11 10 420 https://digitalprojects.carlos.emory.edu/files/original/8ccde5473ffd71df82f089cbbf059149.jpg e5b29366912b9ecf74373275bc0baa7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coffin Board of a Woman Date A point or period of time associated with an event in the lifecycle of the resource Third Intermediate Period - Late Period, Dynasty 22 - Dynasty 25, ca. 943-655 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Wood, gesso, pigment 74 cm High x 50 cm Identifier An unambiguous reference to the resource within a given context 2018.010.410 Description An account of the resource A polychromed wooden upper end of a coffin lid. The owner wears the vulture headdress, a circlet, and a blue and yellow striped tripartite wig with lappets ending in a yellow band. Above her forehead is a winged scarab and she wears a broad collar. Below, her two-fisted hands are painted yellow, emerging from within the vestment. Between her hands is a column of text with the offering formula, surmounted by the recumbent form of Anubis holding his insignia. Coffin lids such as these date to the 22nd-25th Dynasties, and are common in and around the Faiyum area of Egypt. The coffin lid was purchased by Georges Ricard for the Senusret Collection on 2 October 1975 in Cannes, France, Ventes aux enchères: Collection of M. X. et à divers, lot number 134. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Bolton, UK. Bolton Museum and Art Gallery, no. 1892.7.2. New Orleans Museum of Art, 1977, no. 9004-06. Stockholm, Medelhavsmuseet, NME 1971.005. Other examples in: Taylor, John H. 2009. “Coffins as evidence for a "north-south divide" in the 22nd-25th Dynasties.” In Broekman, G. P. F., R. J. Demarée, and O. E. Kaper (eds), pp. 380-385. The Libyan Period in Egypt. Historical and cultural studies into the 21st-24th Dynasties: proceedings of a conference at Leiden University, 25-27 October 2007. Egyptologische Uitgaven 23. Leuven: Peeters. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The coffin lid was purchased by Georges Ricard for the Senusret Collection on 2 October 1975 at the Cannes ventes aux enchères: Collection of M. X. et à divers, lot 134. https://digitalprojects.carlos.emory.edu/files/original/41a934286145928e7dc9d86ec913b6c8.jpg 57303ff625dff4191586dca574e86d76 https://digitalprojects.carlos.emory.edu/files/original/22906805890759b22be662e0ccf4fc48.jpg 51cd2a9eadb4b2180b76ce4148bee3d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model Solar Boat Date A point or period of time associated with an event in the lifecycle of the resource Middle Kingdom, mid-Dynasty 11 - Dynasty 12, ca. 2000-1760 BC Format The file format, physical medium, or dimensions of the resource Wood, stucco, paint Height: 50.8 cm High x 89.3 cm x 15.2 cm Identifier An unambiguous reference to the resource within a given context 2018.010.415 Description An account of the resource Models of sailing boats were more common in burials of the 11th and 12th Dynasties to aid the deceased’s transportation in the afterlife. This model represents a solar boat with an erroneously placed crew and mast. The original solar boat had a raised prow and cover. The stern is missing and replaced by a rectangular box that originally had two round sticks at each corner. The falcon originally sat atop a cylindrical object that is now missing. The mast and crew were originally part of another boat, a sailing vessel. Ten figures stand around a central mast, wearing knee-length kilts and short wigs. Their arms are outstretched to adjust the rigging of sails. Kneeling figures sit one at the bow and the other at the stern, facing inward. A few model solar boats survive from Middle Kingdom tombs at Bersheh and Meir, but they are rare. Their purpose was to help the deceased join Ra in his bark as noted in the Coffin Texts and the Book of the Dead which contain the spells “for bringing the great bark of Ra” (Book of the Dead, Spells 102 and 136A). Ex-collection Henriette Zanon, Monte-Carlo, Monaco, since early 1900s. Purchased by Georges Ricard for the Senusret Collection on 3 May 1975. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Cairo, Egyptian Museum, nos. 4949, 4953. In: Reisner, George Andrew. Models of ships and boats (CG ; 4798-4976. 5034-5200) (Cairo: Impr. de l'IFAO, 1913), pp. 101-102, CG 4949, Pl. XXII, bottom, and 106-107, CG 4953, Pl. XXIV, top (from Bersheh). Merriman, Ann. Egyptian Watercraft Models from the Predynastic to Third Intermediate Periods. British Archaeological Reports, International Series no. 2263 (Oxford, England, 2011), pp. 401-402, and cat. 206, 207. New York, Metropolitan Museum of Art, no. 14.3.21. In: Hayes, William C. 1953. Scepter of Egypt I: A Background for the Study of the Egyptian Antiquities in The Metropolitan Museum of Art: From the Earliest Times to the End of the Middle Kingdom (Cambridge, Mass.: The Metropolitan Museum of Art), pp. 271-2, fig. 178; 270, fig. 177. Berkeley, CA, Phoebe Apperson Hearst Museum of Anthropology houses fragments of a 12th Dynasty model cedar boat from Tebtunis that includes a falcon, PAHMA no 6-20848. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ex collection Mrs. Henriette Zanon, Monte-Carlo, since early 1900, and thereby by descent Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt https://digitalprojects.carlos.emory.edu/files/original/02f6253cfacc4c9ec49a0212c279b93b.jpg 5c36b514ef6615a79854c1e6714b7372 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Face from a Coffin Lid Date A point or period of time associated with an event in the lifecycle of the resource Late Period, Dynasty 25, 722-655 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt, Faiyum Format The file format, physical medium, or dimensions of the resource Wood, gesso, pigment, bronze, resin (?) 45.7 cm High x 31 cm x 12 cm Identifier An unambiguous reference to the resource within a given context 2018.010.420 Description An account of the resource The deceased is shown wearing a blue tripartite wig with yellow stripes and a false beard. His eyes are inlaid and rimmed. Only three upper rows of the broad collar remain and a portion of drop-shaped beads in red, green, blue and yellow at the figure’s bottom left. The gesso remaining portion of the upper torso is painted white. Resin was painted over the pigment, which has yellowed over time. This upper part of a coffin lid is typical of cemeteries in and around the Faiyum in Egypt. Coffins are typified by the deceased wearing a flat-topped wig with broad stripes, a long beard, and a white coffin body decorated only with a collar. The coffin face was purchased by Georges Ricard for the Senusret Collection on 31 March 1973 in Marseille, France at the Ventes aux enchères publiques en l’Hotel des ventes du Prado, lot number 193. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Boston, Museum of Fine Arts, no. 1995.94 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The coffin face was purchased by Georges Ricard for the Senusret Collection on 31 March 1973 at the Ventes aux enchères publiques en l’Hotel des Ventes du Prado, lot 193. https://digitalprojects.carlos.emory.edu/files/original/d26f5a49455df46ee7b48fbe8951b339.jpg 897f7805cb86ea08c0eb099c29b01497 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statuette of Osiris Date A point or period of time associated with an event in the lifecycle of the resource Late Period, 722-332 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 19.3 cm High x 4.6 cm x 3.4 cm Identifier An unambiguous reference to the resource within a given context 2018.010.531 Description An account of the resource This bronze statuette depicts the mummiform god of the underworld Osiris. The body of the god is wrapped in a close-fitting shroud with his hands poking out of vertical slits. In his right hand he holds a flail, and in his left, a crook. On his head, Osiris wears the atef-crown, which combines the white crown of Upper Egypt with a central uraeus and ostrich feathers to either side of the crown. His beard and broad collar are delicately incised, as are the feathers on his crown, his flail and crook. The bronze stands on a rectangular base. The statuette was once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: London, The British Museum, EA29409 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ex collection Lord George Talbot (1763-1850), acquired by Georges Ricard in 3/3/1975 from Roger Galliano, who was a collector and an expert for French customs. https://digitalprojects.carlos.emory.edu/files/original/fb11c8377470d48efc399bb27f0debd3.jpg 9079613a931481810ab1faf73b88b9d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figure of a Baboon Playing a Lute Date A point or period of time associated with an event in the lifecycle of the resource Third Intermediate Period – Late Period, Dynasty 22 - Dynasty 26, 943–525 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Faience 6 cm High x 2.8 cm x 1.9 cm Identifier An unambiguous reference to the resource within a given context 2018.010.564 Description An account of the resource Animals playing musical instruments appear in Egyptian art from the Old Kingdom to the Roman Period. The baboon crouches on his hind quarters and plays a lute, an instrument that was introduced in the New Kingdom. Composed of spotted faience, this figurine likely dates to the Third Intermediate Period or later when workshops of spotted faience operated in the eastern Delta. A recent interpretation of figurines depicting a baboon playing an instrument suggest they relate to the myth of “The Return of the Faraway Goddess.” In this myth, the feline goddess Bastet was angry at the sun god Re, and left Egypt for Nubia. Re sent the baboon god Thoth to entice Bastet with fables. Musicians and dancers accompanied Bastet back to Egypt, and her arrival brought good fortune to Egypt. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century.  Georges Ricard purchased the faience baboon for the Senusret Collection on 1 February 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: New York, Metropolitan Museum of Art, 44.4.17 Emerit, Sibylle, 2013. Music and Musicians. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. The faience baboon was sold by Jean-Francois Mignon to Georges Ricard on 1 February 1975. https://digitalprojects.carlos.emory.edu/files/original/d2f1566d80bc13d7acd2a4c89ace8e42.jpg 9075260e7daf7463ee728da09aefc8cf https://digitalprojects.carlos.emory.edu/files/original/207b24d37a2fa8ffe10d0e82157b5e5d.jpg 2537f84705e8f8fb596882e89e2e08eb https://digitalprojects.carlos.emory.edu/files/original/28f1fc25206d8787fef26bff539d5b95.jpg c1fc93a39476df32241cc1c4b1394e30 https://digitalprojects.carlos.emory.edu/files/original/086268d62e6488ceedf654b969c0138c.jpg 397a147ed39bb0d52036f9336adbff1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shabti of Sety I Date A point or period of time associated with an event in the lifecycle of the resource New Kingdom, Dynasty 19, Reign of Sety I, 1290-1279 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Wood, resin 19.6 cm High x 5.8 cm x 4.1 cm Identifier An unambiguous reference to the resource within a given context 2018.010.609 Description An account of the resource The Egyptian ruler Sety I was buried with over 1000 shabtis of different materials, many of which are found in Egypt and museums around the world. When the king’s tomb (KV 17) was discovered by Giovanni Belzoni in 1817, he found shabtis strewn across the tomb floor. The king’s wooden shabtis were coated with resin, known as ‘black varnish,’ symbolizing the god Osiris and life after death. Shabtis were placed in the tomb to serve as surrogate for the king if he was called upon to do manual labor in the hereafter. The mummiform figurine is inscribed with the “shabit text” – Chapter 6 of the Book of the Dead – and royal cartouches containing the king’s name, Sety, and his throne name or prenomen, Menmaatra. The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References:
 Many parallels in Leiden, Rijksmuseum van Oudheden; London, British Museum; New York, Metropolitan Museum of Art; Rome, Vatican Museum, among others. Schneider, H. 1977. Shabtis, Part II (Leiden: Rijksmuseum van Oudheden), pp. 30-32. Aubert, J.-F. & L. Aubert 1974. Statuettes Égyptiennes: Chouabtis, Ouchebtis (Paris: Maisonneuve), pp.79-81, pls.12-13. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection. https://digitalprojects.carlos.emory.edu/files/original/45c7b681706725c716723aa741d7af3a.jpg f19c1b8d15eedcfa3118466539af9452 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coil Neck Pitcher Date A point or period of time associated with an event in the lifecycle of the resource Roman, 300-400 AD Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Eastern Roman Empire, possibly Syria Format The file format, physical medium, or dimensions of the resource Glass 18.8 cm High x 13 cm x 12.7 cm Identifier An unambiguous reference to the resource within a given context 2018.010.700 Description An account of the resource This jug is composed of green, free-blown glass. The body is spherical with a cylindrical neck and a funnel mouth. An applied ring is below the rim and a thick applied festoon rests low on the neck. The ribbon strap handle is pulled up from the jug’s shoulder and folded on the underside and over the rim. The bottom of the jug is kicked, with an irregular conical depression and a large pontil mark. The foot was formed with an applied coil. The spherical body exhibits a subtle spiral ribbing achieved by pattern blowing. The rim coil beneath the rim and neck coil at the base of the neck are typical fashion of the fourth century AD. The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Allaire Collection of Glass, nos. 44R and 56R Lucerne, Kofler-Truniger Collection Ancient Glass, Formerly the Kofler-Truniger Collection, Christie’s, London, 5-6 March 1985, lot 56 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> https://digitalprojects.carlos.emory.edu/files/original/ad74cea28de6cb84b7df796bd331ff82.jpg 719642213f56ca58666db990f0dae900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statuette of a Seated Cat Date A point or period of time associated with an event in the lifecycle of the resource Late Period, 722-332 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 13.5 cm High x 5.8 cm x 8.4 cm Identifier An unambiguous reference to the resource within a given context 2018.010.736 Description An account of the resource Cats, in ancient Egypt, were not just pets but symbols of Bastet, the goddess of fertility and protection. The popularity of Bastet’s cult from the Late Period to the Ptolemaic Period led to the creation of a large number of seated cat statuettes. This cat is seated with head held erect and tail curled to the right. Her expression is attentive with ears slightly back. These features express the essence of a cat being dignified and aware. The left ear of the cat was pierced and wears a modern gold earring. The statuette was once part of the Capitant collection and was purchased by Georges Ricard for the Senusret Collection on 21-22 May 1977 in Avignon, France at the Hotel des Ventes d’Avignon: Exceptionnelle grande vente aux enchères publique: Meubles, objets d’art, lot number 47.  Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Museum of Fine Arts Boston 53.2385 Leiden, Rijksmuseum van Oudheden AB 166 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The statuette was once part of the Capitant collection and was purchased by Georges Ricard for the Senusret Collection at the Hotel des Ventes d’Avignon Exceptionnelle grande vente aux enchères publique: Meubles, objets d’art on 21-22 May 1977. https://digitalprojects.carlos.emory.edu/files/original/3dc769e8a2e00fd8b1aae13a708a8100.jpg 0cfb69bf02bb15f2917599274f36a758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Votive Statuette of Neith Date A point or period of time associated with an event in the lifecycle of the resource Late Period, 722-332 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 20.7 cm High x 4.3 cm x 6.9 cm Identifier An unambiguous reference to the resource within a given context 2018.010.785 Description An account of the resource The worship of the goddess Neith began as early as the third millennium BC and continued until the end of the pharaonic era. She was a complex deity who was a warrior goddess, a creator goddess, a mother goddess. As a funerary goddess, she is mentioned in the Old Kingdom Pyramid Texts. Neith was also the goddess of Lower Egypt whose principal site of worship was Sais, in the eastern Nile Delta. The goddess wears the Red Crown associated with lower Egypt, and strides forward with her left leg advanced on an integral rectangular plinth. She holds one arm at her side and the other stretched out before her. Each fist is pierced and once carried insignia. She wears an ankle-length dress and a delicately incised broad collar around her neck. The tip of the Red Crown and spiral wire are destroyed. The statuette was once part of the Romanov collection and was purchased by Georges Ricard for the Senusret Collection from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Boston, Museum of Fine Arts, 05.94 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The statuette was once part of the Romanov collection and was purchased by Georges Ricard for the Senusret Collection from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. https://digitalprojects.carlos.emory.edu/files/original/a99b8883136afd66c725126797a3e342.jpg ca72bc69833ec1864f9eb2495e2e470c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Thomas Hück (American, born 1971) Title A name given to the resource Electric Baloneyland: All on Board the Star Spangled Shit Show Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Format The file format, physical medium, or dimensions of the resource Chiaroscuro woodcut 86 in High by 28 in Identifier An unambiguous reference to the resource within a given context 2018.011.001A Contributor An entity responsible for making contributions to the resource Museum purchase Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.