<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9191">
    <dcterms:title><![CDATA[Bed of Bones]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20  Bed of Bones T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74433]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1996]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 29 1/2 x 25 3/4 in. (74.9 x 65.4 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9186">
    <dcterms:title><![CDATA[Exhuming Moses]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20 Exhuming Moses T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74457]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1997]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 30 x 26 in. (76.2 x 66 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8984">
    <dcterms:title><![CDATA[Havana, Cuba, March 1998]]></dcterms:title>
    <dcterms:description><![CDATA[“There&#039;s a famous picture taken in the 1950s of Willie Mays playing stickball in Harlem. I played a lot of stickball growing up and always loved it. I wanted to replicate the Mays photo in Cuba because baseball is the national sport there. It&#039;s everywhere. Cuban children play ball in the streets like kids in U.S. cities used to do. It was my last Saturday on this trip and I was slowly weaving through the streets of old Havana, looking for kids playing ball, when I came upon this corner, La Esquina. If you study the picture, you see that every eye, not just the kids&#039; but even the dog&#039;s, is on that taped ball. It&#039;s the decisive moment, and there&#039;s no way to anticipate when you&#039;re going to get it.” –wi]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:date><![CDATA[1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Kurt Olender]]></dcterms:contributor>
    <dcterms:format><![CDATA[Archival pigment print]]></dcterms:format>
    <dcterms:identifier><![CDATA[2016.037.004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/9185">
    <dcterms:title><![CDATA[High Water Hog Blues]]></dcterms:title>
    <dcterms:description><![CDATA[Suite 19/20 High Water Hog Blues T. Huck 2000]]></dcterms:description>
    <dcterms:creator><![CDATA[Thomas Huck, American, 1971-]]></dcterms:creator>
    <dcterms:source><![CDATA[74442]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[1998]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Center Oil Corporation]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:rights><![CDATA[&#039;&#039;]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Newsletter, March - May 2003.]]></dcterms:relation>
    <dcterms:format><![CDATA[Woodcut]]></dcterms:format>
    <dcterms:format><![CDATA[Sheet: 34 x 30 in. (86.4 x 76.2 cm)<br />
Image: 30 x 26 in. (76.2 x 66 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2002.039.005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/8995">
    <dcterms:title><![CDATA[Stickball, Cuba, 1999]]></dcterms:title>
    <dcterms:description><![CDATA[“The best light in Cuba is reflected off these faded pastel toned walls. It might be amber, it might be pink. Even with black-and white film, it’s perfect. The light looks like somebody set it up in a studio.”<br />
Iooss loves photographing kids playing sports, you can hear it in his words: “The beauty of the game is seen when you’re a child—when the ball is thrown to you, nothing else exists in the world.”]]></dcterms:description>
    <dcterms:creator><![CDATA[Walter Iooss, American born 1943]]></dcterms:creator>
    <dcterms:date><![CDATA[1999]]></dcterms:date>
    <dcterms:contributor><![CDATA[Lent by Walter Iooss]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Walter Iooss]]></dcterms:rights>
    <dcterms:format><![CDATA[Photograph]]></dcterms:format>
    <dcterms:identifier><![CDATA[L2017.016.002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6841">
    <dcterms:title><![CDATA[Stealing of the Amrita: Page from a Mahabharata Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu.  Garuda&#039;s mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru&#039;s serpent sons.  The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods.<br />
<br />
Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him.  His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages.  In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise.  Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita.<br />
<br />
Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree.  The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance.  He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise.<br />
<br />
To retrieve the amrita, Garuda battled Indra and the other gods.  He defeated all of them except for Vishnu, who was himself injured.  Vishnu promised, then, that Garuda would become immortal and become his vahana.<br />
<br />
The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[59165]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6842">
    <dcterms:title><![CDATA[Stealing of the Amrita: Page from a Mahabharata Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu.  Garuda&#039;s mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru&#039;s serpent sons.  The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods.<br />
<br />
Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him.  His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages.  In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise.  Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita.<br />
<br />
Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree.  The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance.  He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise.<br />
<br />
To retrieve the amrita, Garuda battled Indra and the other gods.  He defeated all of them except for Vishnu, who was himself injured.  Vishnu promised, then, that Garuda would become immortal and become his vahana.<br />
<br />
The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita.<br />
]]></dcterms:description>
    <dcterms:source><![CDATA[59165]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6845">
    <dcterms:title><![CDATA[Rama Battles the Demon Army]]></dcterms:title>
    <dcterms:description><![CDATA[Here, Rama is shown slaughtering Khara’s demon army and then resting after battle with Lakshmana and Sita, who massages his feet. Depictions of Rama on both sides of this manuscript page emphasize his nobility, grace, and might, illus-trating the hero as an archetypal warrior and nobleman. <br />
On this side, Rama’s strength is evident as he massacres an entire army, without incurring so much as a scratch. Below, he wears the princely attire of a Rajput nobleman, rather than the garb of a forest-dwelling ascetic, emphasizing his nobility. On the other side, Rama is depicted bow in hand, a proficient and elegant warrior. He smiles fearlessly as a demon army approaches, demonstrating the kingly virtue of bravery.]]></dcterms:description>
    <dcterms:source><![CDATA[59178]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.002]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Kishangarh]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/6846">
    <dcterms:title><![CDATA[The Mutilation of Shurpanakha]]></dcterms:title>
    <dcterms:description><![CDATA[Ravana’s sister Shurpanakha fell deeply in love with Rama when she encountered him in the forest. Rama, faithful to his wife, Sita, rejected the demoness’s advances and incited Lakshmana to punish her by cutting off her ears and nose. This manuscript illustrates the aftermath of these events. In the upper left, a wounded Shurpanakha, seeking revenge, enlists the help of her brother Khara, flanked by two demons, who leads an army to kill the heroes (center). Below, after Rama directs his brother and wife to seek refuge, Rama valiantly prepares for battle. <br />
This manuscript shows Shurpanakha as a fair-faced, beautiful maiden wearing a sari identical to Sita’s. This depiction contrasts with Valmiki’s portrayal of her as a hideous-looking demoness and humanizes Shurpanakha, especially in comparison to her animal-faced demon brothers]]></dcterms:description>
    <dcterms:source><![CDATA[59178]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Museum purchase]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2015.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque watercolor and ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2013.011.002]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Kishangarh]]></dcterms:coverage>
    <dcterms:coverage><![CDATA[Indian]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://digitalprojects.carlos.emory.edu/items/show/7424">
    <dcterms:title><![CDATA[An Alternative Ending: Rama Defeated by His Sons]]></dcterms:title>
    <dcterms:description><![CDATA[Sons battle their father and uncles in this illustration of a scene from a later version of the Ramayana. Now ruling in Ayodhya, Rama begins the Ashvamedha, a horse sacrifice to define his territory. In this ritual, a horse, followed by the king’s army, wanders freely for one year, claiming new territories for the king. On this journey, the horse strays into the hermitage of the poet-sage Valmiki, where, unbeknownst to Rama, Sita and her twin sons Lava and Kusha have been living in her second exile. Lava and Kusha capture the horse and battle against the army of Rama, the father they have never known. At top center, Valmiki teaches young Lava and Kusha. Moving counter-clockwise, Sita embraces her sons, bidding them farewell as they head into battle. The sacrificial horse can be seen partly hidden in the bushes near other forest animals. Immediately to the right, Lava releases the captives Hanuman and Jambavan. The primary scene fills lower portion of the painting, and depicts the gruesome culmination of their battle, with Rama and his brothers left unconscious, but not dead.]]></dcterms:description>
    <dcterms:creator><![CDATA[Attributed to Purkhu and his workshop]]></dcterms:creator>
    <dcterms:source><![CDATA[48050]]></dcterms:source>
    <dcterms:publisher><![CDATA[Michael C. Carlos Museum, Emory University]]></dcterms:publisher>
    <dcterms:date><![CDATA[19th Century]]></dcterms:date>
    <dcterms:contributor><![CDATA[Gift of Jayantilal K. and Geeta J. Patel &amp; Family to further the study of Hinduism]]></dcterms:contributor>
    <dcterms:rights><![CDATA[© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2014.]]></dcterms:rights>
    <dcterms:rights><![CDATA[This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user&#039;s use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.]]></dcterms:rights>
    <dcterms:relation><![CDATA[MCCM Permanent Collection Reinstallation, October 27, 2014 - November 7, 2016]]></dcterms:relation>
    <dcterms:format><![CDATA[Opaque pigments on paper]]></dcterms:format>
    <dcterms:format><![CDATA[Frame: 17 1/2 x 20 1/2 in. (44.5 x 52.1 cm)<br />
Maximum (visible): 15 3/4 x 12 1/4 in. (40 x 31.1 cm)]]></dcterms:format>
    <dcterms:type><![CDATA[No]]></dcterms:type>
    <dcterms:identifier><![CDATA[2014.017.001]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[India, Kangra]]></dcterms:coverage>
</rdf:Description></rdf:RDF>
