11 10 420 https://digitalprojects.carlos.emory.edu/files/original/4fa3008e7fcf4f164ac8e4ab7229df6a.jpg a853655ff0a0a921efacc7829eec2c19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource Abduction on a Unicorn Date A point or period of time associated with an event in the lifecycle of the resource 1516 Format The file format, physical medium, or dimensions of the resource Etching 12 1/16 in High x 8 1/4 in Identifier An unambiguous reference to the resource within a given context 2018.015.001 Contributor An entity responsible for making contributions to the resource Museum purchase; Rollins Acquisition Fund Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/b8b1758f6802b53a46ef19a1c4abcf6a.jpg 9982b29ca9257d9573d10ac06c089028 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource The Martyrdom of St. Catherine Date A point or period of time associated with an event in the lifecycle of the resource 1498 Format The file format, physical medium, or dimensions of the resource Woodcut Identifier An unambiguous reference to the resource within a given context L2018.021.001 Contributor An entity responsible for making contributions to the resource Lent by the Pitts Theology Library, Candler School of Theology Rights Information about rights held in and over the resource Image courtesy of the Pitts Theology Library, Candler School of Theology, Emory Universtiy https://digitalprojects.carlos.emory.edu/files/original/11d22693b7de56bcaddccc0a3f09120a.jpg 59d4378162ec8d7f81b207dfc9029e72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource Christ Appearing to His Disciples (Doubting Thomas) Date A point or period of time associated with an event in the lifecycle of the resource ca. 1510 Format The file format, physical medium, or dimensions of the resource Woodcut Identifier An unambiguous reference to the resource within a given context L2018.021.004 Contributor An entity responsible for making contributions to the resource Lent by the Pitts Theology Library, Candler School of Theology https://digitalprojects.carlos.emory.edu/files/original/48cd2d9babc8cc8b5b05eb9fda02fe0c.jpg 08487a7c47e41426b1547b2dc2590ec4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource The Rhinoceros Date A point or period of time associated with an event in the lifecycle of the resource 1515 Format The file format, physical medium, or dimensions of the resource Woodcut 9 3/8 in High x 11 5/8 in Identifier An unambiguous reference to the resource within a given context 19.73.159 Contributor An entity responsible for making contributions to the resource Metropolitan Museum of Art, Gift of Junius Spencer Morgan, 1919 Rights Information about rights held in and over the resource Image courtesy of the Metropolitan Museum of Art https://digitalprojects.carlos.emory.edu/files/original/8786c987086e258c6751a6a3baa69e2c.jpg f0b9195f1a739c1dc8795e5bf5140b1e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource St. Jerome in His Study Date A point or period of time associated with an event in the lifecycle of the resource 1514 Format The file format, physical medium, or dimensions of the resource Engraving 9 11/16 in High x 7 7/16 in Identifier An unambiguous reference to the resource within a given context 19.73.68 Contributor An entity responsible for making contributions to the resource Metropolitan Museum of Art, Fletcher Fund, 1919 Rights Information about rights held in and over the resource Image courtesy of the Metropolitan Museum of Art https://digitalprojects.carlos.emory.edu/files/original/2d9883a308880cc623fd37b6aeafa7a1.tif bd2f53e5f1f036a58f52e2fa1aba8686 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Mr. and Mrs. Stephen H. Loeb Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1505, 1511 edition Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of three woodcut series, including the Life of the Virgin. In Durer's hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists. The Life of the Virgin Format The file format, physical medium, or dimensions of the resource Woodcut 11 3/4 x 8 1/4 in. (29.8 x 20.9 cm) Identifier An unambiguous reference to the resource within a given context 1983.001.009 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1-May 25, 1958| Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986| Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005 John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: Emory University Museum of Art and Archaeology, 1986), 51. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 27752 Subject The topic of the resource Woodcut Title A name given to the resource The Circumcision Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/129f84abf6d21d71cc9b0c2a0741dcee.tif 8f7748e5d8354a79452adea8b100abca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Mr. and Mrs. Stephen H. Loeb Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1503, 1511 edition Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the 16th Century with the publication of three woodcut series, including the Life of the Virgin. In Durer's hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists. Life of the Virgin Format The file format, physical medium, or dimensions of the resource Woodcut 12 1/16 x 8 9/16 in. (30.6 x 21.8 cm) Identifier An unambiguous reference to the resource within a given context 1983.001.010 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1 - May 25, 1958| Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986| Old Master Works on Paper from the Permanent Collection, Michael C. Carlos Museum, May 11 - August 22, 1993| Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005 John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: The Museum, 1986), 52. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 27753 Subject The topic of the resource Woodcut Title A name given to the resource The Adoration of the Magi Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/d59493fc6e6e97d65c2fc90b8d114826.tif 28b56793a408657f9b4d724fb7e35326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Margaret and Charlie Shufeldt Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1504 Description An account of the resource In this engraving Durer introduced the values of the Italian Renaissance to northern Europe. The print was much admired in his time and was to be a model for other artists for generations. In 1494-95 as a precocious young artist Durer traveled from his native Nuremberg to Italy, where he encountered the intellectual and artistic currents of the Renaissance, including the interest in newly discovered works of ancient sculpture. Thus, in this engraving, when he portrayed the first human beings created, he chose to model them with the perfection of the classical nude. Adam and Eve are portrayed with the proportions and contrapposto stance of two renowned antique statues, the Apollo Belvedere and a type of the Capitoline Venus. The idealized human figures, based on works of art, stand in contrast to the careful observation of nature found in his depiction of the animals. Despite their naturalism the animals also embody symbolic meaning. Four of the animals surrounding Eve were associated with the four humors or temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, the elk melancholic. According to medieval tradition the Fall of Man upset the original equilibrium of the humors and afflicted the human race with imbalanced temperaments. Format The file format, physical medium, or dimensions of the resource Engraving 9 3/4 x 7 9/16 in. (24.8 x 19.2 cm) Identifier An unambiguous reference to the resource within a given context 2006.057.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007| God Spoke the Earth: Stories of Genesis in Prints and Drawings, Michael C. Carlos Museum, September 13 - December 7, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 12628 Subject The topic of the resource Intaglio Title A name given to the resource Adam and Eve (The Fall of Man) Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/0af09f315c7f824cb1dabf7cf83ee6c6.tif 6a57200cf5e5b7100a8986e84b0e23fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of the Patrons of Paper Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1520 Description An account of the resource This is the last in a series of ten devotional images of the Virgin and Child that Durer engraved over a period of more than twenty years. This is the only one, however, that portrays a sleeping child. Depictions of the infant Jesus asleep in his mother's lap are prefigurations of his Passion. Just as the sleeping child will awake, so will Christ rise again from the dead after his Crucifixion. The swaddling clothes also prefigure the funeral shroud. In addition, the corporal, the altar cloth on which the Host symbolizing Christ's body was placed during the celebration of Holy Eucharist, was interpreted as a symbol of both swaddling and shroud. Format The file format, physical medium, or dimensions of the resource Engraving 5 3/4 x 3 5/16 in. (14.6 x 8.4 cm) Identifier An unambiguous reference to the resource within a given context 2006.057.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 12627 Subject The topic of the resource Intaglio Title A name given to the resource The Virgin with the Swaddled Child Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/584e04e56973d93e7df90da1602602e3.tif ab864754bb116e78edc0a33376f11ceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Anonymous gift in honor of Dr. John Howett Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1508 Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of the woodcut series, the Apocalypse. In Durer's hands the woodcut came to rival the technique of engraving with its subtle modeling and intricate detail, and he was able to achieve even greater refinement in his engravings. These three engravings belong to the series of fourteen that make up the Engraved Passion. Unlike Durer's two woodcut versions of Christ's Passion, these engravings were not accompanied by devotional text. This, together with the complex detail of the prints, suggests that the series was intended for art collectors interested in aesthetic contemplation as much as in religious meaning. The significance of each scene is only fully revealed in studying the image for an extended period of time. It was this narrative sophistication, combined with his skillful manipulation of light and shadow, that made Durer's engravings highly desirable to connoisseurs and widely copied by his contemporaries and successors. from the Engraved Passion Format The file format, physical medium, or dimensions of the resource Engraving 4 5/8 x 3 in. (11.7 x 7.6 cm) Identifier An unambiguous reference to the resource within a given context 2007.034.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13183 Title A name given to the resource The Betrayal of Christ Type The nature or genre of the resource No