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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gilded Cartonnage Mummy Mask and Trappings</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>late Ptolemaic Period, ca. 197-30 BC</text>
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                <text>Egypt</text>
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                <text>Linen, gesso, pigment, gold&#13;
Mummy mask: 34 cm High x 20 cm x 6 cm&#13;
Abdominal trapping: 15.3 cm High x 25.2 cm&#13;
Collar: 15.3 cm High x 26.2 cm&#13;
Leg cover: 37 cm High x 11.2 cm </text>
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                <text>2018.010.247 (abdominal trapping), 2018.010.248 (collar trapping), 2018.010.639 (leg trapping), 2018.010.673 (mummy mask) </text>
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                <text>Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole. This brightly painted cartonnage mummy mask has a gilded face, a tripartite blue wig and a multi-strand beaded broad collar visible between the wig lappets.  This cartonnage mask is part of a set of polychrome and gilded cartonnage mummy trappings that include a wesekh-collar, a panel with winged goddess Nut, and a center panel. &#13;
&#13;
The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. &#13;
&#13;
[See additional images below]</text>
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                <text>Gift of the Georges Ricard Foundation</text>
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                <text>The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. </text>
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                <text>Parallels and References:&#13;
Washington, DC. Smithsonian, CAT number A553190 &#13;
</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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                  <text>The Avatars of Vishnu</text>
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              <description>An account of the resource</description>
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                  <text>Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="124168">
                  <text>Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel &amp; Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans.</text>
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          <name>Physical Dimensions</name>
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              <text>12 in High x 8 7/8 in</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Kurma the tortoise and the churning of the ocean</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>mid 19th Century</text>
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                <text>India, Punjab</text>
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            <name>Format</name>
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                <text>Opaque watercolor</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="124232">
                <text>L2016.12.1</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Courtesy of Harshna and Pyush Patel</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="124234">
                <text>© Michael C. Carlos Museum, Emory University</text>
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              <description>The topic of the resource</description>
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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>2018.010</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="120823">
                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="120824">
                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Model Solar Boat</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Middle Kingdom, mid-Dynasty 11 - Dynasty 12, ca. 2000-1760 BC</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Wood, stucco, paint&#13;
Height: 50.8 cm High x 89.3 cm x 15.2 cm</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="120828">
                <text>2018.010.415</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Models of sailing boats were more common in burials of the 11th and 12th Dynasties to aid the deceased’s transportation in the afterlife. This model represents a solar boat with an erroneously placed crew and mast. The original solar boat had a raised prow and cover. The stern is missing and replaced by a rectangular box that originally had two round sticks at each corner. The falcon originally sat atop a cylindrical object that is now missing. &#13;
&#13;
The mast and crew were originally part of another boat, a sailing vessel. Ten figures stand around a central mast, wearing knee-length kilts and short wigs. Their arms are outstretched to adjust the rigging of sails. Kneeling figures sit one at the bow and the other at the stern, facing inward. &#13;
&#13;
A few model solar boats survive from Middle Kingdom tombs at Bersheh and Meir, but they are rare. Their purpose was to help the deceased join Ra in his bark as noted in the Coffin Texts and the Book of the Dead which contain the spells “for bringing the great bark of Ra” (Book of the Dead, Spells 102 and 136A).&#13;
&#13;
Ex-collection Henriette Zanon, Monte-Carlo, Monaco, since early 1900s. Purchased by Georges Ricard for the Senusret Collection on 3 May 1975.&#13;
&#13;
[See additional images below]</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Gift of the Georges Ricard Foundation</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Parallels and References:&#13;
Cairo, Egyptian Museum, nos. 4949, 4953.&#13;
In: Reisner, George Andrew. Models of ships and boats (CG ; 4798-4976. 5034-5200) (Cairo:  Impr. de l'IFAO, 1913), pp. 101-102, CG 4949, Pl. XXII, bottom, and 106-107, CG 4953, Pl. XXIV, top (from Bersheh).&#13;
&#13;
Merriman, Ann. Egyptian Watercraft Models from the Predynastic to Third Intermediate Periods. British Archaeological Reports, International Series no. 2263 (Oxford, England, 2011), pp. 401-402, and cat. 206, 207.&#13;
&#13;
New York, Metropolitan Museum of Art, no. 14.3.21. &#13;
In: Hayes, William C. 1953. Scepter of Egypt I: A Background for the Study of the Egyptian Antiquities in The Metropolitan Museum of Art: From the Earliest Times to the End of the Middle Kingdom (Cambridge, Mass.: The Metropolitan Museum of Art), pp. 271-2, fig. 178; 270, fig. 177.&#13;
&#13;
Berkeley, CA, Phoebe Apperson Hearst Museum of Anthropology houses fragments of a 12th Dynasty model cedar boat from Tebtunis that includes a falcon, PAHMA no 6-20848.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="120832">
                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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            <name>Provenance</name>
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                <text>Ex collection Mrs. Henriette Zanon, Monte-Carlo, since early 1900, and thereby by descent</text>
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            <name>Coverage</name>
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                <text>Egypt</text>
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>New Kingdom, Dynasty 18, Reign of Thutmose IV, 1400-1390 BC</text>
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&#13;
Smen, meaning “goose,” was a member of military unit that served in Syria during the reign of king Thutmose IV. His wife, Hesetre, is shown offering to her parents, Khaset and Ruia. Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. &#13;
&#13;
This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. &#13;
&#13;
[See additional images below]</text>
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Boreux, Charles 1932. Musée National du Louvre, Département des Antiquités Égyptiennes : guide-catalogue sommaire (Paris: Musées Nationaux), p. 88; Pierret, Paul. Recueil d'inscriptions inédites du Musée Égyptien du Louvre (Paris : Franck, 1874-1878), pt. 2, p. 35. The stela appears in the Hôtel Drouot Sale Catalogue, March 12-13, 1862, no. 5. See also PM VIII, no, 803-045-670</text>
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                <text>Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. </text>
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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              <name>Rights</name>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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19.6 cm High x 5.8 cm x 4.1 cm</text>
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&#13;
Shabtis were placed in the tomb to serve as surrogate for the king if he was called upon to do manual labor in the hereafter. The mummiform figurine is inscribed with the “shabit text” – Chapter 6 of the Book of the Dead – and royal cartouches containing the king’s name, Sety, and his throne name or prenomen, Menmaatra.&#13;
&#13;
The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.&#13;
&#13;
[See additional images below]</text>
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                <text>Parallels and References: &#13;
Many parallels in Leiden, Rijksmuseum van Oudheden; London, British Museum; New York, Metropolitan Museum of Art; Rome, Vatican Museum, among others.&#13;
&#13;
Schneider, H. 1977. Shabtis, Part II (Leiden: Rijksmuseum van Oudheden), pp. 30-32.&#13;
Aubert, J.-F. &amp; L. Aubert 1974. Statuettes Égyptiennes: Chouabtis, Ouchebtis (Paris: Maisonneuve), pp.79-81, pls.12-13.</text>
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              <elementText elementTextId="121069">
                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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                <text>The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.</text>
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                  <text>Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel &amp; Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans.</text>
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                <text>Black stone</text>
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              <elementText elementTextId="124195">
                <text>2001.1.7</text>
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                <text>The Ester R. Portnow Collection of Asian Art, a gift of the Nathan Rubin-Ida Ladd Family Foundation</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="124197">
                <text>© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2004</text>
              </elementText>
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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="120823">
                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="120824">
                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gilded Mummy Mask</text>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="120971">
                <text>Ptolemaic Period, 3rd Century BC</text>
              </elementText>
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          </element>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Egypt</text>
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                <text>Linen, gesso, pigment, gold&#13;
45.5 cm High x 30.2 cm x 23.3 cm</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="120974">
                <text>2018.010.127</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole.&#13;
&#13;
This cartonnage head has a gilded face, and a polychrome wig, bust and details. The tripartite wig is divided into three registers on either side. At the top are confronting falcons, the middle has representations of the mummy before the seated Osiris, and at the bottom, two sets of the Four Sons of Horus face each other on either side. The top of the wig is crowned with a winged scarab and vulture goddess Nekhbet, both with wings outstretched. Nekhbet wears the atef-crown. To either side of the wig are registers with rosettes, udjat eyes, and various geometric motifs. On the back of the case are the figures of Isis and Nephthys protecting the mummy.&#13;
&#13;
The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 in Lille, France at the Exceptionnelle vente aux enchères publiques, lot number 9.&#13;
&#13;
[See additional images below]</text>
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                <text>Gift of the Georges Ricard Foundation</text>
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                <text>Parallels and References:&#13;
London, Petrie Museum of Archaeology,from Hawara, Egypt, Ptolemaic, 332-330 BC.&#13;
&#13;
Stadler, Martin Andreas 2004. Ägyptische Mumienmasken in Würzburg (Schenkung Gütte). Wiesbaden: Reichert.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="120978">
                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="121094">
                <text>The mask was purchased by Georges Ricard for the Senusret Collection on 29 May 1972 at the Exceptionnelle vente aux enchères publiques in Lille, lot number 9.</text>
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                  <text>Georges Ricard Foundation Senusret Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="120822">
                  <text>2018.010</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="120823">
                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="120824">
                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="121072">
                <text>Coil Neck Pitcher</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121073">
                <text>Roman, 300-400 AD</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="121074">
                <text>Eastern Roman Empire, possibly Syria</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="121075">
                <text>Glass&#13;
18.8 cm High x 13 cm x 12.7 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="121076">
                <text>2018.010.700</text>
              </elementText>
            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121077">
                <text>This jug is composed of green, free-blown glass. The body is spherical with a cylindrical neck and a funnel mouth. An applied ring is below the rim and a thick applied festoon rests low on the neck. The ribbon strap handle is pulled up from the jug’s shoulder and folded on the underside and over the rim. The bottom of the jug is kicked, with an irregular conical depression and a large pontil mark. The foot was formed with an applied coil. The spherical body exhibits a subtle spiral ribbing achieved by pattern blowing. The rim coil beneath the rim and neck coil at the base of the neck are typical fashion of the fourth century AD. &#13;
&#13;
The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121078">
                <text>Gift of the Georges Ricard Foundation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="121079">
                <text>Parallels and References:&#13;
Allaire Collection of Glass, nos. 44R and 56R&#13;
Lucerne, Kofler-Truniger Collection&#13;
Ancient Glass, Formerly the Kofler-Truniger Collection, Christie’s, London, 5-6 March 1985, lot 56</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="121080">
                <text>The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121081">
                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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            </elementTextContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>'And Something Magical Happened': Baseball Photographs by Walter Iooss</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="117845">
                  <text>Photos supporting the 'And Something Magical' virtual exhibition</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117889">
                <text>September 2, 2017 - January 7, 2018</text>
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          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117890">
                <text>Gallery installation photographs from 'And Something Magical Happened': Baseball Photographs by Walter Iooss</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117891">
                <text>Photo © Michael C. Carlos Museum, Emory University. Artworks depicted are © Walter Iooss.</text>
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          </element>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117892">
                <text>Views of the gallery</text>
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            </elementTextContainer>
          </element>
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                <text>September 2, 2017 - January 7, 2018</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117907">
                <text>Gallery installation photographs from 'And Something Magical Happened': Baseball Photographs by Walter Iooss.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="117908">
                <text>Photo © Michael C. Carlos Museum, Emory University. Artworks depicted are © Walter Iooss.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
