13 10 420 https://digitalprojects.carlos.emory.edu/files/original/b2ebf66bfdf446d1bc7d8b042ee599e8.jpg b4e204ccc79990bed7b6ef5446f895f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer, February 16 - June 9, 2019 Date A point or period of time associated with an event in the lifecycle of the resource 2019 Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/5b0158e5ef2aaabc506ae374f6f10202.jpg 9187afe6afeef46a1fce230e574cb513 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer, February 16 - June 9, 2019 Date A point or period of time associated with an event in the lifecycle of the resource 2019 Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/3b1932ea1b123f25ee056f4d008ee554.jpg f73f39a4504f475cc4db54ce412318dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer, February 16 - June 9, 2019 Date A point or period of time associated with an event in the lifecycle of the resource 2019 Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/825e47fa10ccdd882ab869f6b4ed2d36.jpg eb2ec7f35d4e4c27f44ee06cd787961b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer, February 16 - June 9, 2019 Date A point or period of time associated with an event in the lifecycle of the resource 2019 Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/2d7a9c2fdadeaa21a36b34b4a8f94dc4.jpg 6fabf7a3ced493f1dd8447a4463ad537 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer, February 16 - June 9, 2019 Date A point or period of time associated with an event in the lifecycle of the resource 2019 Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/89916f34377c59ace1ee01102a191dec.tif e68dc7ec84f9316cb3936d7ae76fab68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Ex coll. William S. Arnett Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Central Africa, Democratic Republic of the Congo Kuba Date A point or period of time associated with an event in the lifecycle of the resource 20th Century Description An account of the resource This embroidered cloth is sometimes called "Kasai velvet" after the region of the Democratic Republic of Congo from which they originate and the cut-pile technique of their manufacture. The underlying raffia structure is woven by men on upright looms while women embroider and cut the intricate geometric designs of intermeshing chevrons, squares, and crosses. Each pattern is separately named, and many are said to have originated with Woot, the mythic founder-hero of the Kuba state or with his mother who is said to have invented mat-weaving. The most distinctive feature of Kuba textile design is the staggering and suspension of the pattern. This characteristic discontinuity makes them quite different from European textiles which usually exhibit either an overall symmetry or continuous repeats of design elements. Instead the offbeat repetitions found in Kuba designs have been likened by scholars to the improvisation and breaks found in jazz music. At the same time the overall effect is one of an orderly decorated surface. Format The file format, physical medium, or dimensions of the resource Raffia, pigment 24 3/16 x 21 7/8 in. (61.4 x 55.5 cm) Identifier An unambiguous reference to the resource within a given context 1994.004.520 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource The Social Life of Kuba Cloth, Michael C. Carlos Museum, June 27, 1998 - February 21, 1999 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2012. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 36449 Subject The topic of the resource Textile, cloth, fiber Title A name given to the resource Textile Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/296d5f4cbb2f5ee98060266e6b2a211c.jpg 18a655d3dbeead9e4820e4b3a00de1cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource John Gould Date A point or period of time associated with an event in the lifecycle of the resource April 13, 1982 Format The file format, physical medium, or dimensions of the resource Silver gelatin print Identifier An unambiguous reference to the resource within a given context 2008.17.117 Description An account of the resource Jon Gould was one of Warhol’s few great loves. When they met in 1980, Gould was a Paramount Pictures executive and only 27 years old. Friends described him as a man living two lives, one by himself in Los Angeles, the other in New York with Warhol, and with two personas, straight or gay, awkward or possessing an undeniable swagger, depending on the circumstances. Warhol’s diary references Gould repeatedly, including his excited anticipation of dates and his tangible bleakness when their plans fell through. He desperately sought to impress Gould by changing his clothing and physical appearance and treating him to glamorous parties at Studio 54. The photograph on the right shows Gould in conversation with Peter Wise, a photo archivist and Warhol’s friend and colleague. The shot captures an unfettered moment of connection, Gould through Warhol’s eyes. Unabashedly in love and a consummate observer, Warhol took photographs of Gould at every chance. He is the most photographed subject in Warhol’s entire body of work. Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/a4254f2191c90222cdc4a00b45e60e63.jpg 9de0d524d4450e60e69400b572e1898b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Boxes Date A point or period of time associated with an event in the lifecycle of the resource April 26, 1982 Format The file format, physical medium, or dimensions of the resource Gelatin Silver Print Identifier An unambiguous reference to the resource within a given context 2008.17.143 Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Description An account of the resource Despite the financial hardships of his Depression era youth, Warhol’s parents, Andrej and Julia, bought his first camera at the age of eight. This gift would lead to a lifetime of observing and documenting his surroundings and relationships that influenced his compositional sense and inspired the working method for some of his most well-known prints. For example, the photograph at the left reveals his affinity for the repetition of shapes, here in the form of stacked boxes. This type of composition also appears in his many of his finished portraits, such as this vivid screen print of German artist Joseph Beuys. Warhol first met Beuys in 1979 at an art opening in Düsseldorf, Germany. Mere moments after meeting Beuys, Warhol asked to photograph him. Perhaps because of the public setting, Warhol only took one shot of Beuys, rather than his typical multitude of poses per subject (like the Polaroids of artist Sandro Chia in the center case). The photograph of Beuys, which served as a “sketch,” became the basis for a series of screen print portraits with many variations. Some held only a single, monochromatic image of Beuys. Others, like this one, bear Warhol’s recognizable multiplicity of brightly-colored images. In a nod to Beuys’ own preferred materials, one of which was felt, Warhol covered this portrait of the artist with rayon flocking. Warhol’s humorous diary entry from a later encounter with Beuys demonstrates both his respect for the artist and his openness regarding what constitutes finished work of art. Sunday, March 8, 1981 Düsseldorf—“We had breakfast with Joseph Beuys, he insisted that I come to his house and see his studio and the way he lives and have tea and cake, it was really nice. He gave me a work of art which was two bottles of effervescent water which ended up exploding in my suitcase and damaging everything I have, so I can’t open the box now, because I don’t know if it’s a work of art anymore or just broken bottles. So if he comes to New York I’ve got to get him to come sign the box because it’s just a real muck.” https://digitalprojects.carlos.emory.edu/files/original/ab786a394f5961920304b3d44040f89a.jpg 4831a689ad380524c29463c7babd4e32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 16 in High Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Varaha - the boar Date A point or period of time associated with an event in the lifecycle of the resource ca. 10th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Northeastern India Format The file format, physical medium, or dimensions of the resource Stone Identifier An unambiguous reference to the resource within a given context L2020.11.8 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/2d9883a308880cc623fd37b6aeafa7a1.tif bd2f53e5f1f036a58f52e2fa1aba8686 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Mr. and Mrs. Stephen H. Loeb Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1505, 1511 edition Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of three woodcut series, including the Life of the Virgin. In Durer's hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists. The Life of the Virgin Format The file format, physical medium, or dimensions of the resource Woodcut 11 3/4 x 8 1/4 in. (29.8 x 20.9 cm) Identifier An unambiguous reference to the resource within a given context 1983.001.009 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1-May 25, 1958| Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986| Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005 John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: Emory University Museum of Art and Archaeology, 1986), 51. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 27752 Subject The topic of the resource Woodcut Title A name given to the resource The Circumcision Type The nature or genre of the resource No