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                <text>Attributed to Purkhu and his workshop</text>
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                <text>Courtesy of Pyush and Harshna Patel</text>
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                <text>In one version of the Ramayana, after his coronation, Rama banishes Sita to the forest in response to rumors that she was unfaithful during her captivity in Lanka. In this painting, Rama performs a fire sacrifice as part of his royal duties. Since tradition holds that the sacrificer’s wife must be present, a golden statue replaces the exiled Sita. The statue highlights the dilemma of a king who must follow the proscribed ritual of sacrifice, but must also banish a potentially unfaithful wife.&#13;
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                <text>Lent by Walter Iooss</text>
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                <text>© Walter Iooss</text>
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                <text>There are only so many angles that a photographer can capture from the press box. Iooss created this non-sequential series of images to represent what he calls Koufax’s “perfect motion.” The central image is also featured in this exhibition.</text>
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                <text>© Walter Iooss</text>
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                <text>“The best light in Cuba is reflected off these faded pastel toned walls. It might be amber, it might be pink. Even with black-and white film, it’s perfect. The light looks like somebody set it up in a studio.”&#13;
Iooss loves photographing kids playing sports, you can hear it in his words: “The beauty of the game is seen when you’re a child—when the ball is thrown to you, nothing else exists in the world.”</text>
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                <text>While in pursuit of the home run record held by Babe Ruth (714), Aaron received thousands of letters daily. Some were congratulatory, but many were angry that an African American was poised to eclipse Ruth and Break baseball’s most hallowed record.&#13;
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                <text>"Sudden" Sam McDowell during Yankees Spring Training, Bradenton, Florida, 3/6/1974 (McKecknie Field)</text>
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                  <text>Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University</text>
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                <text>Lent by Jeff Hartz Gallery</text>
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                <text>This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                  <text>Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University</text>
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                <text>Lent by Jeff Hartz Gallery</text>
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                <text>This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                  <text>Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer</text>
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                  <text>Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University</text>
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                <text>Albrecht Dürer (German, 1471-1528)</text>
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                <text>The Martyrdom of St. Catherine</text>
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                <text>Woodcut&#13;
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                <text>L2018.021.001</text>
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                <text>Lent by the Pitts Theology Library, Candler School of Theology</text>
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                <text>Image courtesy of the Pitts Theology Library, Candler School of Theology, Emory Universtiy</text>
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