14 10 420 https://digitalprojects.carlos.emory.edu/files/original/272f957d4f08a4047ef7870fd442afe5.tif 74bf9090901e35058fdae7f66314acbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource John Howett Fund Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1509 Format The file format, physical medium, or dimensions of the resource Woodcut Image: 5 x 3 13/16 in. (12.7 x 9.7 cm) Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm) Identifier An unambiguous reference to the resource within a given context 2015.052.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2016. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 66724 Title A name given to the resource Christ Nailed to the Cross Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/5c585367299f293e40c86feacbeea4f5.tif 6d14db6627d09391b6f99e785e4fd30c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource John Howett Fund Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1510 Format The file format, physical medium, or dimensions of the resource Woodcut Image: 5 x 3 13/16 in. (12.7 x 9.7 cm) Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm) Identifier An unambiguous reference to the resource within a given context 2015.052.004 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2016. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 66733 Title A name given to the resource The Last Judgement Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/11d22693b7de56bcaddccc0a3f09120a.jpg 59d4378162ec8d7f81b207dfc9029e72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource Christ Appearing to His Disciples (Doubting Thomas) Date A point or period of time associated with an event in the lifecycle of the resource ca. 1510 Format The file format, physical medium, or dimensions of the resource Woodcut Identifier An unambiguous reference to the resource within a given context L2018.021.004 Contributor An entity responsible for making contributions to the resource Lent by the Pitts Theology Library, Candler School of Theology https://digitalprojects.carlos.emory.edu/files/original/889eb689ac7c60aa9d03500f35b1c0ba.tif 9c5bf827c0e50cbce20d2b5de1059173 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Margaret and Charlie Shufeldt in honor of Dr. Walter S. Melion Creator An entity primarily responsible for making the resource Hendrick Goltzius, Dutch, 1558-1617 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1591-1592 Description An account of the resource The monumental size and extremely lifelike quality of this portrait of Coornhert (1522-1590), the master who taught Goltzius the art of engraving, are rivaled in this period only by the portrait of Goltzius engraved by his pupil Jan Muller. While the inscription on the oval frame states that the portrait was "painted from life" (ad vivum depictus), the engraving itself was executed only after Coornhert's death. It was an act of homage and remembrance from student to master. The portrait and its oval border were engraved on one copper plate, while the decorative surround was printed from another. The objects in each corner of the frame represent Coornhert's talents and accomplishments as an engraver and lover of painting, as a musician, as a swordsman, and as a humanist scholar. The motto in Dutch at the top center, "Weet, of rust" (Know, or be still) was Coornhert's own. The Latin inscription at the bottom praises Coornhert's love of truth and freendom as expressed in his writings. Border inscription: Theodorus Cornhertius, ad vivum depictus et aeri incisus ab H. goltzio/ Natus Amstelredami anno MDXXII. Denatus Goudea anno MDXC. Format The file format, physical medium, or dimensions of the resource Engraving 20 1/2 x 16 5/16 in. (52.1 x 41.4 cm) Identifier An unambiguous reference to the resource within a given context 2007.027.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13180 Title A name given to the resource Portrait of Dirck Volckertsz Coornhert Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/1ca71f68c839ea79d45c5ef15bcad013.tif 95904d7ade7c02cabf7313e9b3cb2410 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Malwa Date A point or period of time associated with an event in the lifecycle of the resource ca. 1680s Description An account of the resource Numbered "48" on verso. Rama and his companions have now joined forces with the forest monkeys to retrieve Sita. Sugriva, king of the monkeys, sends Hanuman (center), his nephew Angada (right), and the king of the bears, Jambavan (left), south in search of Sita. After they realize Sita is being held captive on the island of Lanka, Jambavan convinces Hanuman to use his superhuman powers to leap across the ocean to find her. Here, Hanuman wears both the prayer beads and white markings of an ascetic and the garb of a wealthy royal, marking his status as Rama’s devotee and equal. He wields his signature weapon, a mace, as he leaps from Mount Mahendra across the ocean toward Ravana’s fort, ornately painted with vases on display in niches. Ravana may be morally bankrupt, but his demon kingdom flourishes. The depiction of Jambavan as a bear—here depicted with a very humanlike beard—highlights an interesting evolution in this character. In Valmiki’s Ramayana, Jambavan is king of the apes, but later tellings understand him to be king of the bears, diversifying Rama’s allies. Format The file format, physical medium, or dimensions of the resource Ink and watercolor on paper Framed: 11 1/4 x 14 1/2 in. (28.6 x 36.8 cm) Image (visible): 7 3/4 x 11 in. (19.7 x 27.9 cm) Identifier An unambiguous reference to the resource within a given context 2015.016.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59190 Title A name given to the resource Hanuman Leaps to Lanka Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/11f0f6f0755c6cd2aa479cd0f3f819b5.tif 0142db4fe445ec6db619781b765889b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Malwa Date A point or period of time associated with an event in the lifecycle of the resource ca. 1680s Description An account of the resource Numbered "52" on verso. Having penetrated the citadel of Lanka, Hanuman finds Sita imprisoned in a grove of ashoka trees (upper left). Sita, diminutive and vulnerable in her translucent sari, her eyes cast downward in piety and terror, refuses to be taken away by Hanuman, as she will allow no man but her husband to touch her. Rama himself must wage war on the kingdom of Lanka to ensure her safe return. As Hanuman departs from his meeting with Sita, Ravana dispatches general after general to defeat the monkey. Hanuman crushes each in turn, leaving them maimed and bleeding in the grove, one shown having lost his arm. While other paintings portray demons as fierce, animal-like creatures, here the demons appear as Rajput noblemen, wearing turbans and regal clothes, signaling their high status in a wealthy kingdom and the potential for appearances to deceive. Format The file format, physical medium, or dimensions of the resource Ink and watercolor on paper Framed: 11 1/4 x 14 1/2 in. (28.6 x 36.8 cm) Image (visible): 7 3/4 x 11 1/8 in. (19.7 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2015.016.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59196 Title A name given to the resource Hanuman Fights for Sita Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/a2c58d318b1ba650a4d85bfae9dc8258.tif 98814fe597f753de65503aa9a7093a88 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Rajasthan, Mewar Date A point or period of time associated with an event in the lifecycle of the resource ca. 1710 Format The file format, physical medium, or dimensions of the resource Opaque watercolor and gold on paper Image: 10 1/2 x 16 1/2 in. (26.7 x 41.9 cm) Identifier An unambiguous reference to the resource within a given context 2015.036.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59200 Title A name given to the resource Rama Leaves for Exile, Bharata Laments Type The nature or genre of the resource No Description An account of the resource The Rajasthani text at the top of this painting directs us to begin at the bottom right, where Guha, chief of the Nishadas, a forest tribe, reports his earlier encounter with Rama to Bharata, outside of his royal tent. The other scenes depict Guha’s account. At top left, Guha converses with Lakshmana, who watches over Rama and Sita as they sleep on the forest floor, about the precarious state of Ayodhya. A scene of the court is seen at top right, with Dasharatha surrounded by his three queens. Guha then explains how, taking on ascetic garb, Rama matted his hair with the sap of a banyan tree (center), prior to crossing the Ganges River, ferried by Guha (bottom left). The story ends in the bottom right, where Bharata appears again, collapsing in grief after hearing of Rama’s arduous journey. In reaction to Rama’s untimely exile, the painting illustrates multiple forms fraternal piety: Lakshmana’s steadfast devotion and Bharata’s pious grief. One joins Rama in his forest trial; the other must endure his absence, reluctantly ruling a kingdom bereft of its true king. https://digitalprojects.carlos.emory.edu/files/original/431025c49ba08f7c17a1735e029fd61e.tif 8a3b99ef0df526ed55988071460b1c17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of William E. Torres Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Mewar Date A point or period of time associated with an event in the lifecycle of the resource ca. 1710 Description An account of the resource It could be said that the Ramayana begins with a failure: Rama should be king, but his rightful claim to the throne is denied. Here king Dasharatha, having joyously resolved on the succession of his eldest son Rama, has sent the charioteer Sumantra to summon him. As is typical of Mewari style, the painting tells a sequential narrative, with individual scenes separated by architectural motifs and blocks of color. It centers on Rama’s brief chariot journey, across a sparse, stylized field, from his private but majestic home (right) to Dasharatha’s palace (left), its lofty height indicated by a short set of stairs. In the assembly, Rama, seated reverently below three brahmin advisors and the enthroned king himself, learns of his imminent coronation. The coronation, however, will soon be interrupted by the plotting of Kaikeyi, one of Dasharatha’s three wives. Invoking two royal boons promised to her years earlier, she demands that the king banish Rama to a life of asceticism in the forest, and consecrate her son, Bharata, in his place. Bound by oath, Dasharatha complies, before dying of grief over this perversion of natural succession. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and gold on paper Image: 10 1/2 x 16 1/2 in. (26.7 x 41.9 cm) Identifier An unambiguous reference to the resource within a given context 2013.012.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59185 Title A name given to the resource Rama Shall be King? Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/19419b1d4cf34a4f6c1b5ec41c55bf99.jpg d5413dd6a2208cb231570cb1e8b7cad0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10 1/2 in High x 16 1/2 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rama leaves for exile, Bharata laments Date A point or period of time associated with an event in the lifecycle of the resource ca. 1710 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Rajasthan, Mewar Format The file format, physical medium, or dimensions of the resource Watercolor with gold Identifier An unambiguous reference to the resource within a given context 2015.36.1 Contributor An entity responsible for making contributions to the resource Gift of the Jayantilal K. and Geeta J. Patel family to further the study of Hinduism. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015 https://digitalprojects.carlos.emory.edu/files/original/5b5ad22cca7c677970156c440c2329fb.jpg 85a934dce711e2eafe2e9429ce79df6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 7 1/2 in High x 10 3/4 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Varaha - the boar Date A point or period of time associated with an event in the lifecycle of the resource ca. 1730-1740 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Himachal Pradesh, Chamba Format The file format, physical medium, or dimensions of the resource Opaque watercolor Identifier An unambiguous reference to the resource within a given context 2017.12.1 Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel and family to further the study of Hinduism. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018.