1979]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Kurt Olender]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Archival pigment print]]></dcterms:format>
    <dcterms:identifier><![CDATA[2016.037.007]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9340">
    <dcterms:title><![CDATA[Ultimate Cock Fight]]></dcterms:title>
    <dcterms:creator><![CDATA[Thomas Hück (American, born 1971)]]></dcterms:creator>
    <dcterms:date><![CDATA[2001-2005]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by Jeff Hartz Gallery]]></dcterms:contributor>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut<br />
50 in High x 32 in]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.020.005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9458">
    <dcterms:title><![CDATA[Ultrasonic vapor]]></dcterms:title>
    <dcterms:subject><![CDATA[Gentle humidification by introducing ultrasonic vapor before overall flattening.]]></dcterms:subject>
    <dcterms:creator><![CDATA[B. Dinneen]]></dcterms:creator>
</rdf:Description></rdf:RDF>
