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                <text>MCCM Newsletter, March - May 2003.</text>
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                <text>© Michael C. Carlos Museum, Emory University.  Photo by Bruce M. White, 2018.</text>
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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45.7 cm High x 31 cm x 12 cm</text>
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                <text>The deceased is shown wearing a blue tripartite wig with yellow stripes and a false beard. His eyes are inlaid and rimmed. Only three upper rows of the broad collar remain and a portion of drop-shaped beads in red, green, blue and yellow at the figure’s bottom left. The gesso remaining portion of the upper torso is painted white. Resin was painted over the pigment, which has yellowed over time. &#13;
&#13;
This upper part of a coffin lid is typical of cemeteries in and around the Faiyum in Egypt. Coffins are typified by the deceased wearing a flat-topped wig with broad stripes, a long beard, and a white coffin body decorated only with a collar.&#13;
&#13;
The coffin face was purchased by Georges Ricard for the Senusret Collection on 31 March 1973 in Marseille, France at the Ventes aux enchères publiques en l’Hotel des ventes du Prado, lot number 193.</text>
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Boston, Museum of Fine Arts, no. 1995.94  </text>
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                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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                <text>The coffin face was purchased by Georges Ricard for the Senusret Collection on 31 March 1973 at the Ventes aux enchères publiques en l’Hotel des Ventes du Prado, lot 193.</text>
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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              <name>Rights</name>
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                <elementText elementTextId="120824">
                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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Mask: wax, gold; 4.8 cm High x 17.4 cm x 7.7 cm</text>
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                <text>2018.010.001A (coffin lid), 2018.010.001B (coffin base), 2018.010.001C (mummy), 2018.010.001D (mummy mask), 2018.010.001E-H (magic balls)</text>
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                <text>The falcon-headed coffin and the hieroglyphic text is associated with the funerary deity Ptah-Sokar-Osiris.  Inside the coffin is a corn mummy composed of grain and earth wrapped in linen that is covered with resin. The head of the mummy is fitted with an Osiris mask of gilded beeswax with the eyebrows, eyes and beard painted in black pigment. The four clay magic balls have white markings and once accompanied the corn Osiris as magical protection. &#13;
&#13;
The lower part of the lid has two columns of inscription. The text is Utterance 368 of the Pyramid Texts, reading: “words spoken by Osiris…. Your (mother) Nut (spreads herself) over you in her name….For you are the greatest of her children. Geb is gracious to you….He has given you your head….He has caused Thoth to reassemble you. . . "&#13;
 &#13;
Corn-mummies embody the forces of rebirth under the control of the god Osiris.  The process of assembling grain and earth in the form of Osiris symbolizes the cosmic cycle of death and rebirth and its preservation. &#13;
&#13;
The object was once part of the collection of Viscountess Elizabeth Dow Dalton from the early 20th century and was purchased by Georges Ricard for the Senusret Collection on 24 July 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. &#13;
&#13;
[See additional images below]</text>
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Centrone, Maria 2009. Egyptian Corn-mummies: A class of religious artefacts catalogued and systematically analysed (Saarbrücken: VDM), pp. 70-73, pl. XXXVII.&#13;
&#13;
Parallels and References:&#13;
Cairo, Grand Egyptian Museum, 32685. Originally from Ashmunein.&#13;
Boston, Museum of Fine Arts, 2001.547.1-2 &#13;
Berlin, Ägyptisches Museum, Inv. No. 6/66 &#13;
New York, Metropolitan Museum of Art, 58.98 A-D&#13;
New York, Metropolitan Museum of Art, 58.106 A-C &#13;
London, British Museum, EA 41552</text>
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                <text>The object was once part of the collection of Viscountess Elizabeth Dow Dalton from the early 20th century and was purchased by Georges Ricard for the Senusret Collection on 24 July 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. </text>
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