12 10 420 https://digitalprojects.carlos.emory.edu/files/original/e59310068ec24c1f101969aa59c853b0.jpg 5e8acc8b03bf47e04ffb831622db4821 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Thomas Hück (American, born 1971) Title A name given to the resource Electric Baloneyland: Fishhookin' - Here Comes Mr. Fishy Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Format The file format, physical medium, or dimensions of the resource Chiaroscuro woodcut 86 in High x 52 in Identifier An unambiguous reference to the resource within a given context 2018.011.001B Contributor An entity responsible for making contributions to the resource Museum purchase Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/3345b382775329eec4548b73a0cc1fe1.jpg a2100cfa47930805e15948c004948645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Thomas Hück (American, born 1971) Title A name given to the resource Electric Baloneyland: Assassi-Nation Station Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Format The file format, physical medium, or dimensions of the resource Chiaroscuro woodcut 86 in High x 28 in Identifier An unambiguous reference to the resource within a given context 2018.011.001C Contributor An entity responsible for making contributions to the resource Museum purchase Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/6f44f7925d5a325d6d0954f093e18971.jpg 37088d94182b261c3e63e36eb19b953a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Thomas Hück (American, born 1971) Title A name given to the resource Electric Baloneyland: She's a Beauty Date A point or period of time associated with an event in the lifecycle of the resource 2015-2017 Format The file format, physical medium, or dimensions of the resource Chiaroscuro woodcut 16 in High x 96 in Identifier An unambiguous reference to the resource within a given context 2018.011.001D Contributor An entity responsible for making contributions to the resource Museum purchase Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/4fa3008e7fcf4f164ac8e4ab7229df6a.jpg a853655ff0a0a921efacc7829eec2c19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource Abduction on a Unicorn Date A point or period of time associated with an event in the lifecycle of the resource 1516 Format The file format, physical medium, or dimensions of the resource Etching 12 1/16 in High x 8 1/4 in Identifier An unambiguous reference to the resource within a given context 2018.015.001 Contributor An entity responsible for making contributions to the resource Museum purchase; Rollins Acquisition Fund Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/ac5b4daa55c086515f0329bdeaf847c0.jpg 4fcef978224906661f24397820d5ab25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 19 1/4 in High x 12 3/4 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vishvarupa: the cosmic form of Krishna Date A point or period of time associated with an event in the lifecycle of the resource 18th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Rajasthan, Nathdwara Format The file format, physical medium, or dimensions of the resource Opaque watercolor with gold Identifier An unambiguous reference to the resource within a given context 2019.3.1 Contributor An entity responsible for making contributions to the resource Gift of the Jayantilal K. and Geeta J. Patel family to further the study of Hinduism. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/c7f4ff663cb49cd71097f2de08279505.jpg 4714445d7c490002779592f7c78e4b60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Rogier van der Weyden (Flemish, 1399/1400-1464) Title A name given to the resource The Seven Sacraments Altarpiece Date A point or period of time associated with an event in the lifecycle of the resource 1455-1460 87 3/4 in High x 86 9/16 in Format The file format, physical medium, or dimensions of the resource Oil on Oak Panel Identifier An unambiguous reference to the resource within a given context 393-395 Contributor An entity responsible for making contributions to the resource Royal Museum of Fine Arts, Antwerp Rights Information about rights held in and over the resource Image courtesy of the Royal Museum of Fine Arts, Antwerp https://digitalprojects.carlos.emory.edu/files/original/6d04cdce15d9c4482ca4303dbdceb5c5.jpg b5ba2b6f10ea29461ca95db17b0406fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource A Lady on Horseback with a Landsquenet Date A point or period of time associated with an event in the lifecycle of the resource 1497 Format The file format, physical medium, or dimensions of the resource Engraving Identifier An unambiguous reference to the resource within a given context E, 4.142 Contributor An entity responsible for making contributions to the resource The British Museum Rights Information about rights held in and over the resource © Trustees of the British Museum Description An account of the resource This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print. The photograph of Warhol above, which also appears in Warhol’s Index (Book), implies that he viewed himself as a master printmaker in the tradition of Albrecht Dürer (German, 1471-1528), the printmaking great of the Northern Renaissance. Dürer’s monogram, a combination of his initials, A and D, appears at bottom right. Warhol’s unusual jacket offers a second, subtler nod to Dürer. Not only indicative of Warhol’s fashion-forward style, the jacket’s shredded sleeves and high collar also recall the traditional attire of a landsknecht, a type of sixteenth-century German mercenary frequently depicted by Dürer (right). https://digitalprojects.carlos.emory.edu/files/original/3d09e9625b3da0462511df6fd1afe488.jpg 14ab85d35851fb5e4891163e4f2d87c3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Wood, palm oil, pigment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Byeri Guardian Figure Date A point or period of time associated with an event in the lifecycle of the resource late 19th - early 20th century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Gabon Format The file format, physical medium, or dimensions of the resource Wood, palm oil, pigment Identifier An unambiguous reference to the resource within a given context L2010.4.1 Description An account of the resource Byeri reliquary figures are guardian figures that stand atop cylindrical bark boxes (nsuk byeri) filled with powerful medicine and the skulls of ancestors. Thus, they are not powerful in and of themselves, but indicate that something powerful lay beneath. The figures, however, were of great interest to western collectors and readily sold by the Fang, who considered the relics to be the most important part. This, in addition to colonial laws imposed during the twentieth century that outlawed byeri practices, meant that byeri tradition was virtually extinct by the middle of the century. Byeri figures are known for their animated quality. They are not naturalistic, but they are dynamic; the face is often carved with a relaxed expression, while the arms and legs are active and engaged, bent as though the figure is about to leap into action. The figure is further animated by the reflective surface that vibrantly responds to light. The goal of the Byeri cult was to connect living and deceased so the Fang kept the guardian figures and relics happy and nourished with the application of camwood oil, giving the figure a reddish sheen. Source A related resource from which the described resource is derived Lent by Lewis M. Dubroff https://digitalprojects.carlos.emory.edu/files/original/781d92253356eccc15ef423461a1db7f.jpg 23455c93d144369c90484fc99408fab1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Tell the Whole Story from Beginning to End: Loan Objects Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image Sheet: 7 1/2 x 12 1/2 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Kidnapping of Sita, Admonishment of Lakshmana Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Identifier An unambiguous reference to the resource within a given context L2015.024.001 Source A related resource from which the described resource is derived Courtesy of Harshna and Pyush Patel Medium The material or physical carrier of the resource. Watercolor with gilding Description An account of the resource After his sister is mutilated, Ravana plots revenge in the form an elaborate scheme to kidnap Sita. Ravana’s brother Maricha takes the form of a golden deer and bounds past Rama’s hermitage. Sita requests her prince to kill the deer, so Rama instructs Lakshmana to watch over Sita while he goes hunting. When Rama is gone, Lakshmana hears Maricha, dying from Rama’s arrow, call for help in Rama’s voice, and is fooled into abandoning his post to search for Rama. Ravana seizes the opportunity to abduct Sita. Reading the painting from left to right, Ravana carries Sita away from her opulent hermitage in the highly stylized forest while Rama chastises to Lakshmana over the corpses of Maricha and the golden deer. The juxtaposition of these two scenes in painting is unusual, and the focus on Lakshmana suggests that a failure of fraternal duty leads to Sita’s abduction as much as the villainy of Ravana. By ignoring his elder brother’s command, Lakshmana ignores his duty. All around, flowers blossom in vibrant colors, contrasting the perfection of nature with the failings of Lakshmana. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, possibly the Deccan https://digitalprojects.carlos.emory.edu/files/original/701347ebcc83eee47a51cd7ea3b08df5.jpg a5f4bfcba14b22989e0eadfd6d333e65 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 12 in High x 8 7/8 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kurma the tortoise and the churning of the ocean Date A point or period of time associated with an event in the lifecycle of the resource mid 19th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Punjab Format The file format, physical medium, or dimensions of the resource Opaque watercolor Identifier An unambiguous reference to the resource within a given context L2016.12.1 Contributor An entity responsible for making contributions to the resource Courtesy of Harshna and Pyush Patel Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University