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                  <text>Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer</text>
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                  <text>Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer</text>
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                  <text>Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University</text>
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                <text>Views of the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer, February 16 - June 9, 2019</text>
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                <text>This image is provided by the Michael C. Carlos Museum of Emory University and may contain artworks © Tom Hück. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>Figure of a Baboon Playing a Lute</text>
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                <text>Third Intermediate Period – Late Period, Dynasty 22 - Dynasty 26, 943–525 BC</text>
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                <text>Faience&#13;
6 cm High x 2.8 cm x 1.9 cm</text>
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                <text>Animals playing musical instruments appear in Egyptian art from the Old Kingdom to the Roman Period. The baboon crouches on his hind quarters and plays a lute, an instrument that was introduced in the New Kingdom. Composed of spotted faience, this figurine likely dates to the Third Intermediate Period or later when workshops of spotted faience operated in the eastern Delta. &#13;
&#13;
A recent interpretation of figurines depicting a baboon playing an instrument suggest they relate to the myth of “The Return of the Faraway Goddess.” In this myth, the feline goddess Bastet was angry at the sun god Re, and left Egypt for Nubia. Re sent the baboon god Thoth to entice Bastet with fables. Musicians and dancers accompanied Bastet back to Egypt, and her arrival brought good fortune to Egypt.&#13;
&#13;
Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century.  Georges Ricard purchased the faience baboon for the Senusret Collection on 1 February 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.</text>
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                <text>Gift of the Georges Ricard Foundation</text>
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                <text>Parallels and References:&#13;
New York, Metropolitan Museum of Art, 44.4.17&#13;
&#13;
Emerit, Sibylle, 2013. Music and Musicians. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. </text>
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                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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                <text>Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. Ex collection Herbert Kitchener, 1st Earl Kitchener, late 19th century- early 20th century. The faience baboon was sold by Jean-Francois Mignon to Georges Ricard on 1 February 1975.</text>
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                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>Coil Neck Pitcher</text>
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                <text>Eastern Roman Empire, possibly Syria</text>
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                <text>Glass&#13;
18.8 cm High x 13 cm x 12.7 cm</text>
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                <text>This jug is composed of green, free-blown glass. The body is spherical with a cylindrical neck and a funnel mouth. An applied ring is below the rim and a thick applied festoon rests low on the neck. The ribbon strap handle is pulled up from the jug’s shoulder and folded on the underside and over the rim. The bottom of the jug is kicked, with an irregular conical depression and a large pontil mark. The foot was formed with an applied coil. The spherical body exhibits a subtle spiral ribbing achieved by pattern blowing. The rim coil beneath the rim and neck coil at the base of the neck are typical fashion of the fourth century AD. &#13;
&#13;
The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.</text>
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                <text>Gift of the Georges Ricard Foundation</text>
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                <text>Parallels and References:&#13;
Allaire Collection of Glass, nos. 44R and 56R&#13;
Lucerne, Kofler-Truniger Collection&#13;
Ancient Glass, Formerly the Kofler-Truniger Collection, Christie’s, London, 5-6 March 1985, lot 56</text>
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                <text>The object was once part of the early 20th century collection of Countess Anne de Kerguezec and was purchased by Georges Ricard for the Senusret Collection on 22 September 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.&#13;
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>The Egyptian ruler Sety I was buried with over 1000 shabtis of different materials, many of which are found in Egypt and museums around the world. When the king’s tomb (KV 17) was discovered by Giovanni Belzoni in 1817, he found shabtis strewn across the tomb floor. The king’s wooden shabtis were coated with resin, known as ‘black varnish,’ symbolizing the god Osiris and life after death. &#13;
&#13;
Shabtis were placed in the tomb to serve as surrogate for the king if he was called upon to do manual labor in the hereafter. The mummiform figurine is inscribed with the “shabit text” – Chapter 6 of the Book of the Dead – and royal cartouches containing the king’s name, Sety, and his throne name or prenomen, Menmaatra.&#13;
&#13;
The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.&#13;
&#13;
[See additional images below]</text>
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                <text>Gift of the Georges Ricard Foundation</text>
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Many parallels in Leiden, Rijksmuseum van Oudheden; London, British Museum; New York, Metropolitan Museum of Art; Rome, Vatican Museum, among others.&#13;
&#13;
Schneider, H. 1977. Shabtis, Part II (Leiden: Rijksmuseum van Oudheden), pp. 30-32.&#13;
Aubert, J.-F. &amp; L. Aubert 1974. Statuettes Égyptiennes: Chouabtis, Ouchebtis (Paris: Maisonneuve), pp.79-81, pls.12-13.</text>
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                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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                <text>The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.</text>
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>Late Period, 722-332 BC</text>
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                <text>Bronze&#13;
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            <description>An account of the resource</description>
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                <text>The worship of the goddess Neith began as early as the third millennium BC and continued until the end of the pharaonic era. She was a complex deity who was a warrior goddess, a creator goddess, a mother goddess. As a funerary goddess, she is mentioned in the Old Kingdom Pyramid Texts. Neith was also the goddess of Lower Egypt whose principal site of worship was Sais, in the eastern Nile Delta. &#13;
&#13;
The goddess wears the Red Crown associated with lower Egypt, and strides forward with her left leg advanced on an integral rectangular plinth. She holds one arm at her side and the other stretched out before her. Each fist is pierced and once carried insignia. She wears an ankle-length dress and a delicately incised broad collar around her neck. The tip of the Red Crown and spiral wire are destroyed.&#13;
&#13;
The statuette was once part of the Romanov collection and was purchased by Georges Ricard for the Senusret Collection from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. </text>
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                <text>Gift of the Georges Ricard Foundation</text>
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            <description>A related resource</description>
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                <text>Parallels and References:&#13;
Boston, Museum of Fine Arts, 05.94</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121056">
                <text>&lt;h5&gt;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;&lt;a href="https://digitalprojects.carlos.emory.edu/senusretrights"&gt;Senusret Collection: Usage and Reproduction Rights&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/h5&gt;</text>
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            <name>Provenance</name>
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                <text>The statuette was once part of the Romanov collection and was purchased by Georges Ricard for the Senusret Collection from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. </text>
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                  <text>Georges Ricard Foundation Senusret Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="120822">
                  <text>2018.010</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="120823">
                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="120824">
                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Images from the opening of Musée l’egypte et le monde antique</text>
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            <name>Date</name>
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                <text>1975</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121047">
                <text>his image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                <elementText elementTextId="120824">
                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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