2 10 420 https://digitalprojects.carlos.emory.edu/files/original/62e40930a770613ec445c53daee80e66.jpg f837a901336e14f9c4925aacc865910b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource J. Betz Abel Title A name given to the resource Agarose test Subject The topic of the resource Testing cleaning solution in agarose. https://digitalprojects.carlos.emory.edu/files/original/9c5805cc3c3ca7745a27a89fd12b9bdd.jpg ac194fbaafee7512adc1a514a58a0681 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Mask Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Aghobo Mmuo https://digitalprojects.carlos.emory.edu/files/original/0d0714e9e25b3fe9aa1d8438e40dcf29.tif 5b79d44ad4540858287fd9bcc8468e86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Kangra Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource Sons battle their father and uncles in this illustration of a scene from a later version of the Ramayana. Now ruling in Ayodhya, Rama begins the Ashvamedha, a horse sacrifice to define his territory. In this ritual, a horse, followed by the king’s army, wanders freely for one year, claiming new territories for the king. On this journey, the horse strays into the hermitage of the poet-sage Valmiki, where, unbeknownst to Rama, Sita and her twin sons Lava and Kusha have been living in her second exile. Lava and Kusha capture the horse and battle against the army of Rama, the father they have never known. At top center, Valmiki teaches young Lava and Kusha. Moving counter-clockwise, Sita embraces her sons, bidding them farewell as they head into battle. The sacrificial horse can be seen partly hidden in the bushes near other forest animals. Immediately to the right, Lava releases the captives Hanuman and Jambavan. The primary scene fills lower portion of the painting, and depicts the gruesome culmination of their battle, with Rama and his brothers left unconscious, but not dead. Format The file format, physical medium, or dimensions of the resource Opaque pigments on paper Frame: 17 1/2 x 20 1/2 in. (44.5 x 52.1 cm) Maximum (visible): 15 3/4 x 12 1/4 in. (40 x 31.1 cm) Identifier An unambiguous reference to the resource within a given context 2014.017.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, October 27, 2014 - November 7, 2016 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2014. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 48050 Title A name given to the resource An Alternative Ending: Rama Defeated by His Sons Type The nature or genre of the resource No Creator An entity primarily responsible for making the resource Attributed to Purkhu and his workshop https://digitalprojects.carlos.emory.edu/files/original/1a53acb9cf0c2d5084640b2a950c4788.jpg 22ea199dc2dc6f34285067ad020bc7e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Andy Warhol's Index (Book) Date A point or period of time associated with an event in the lifecycle of the resource 1967 Format The file format, physical medium, or dimensions of the resource Monograph Identifier An unambiguous reference to the resource within a given context L2018.15.1 Description An account of the resource This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print. The detail photograph of Warhol at the right, implies that he viewed himself as a master printmaker in the tradition of Albrecht Dürer (German, 1471-1528), the printmaking great of the Northern Renaissance. Dürer’s monogram, a combination of his initials, A and D, appears at bottom right. Warhol’s unusual jacket offers a second, subtler nod to Dürer. Not only indicative of Warhol’s fashion-forward style, the jacket’s shredded sleeves and high collar also recall the traditional attire of a landsknecht, a type of sixteenth-century German mercenary frequently depicted by Dürer. Contributor An entity responsible for making contributions to the resource Lent by Jeff Schulte https://digitalprojects.carlos.emory.edu/files/original/09d0f20a68a8174c5f3ec8449b8af971.jpg ddeabf99cbb09cf472994a692d024843 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Andy Warhol's Index (Book) Date A point or period of time associated with an event in the lifecycle of the resource 1967 Format The file format, physical medium, or dimensions of the resource Monograph Identifier An unambiguous reference to the resource within a given context L2018.15.1 Description An account of the resource This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print. The detail photograph of Warhol at the right, implies that he viewed himself as a master printmaker in the tradition of Albrecht Dürer (German, 1471-1528), the printmaking great of the Northern Renaissance. Dürer’s monogram, a combination of his initials, A and D, appears at bottom right. Warhol’s unusual jacket offers a second, subtler nod to Dürer. Not only indicative of Warhol’s fashion-forward style, the jacket’s shredded sleeves and high collar also recall the traditional attire of a landsknecht, a type of sixteenth-century German mercenary frequently depicted by Dürer. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, INc. https://digitalprojects.carlos.emory.edu/files/original/ecd23ab18b9fd7ee7439569a8ad67dee.jpg 18431696ff592d00c750b7ebdae9352c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Annie Oakley from Cowboys and Indians Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context 2013.50.6 Description An account of the resource IIn 1986, Andy Warhol produced Cowboys and Indians, a series of ten prints depicting legendary figures of the American West—General Custer, pop culture’s eternal cowboy John Wayne, and Geronimo—along with a romanticized portrait of a Native American mother and child and renderings of Native American objects, including a Northwest Coast mask and a Plains Indian shield. Annie Oakley, a sharpshooter in Buffalo Bill Cody’s live performance troupe, was also included. Like other portraits in the series, the image of Annie Oakley was based on a popular photograph, in this case one that had originally appeared as an advertisement for Buffalo Bill’s German tour. To create Cowboys and Indians, Warhol and his Factory studio assistants produced 36 trial proofs of 14 images in various colors, tonalities, and positions. From these, Warhol selected his favorite versions of the 10 images that constituted the final series and ran an edition (a series of multiple originals) of 250 prints for each image. The Annie Oakley screen print at left was included in the edition, while the print at the right is an unfinished or perhaps discarded version that remained in Warhol’s possession. The editioned print is replete with detail, from the inticate medals pinned to Oakley’s shirt to her individual strands of hair. The unfinished print displays fewer layers of ink than the finished version, most obviously lacking Warhol’s characteristic photo reproduction layer. The result is striking. Simple outlines form Oakley’s face and subtly suggest the medals on her shirt, allowing the viewer to fill in detail or simply appreciate the unrestrained, yet minimalistic, composition of color and line. Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White, 2018. https://digitalprojects.carlos.emory.edu/files/original/105152f475c7306b4bd61a69b18e0028 f366093c689d6dd042262e4ec1fd50a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Annie Oakley from Cowboys and Indians Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context L2018.16.1 Contributor An entity responsible for making contributions to the resource Lent by Ralph and Nita Howard Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Description An account of the resource In 1986, Andy Warhol produced Cowboys and Indians, a series of ten prints depicting legendary figures of the American West—General Custer, pop culture’s eternal cowboy John Wayne, and Geronimo—along with a romanticized portrait of a Native American mother and child and renderings of Native American objects, including a Northwest Coast mask and a Plains Indian shield. Annie Oakley, a sharpshooter in Buffalo Bill Cody’s live performance troupe, was also included. Like other portraits in the series, the image of Annie Oakley was based on a popular photograph, in this case one that had originally appeared as an advertisement for Buffalo Bill’s German tour. To create Cowboys and Indians, Warhol and his Factory studio assistants produced 36 trial proofs of 14 images in various colors, tonalities, and positions. From these, Warhol selected his favorite versions of the 10 images that constituted the final series and ran an edition (a series of multiple originals) of 250 prints for each image. The Annie Oakley screen print at left was included in the edition, while the print at the right is an unfinished or perhaps discarded version that remained in Warhol’s possession. The editioned print is replete with detail, from the inticate medals pinned to Oakley’s shirt to her individual strands of hair. The unfinished print displays fewer layers of ink than the finished version, most obviously lacking Warhol’s characteristic photo reproduction layer. The result is striking. Simple outlines form Oakley’s face and subtly suggest the medals on her shirt, allowing the viewer to fill in detail or simply appreciate the unrestrained, yet minimalistic, composition of color and line. https://digitalprojects.carlos.emory.edu/files/original/adafbc81db0fba99d3889f01b5155595.jpg 8f336d0e9f46c8bc4980a42bfd30b156 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Assistant Conservator Brittany Dinneen removing stitches https://digitalprojects.carlos.emory.edu/files/original/6e57ce76cc84829e60ae1f9974385bf9.jpg a8157ce4a0396ea8f2434efb086cf52e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Beaded Bowl Connections https://digitalprojects.carlos.emory.edu/files/original/c8709e51199a39c42f9d8c465659655e.jpg 0e050b8821fa6d3aa5b4a46313f93331 https://digitalprojects.carlos.emory.edu/files/original/4012dccb3089dc54501c9d63f7808e0d.jpg 9408c38436657b4b09bbe334bd70afd8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Beaded Bowl Details