<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9343">
    <dcterms:title><![CDATA[Christ Appearing to His Disciples (Doubting Thomas)]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Dürer (German, 1471-1528)]]></dcterms:creator>
    <dcterms:date><![CDATA[ca. 1510]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by the Pitts Theology Library, Candler School of Theology]]></dcterms:contributor>
    <dcterms:format><![CDATA[Woodcut<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2018.021.004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8930">
    <dcterms:title><![CDATA[Christ before Herod]]></dcterms:title>
    <dcterms:subject><![CDATA[Print<br />
German, Bible, Renaissance, 16th Century]]></dcterms:subject>
    <dcterms:description><![CDATA[from the Small Woodcut Passion, a series of 36]]></dcterms:description>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[48161]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1511]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase in memory of Clarence Haverty Ridley from Eleanor Horsey Ridley]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2014.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 x 3 7/8 in. (12.7 x 9.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.045.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8974">
    <dcterms:title><![CDATA[Christ Nailed to the Cross]]></dcterms:title>
    <dcterms:creator><![CDATA[Albrecht Durer, German, 1471 - 1528]]></dcterms:creator>
    <dcterms:source><![CDATA[66724]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[ca. 1509]]></dcterms:date>
    <dcterms:contributor><![CDATA[John Howett Fund]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2016.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 5 x 3 13/16 in. (12.7 x 9.7 cm)<br />
Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2015.052.001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9455">
    <dcterms:title><![CDATA[Clara &amp; Patricia Stitching]]></dcterms:title>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9450">
    <dcterms:title><![CDATA[Cleaning detail]]></dcterms:title>
    <dcterms:creator><![CDATA[J. Abel]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9438">
    <dcterms:title><![CDATA[Cleaning methods]]></dcterms:title>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9448">
    <dcterms:title><![CDATA[Cleaning methods]]></dcterms:title>
    <dcterms:subject><![CDATA[Small soft brush, tiny cotton swab, foam sponge used to reduce surface grime]]></dcterms:subject>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9461">
    <dcterms:title><![CDATA[Cleaning methods]]></dcterms:title>
    <dcterms:subject><![CDATA[Dirty and clean sponges, brushes, swabs, and gelled solution for targeted cleaning of non-design areas.]]></dcterms:subject>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9437">
    <dcterms:title><![CDATA[Cleaning solution gelled in agarose]]></dcterms:title>
    <dcterms:creator><![CDATA[R. Stein]]></dcterms:creator>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9277">
    <dcterms:title><![CDATA[Coffin Assemblage of Taosiris (Includes Coffin, Mummy, Cartonnage Mask, and Trappings) ]]></dcterms:title>
    <dcterms:description><![CDATA[This coffin assemblage belongs to Taosiris who was a priestess of Osiris in Akhmim (ancient Egyptian name Ipu). She was the daughter of Nesmin and his wife Taamun. The assemblage consists of a coffin lid and base, cartonnage mummy trappings, and a wrapped mummy. The coffin group dates stylistically to the early Ptolemaic Period.<br />
<br />
 Taosiris’ coffin lid is decorated with a number of religious images. She wears a tripartite blue wig with rows of red, yellow, blue and green between. Below is a pectoral of disks, petals and lotus flowers ending with a row of drop beads and falcon-headed terminal fasteners. Also, around her neck, lying on top of the pectoral is a necklace with the gods Osiris, Ma’at and another god within a shrine.  Below this, the kneeling figure of a winged goddess wearing a sun disk stretches out her arms, protecting the mummy. In her hands, she holds two Ma’at feathers, symbolizing truth. Above the goddess, two flanking udjat eyes, and below two sphinxes and a kneeling woman on one side before Qebhsenuef and on the other, Imsety, all facing outwards.  The next scene, a djed-pillar with the crown of Osiris is flanked by two cobras wearing the atef-crowns. To either side are four sets of deities. Below these images are seven columns of offering text, framed by five vignettes to either side with three kneeling figures each.  At the foot of the coffin are two images of jackal-god Anubis on his shrine, upside down, so Taosiris could view him. On the bottom of the coffin foot is a representation of the Apis bull carrying the mummy of the deceased. Above the join between the bottom of the coffin and the coffin lid are thirty-nine protective kneeling figures holding knives. The coffin interior is decorated with a full-length red outline of a goddess wearing a tripartite wig. <br />
  <br />
The face of the cartonnage mummy mask is gilded and framed by a tripartite blue wig, diadem, and broad collar. At the top of her head, the winged scarab beetle Khepri pushes a gilded sun disk. The mummy trappings include the chest covering with rows of protective winged gods, a multicolored bead collar and a winged goddess with arms outstretched holding the feathers of truth above an alternating frieze of hieroglyphs saying “all dominion and life.” The central panel shows Isis and Nepthys mourning over the mummy on a bier under a winged disk, which is framed by the Four Sons of Horus enclosed in shrines and two mourners below. The foot cover depicts sandals with straps and a buckle, with a frieze above of alternating djed-pillars and ankh signs between two representations of Anubis on his shrine. The mummy is wrapped in its original bandages. <br />
<br />
In 1884, the coffin was given by Gaston Maspero to the French Commander Cazeneuve. In 1914, the coffin was in the collection of Gabriel Peytraud of Toulouse who wrote Charles Boreux, curator of the Department of Egyptian Antiquities at the Louvre, to ask for a translation of the coffin and the papyrus that was with it. In 1915, the coffin was acquired by the Marquis de Gestas in Tarbes. Georges Ricard acquired the coffin in May 1975.<br />
<br />
[See additional images below]]]></dcterms:description>
    <dcterms:date><![CDATA[Early Ptolemaic Period, 332-275 BC]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of the Georges Ricard Foundation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[<h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5>]]></dcterms:rights>
    <dcterms:relation><![CDATA[Parallels and References:<br />
Berlin, Ägyptisches Museum, no. 868. In: Kaiser, Werner (ed.) 1967. Ägyptisches Museum Berlin: östlicher Stülerbau am Schloss Charlottenburg. Staatliche Museen Preussischer Kulturbesitz. Berlin: Staatliche Museen Berlin.<br />
<br />
Memphis, Institute of Egyptian Art and Archaeology, University of Memphis, no. 1985.3.1a.<br />
<br />
Brech, Ruth 2008. Spätägyptische Särge aus Achmim: eine typologische und chronologische Studie. Aegyptiaca Hamburgensia 3. Gladbeck: PeWe-Verlag, ‘Group-E.’]]></dcterms:relation>
    <dcterms:format><![CDATA[Wood, pigment, gold, cartonnage, human remains<br />
30.5 cm x 183.5cm x 52 cm (coffin lid)<br />
11.5 cm x 183.5cm x 52 cm (coffin base)<br />
34 cm x 20 cm x 22 cm (mummy mask)<br />
35.5 cm x 27 cm (pectoral trapping)<br />
34 cm x 26.7 cm (abdominal trapping)<br />
7.4 cm x 9.5 cm (lower leg trapping)<br />
13 cm x 18 cm x 17 cm (foot cover)<br />
<br />
]]></dcterms:format>
    <dcterms:identifier><![CDATA[2018.010.181 (mummy mask), 2018.010.250 (lower-leg trapping), 2018.010.253 (abdominal trapping), 2018.010.517 (foot cover), 2018.010.641 (pectoral trapping), 2018.010.824A (coffin lid), 2018.010.824B (coffin base), 2018.010.826 (mummy)]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[Egypt, Akhmim]]></dcterms:coverage>
    <dcterms:provenance><![CDATA[Given by Gaston Maspero French Commander Cazeneuve in 1884. In 1914, the coffin was in the collection of Gabriel Peytraud of Toulouse who wrote Charles Boreux, then curator of Egyptian Antiquities at the Louvre, to ask for a translation of the coffin and the papyrus that was with it. In 1915, the coffin was acquired by the Marquis de Gestas in Tarbes. Georges Richard acquired the coffin in May 1975.]]></dcterms:provenance>
</rdf:Description></rdf:RDF>
