14 10 420 https://digitalprojects.carlos.emory.edu/files/original/aa37b2c7a45efa398099d70e9eb6c46e.jpg 42af4ec289988ea59c0e99864ee0029e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Fibers from textile support, viewed under 10x polarizing light microsope Subject The topic of the resource Cosmic Man painting (MCCM 2005.18.1) https://digitalprojects.carlos.emory.edu/files/original/fb11c8377470d48efc399bb27f0debd3.jpg 9079613a931481810ab1faf73b88b9d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Figure of a Baboon Playing a Lute Date A point or period of time associated with an event in the lifecycle of the resource Third Intermediate Period – Late Period, Dynasty 22 - Dynasty 26, 943–525 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Faience 6 cm High x 2.8 cm x 1.9 cm Identifier An unambiguous reference to the resource within a given context 2018.010.564 Description An account of the resource Animals playing musical instruments appear in Egyptian art from the Old Kingdom to the Roman Period. The baboon crouches on his hind quarters and plays a lute, an instrument that was introduced in the New Kingdom. Composed of spotted faience, this figurine likely dates to the Third Intermediate Period or later when workshops of spotted faience operated in the eastern Delta. A recent interpretation of figurines depicting a baboon playing an instrument suggest they relate to the myth of “The Return of the Faraway Goddess.” In this myth, the feline goddess Bastet was angry at the sun god Re, and left Egypt for Nubia. Re sent the baboon god Thoth to entice Bastet with fables. Musicians and dancers accompanied Bastet back to Egypt, and her arrival brought good fortune to Egypt. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century.  Georges Ricard purchased the faience baboon for the Senusret Collection on 1 February 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: New York, Metropolitan Museum of Art, 44.4.17 Emerit, Sibylle, 2013. Music and Musicians. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. The faience baboon was sold by Jean-Francois Mignon to Georges Ricard on 1 February 1975. https://digitalprojects.carlos.emory.edu/files/original/6397d18ec04c98930d1ea48412d986a7.jpg c9444a647a23eb4651921fee907b4612 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Folding magnifier for counting threads Subject The topic of the resource Cosmic Man painting (MCCM 2005.18.1) https://digitalprojects.carlos.emory.edu/files/original/e3b18f5266babbbc244f3528515fb1e6.jpg 703fa542da066e0b554677056fa7adc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Folio of the avatars of Vishnu from an illustrated copy of the Bhagavata Purana Date A point or period of time associated with an event in the lifecycle of the resource 1819 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kashmir Format The file format, physical medium, or dimensions of the resource Manuscript Identifier An unambiguous reference to the resource within a given context L2020.9.1 Contributor An entity responsible for making contributions to the resource Courtesy of Harshna and Pyush Patel Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/cbd58b7d1c803181a65d1d178eda817d.tif 15b62cc848947394eaaacf71c34ed27a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 Fried Eggs and Arson T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.006 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74445 Title A name given to the resource Fried Eggs and Arson Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/89766e7fbcd0c4d0be19a150095cacdb.jpg 246ec8577413d6da1e57ba526c0f0f7b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Funori for consolidation treatment https://digitalprojects.carlos.emory.edu/files/original/6c3f77845e971a8b9a3c42599251c893.jpg 325cb8166c4fa21c82115e6545be8933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ganjifa playing cards Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Maharashtra, Sawantwadi Format The file format, physical medium, or dimensions of the resource Stiffened cloth with paint Identifier An unambiguous reference to the resource within a given context L2020.10.1, .2, .25, .26, .28, .44, .49, .50, .51, .70, .73, .74, .98, .99, .100, .101, .120 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/9ff700ba449cd940c781156309789261.jpg 6ab73fd7a808e44e4e2f3df400baa2d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Honoré Daumier (French, 1808-1879) H. Delaporte (printer) (French, active 19th Century) Aubert et Compagnie (publisher) (French, active 19th Century) Title A name given to the resource Gargantua Date A point or period of time associated with an event in the lifecycle of the resource 1831 Format The file format, physical medium, or dimensions of the resource Lithograph Identifier An unambiguous reference to the resource within a given context 1993.48.1 Contributor An entity responsible for making contributions to the resource The Fine Arts Museums of San Francisco, museum purchase, Herman Michels Collection, Vera Michels Bequest Fund Rights Information about rights held in and over the resource Image courtesy of the Fine Arts Museums of San Francisco https://digitalprojects.carlos.emory.edu/files/original/84b3a41a741f1b86b319186ce3536710.jpg ce4c4480bf2123cbd62ee5a91a0cafca https://digitalprojects.carlos.emory.edu/files/original/d9862c2e7b749fc269c9c3cb3dbc2bb3.jpg 76c893dc38c568f98572dd92bc9987b4 https://digitalprojects.carlos.emory.edu/files/original/1e211d029aad4026c46e4153db479b40.jpg 8c5d8a43051dd4c794024959fe06e37a https://digitalprojects.carlos.emory.edu/files/original/a5c304fa4a5a1ec5c5762ef3a9a0d045.jpg af3c130a44a11cdf536bbdf0241ea04a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gilded Cartonnage Mummy Mask and Trappings Date A point or period of time associated with an event in the lifecycle of the resource late Ptolemaic Period, ca. 197-30 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Linen, gesso, pigment, gold Mummy mask: 34 cm High x 20 cm x 6 cm Abdominal trapping: 15.3 cm High x 25.2 cm Collar: 15.3 cm High x 26.2 cm Leg cover: 37 cm High x 11.2 cm Identifier An unambiguous reference to the resource within a given context 2018.010.247 (abdominal trapping), 2018.010.248 (collar trapping), 2018.010.639 (leg trapping), 2018.010.673 (mummy mask) Description An account of the resource Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole. This brightly painted cartonnage mummy mask has a gilded face, a tripartite blue wig and a multi-strand beaded broad collar visible between the wig lappets. This cartonnage mask is part of a set of polychrome and gilded cartonnage mummy trappings that include a wesekh-collar, a panel with winged goddess Nut, and a center panel. The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Relation A related resource Parallels and References: Washington, DC. Smithsonian, CAT number A553190 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> https://digitalprojects.carlos.emory.edu/files/original/d3378468fac46db0fedde1cb80f9786f.jpg 9e1c361a40fe2c7e42a16e70b75bfa19 https://digitalprojects.carlos.emory.edu/files/original/02950513e1bf8682c12849333c90b9d1.jpg bf6e457fd0310722b83f934ba41012d7 https://digitalprojects.carlos.emory.edu/files/original/a483dbe9f5bfddf18dd3cba8572ad310.jpg 9247787a80cb9466e4ea034a9a3b84f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gilded Mummy Mask Date A point or period of time associated with an event in the lifecycle of the resource Ptolemaic Period, 3rd Century BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Linen, gesso, pigment, gold 45.5 cm High x 30.2 cm x 23.3 cm Identifier An unambiguous reference to the resource within a given context 2018.010.127 Description An account of the resource Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole. This cartonnage head has a gilded face, and a polychrome wig, bust and details. The tripartite wig is divided into three registers on either side. At the top are confronting falcons, the middle has representations of the mummy before the seated Osiris, and at the bottom, two sets of the Four Sons of Horus face each other on either side. The top of the wig is crowned with a winged scarab and vulture goddess Nekhbet, both with wings outstretched. Nekhbet wears the atef-crown. To either side of the wig are registers with rosettes, udjat eyes, and various geometric motifs. On the back of the case are the figures of Isis and Nephthys protecting the mummy. The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 in Lille, France at the Exceptionnelle vente aux enchères publiques, lot number 9. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: London, Petrie Museum of Archaeology,from Hawara, Egypt, Ptolemaic, 332-330 BC. Stadler, Martin Andreas 2004. Ägyptische Mumienmasken in Würzburg (Schenkung Gütte). Wiesbaden: Reichert. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 at the Exceptionnelle vente aux enchères publiques in Lille, lot number 9.