26 10 420 https://digitalprojects.carlos.emory.edu/files/original/774e01d6d9776cfb54261b46c9cec5c4.jpg f35e269dd08412d77c63d7d13f9146de https://digitalprojects.carlos.emory.edu/files/original/bd7e3c0a7a640402a46113dca67d06dd.jpg 352df1b35bba6f062dae1b406f2d9452 https://digitalprojects.carlos.emory.edu/files/original/cbe1c2c6e824b0497f7878240c93e7fe.jpg 6a5ee02cc8b5e7582c963b9f52d8b98b https://digitalprojects.carlos.emory.edu/files/original/764f9ba7596687cbd4c9ca8ab9d1b62f.jpg 2777db6d70450abb56fca80913f6307e https://digitalprojects.carlos.emory.edu/files/original/b35a0c193b6b10f925f82e852dec1841.jpg 2a9ac28fbceffeaa5f8954ad725f123a https://digitalprojects.carlos.emory.edu/files/original/91226b628a965265c651ba49ace40604.jpg 5547af9b46abb14842637dde8a30c27d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Pipes https://digitalprojects.carlos.emory.edu/files/original/412fa972481bcf1387e78b705fe7695a.tif 27e34fd688f0267e807b5bef379e28e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource Suite 19/20 Playland, The Great Sharkburger Shortage of '95 T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 29 1/2 x 25 3/4 in. (74.9 x 65.4 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.004 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74439 Title A name given to the resource Playland: the Great Sharkburger Shortage of '95 Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/f3a4186d697fdc156bcae136f51a6ffa.JPG f416251ba3201c826729f48790657f7e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Pop-Up Lab https://digitalprojects.carlos.emory.edu/files/original/1fcd537fae2872232b5cef7e3164cebe.jpg 9b97059bcde5c53482273464d3c88bbc Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource B. Dinneen Title A name given to the resource Pop-Up Lab crew at work https://digitalprojects.carlos.emory.edu/files/original/a5cf217dbd1cbd5a163a9a7fbcf27b07.jpg 863bd507a8874d1446b027dbb3c7cfd3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Alice Zheng Title A name given to the resource Poro Dan Dan Poro https://digitalprojects.carlos.emory.edu/files/original/bed6393414aef4ef3cc4afd48657a6b0.png b87aac381bc9ef517386891d266f33da Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Alice Zheng Title A name given to the resource Poro Dan Detail 1 Dan Detail Poro https://digitalprojects.carlos.emory.edu/files/original/837246a18cce732e6eefa7e42a63ff9b.png 604a946e892bf72cd7f3b3fc10130d92 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Alice Zheng Title A name given to the resource Poro Dan Detail 2 Dan Detail Poro https://digitalprojects.carlos.emory.edu/files/original/889eb689ac7c60aa9d03500f35b1c0ba.tif 9c5bf827c0e50cbce20d2b5de1059173 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Margaret and Charlie Shufeldt in honor of Dr. Walter S. Melion Creator An entity primarily responsible for making the resource Hendrick Goltzius, Dutch, 1558-1617 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1591-1592 Description An account of the resource The monumental size and extremely lifelike quality of this portrait of Coornhert (1522-1590), the master who taught Goltzius the art of engraving, are rivaled in this period only by the portrait of Goltzius engraved by his pupil Jan Muller. While the inscription on the oval frame states that the portrait was "painted from life" (ad vivum depictus), the engraving itself was executed only after Coornhert's death. It was an act of homage and remembrance from student to master. The portrait and its oval border were engraved on one copper plate, while the decorative surround was printed from another. The objects in each corner of the frame represent Coornhert's talents and accomplishments as an engraver and lover of painting, as a musician, as a swordsman, and as a humanist scholar. The motto in Dutch at the top center, "Weet, of rust" (Know, or be still) was Coornhert's own. The Latin inscription at the bottom praises Coornhert's love of truth and freendom as expressed in his writings. Border inscription: Theodorus Cornhertius, ad vivum depictus et aeri incisus ab H. goltzio/ Natus Amstelredami anno MDXXII. Denatus Goudea anno MDXC. Format The file format, physical medium, or dimensions of the resource Engraving 20 1/2 x 16 5/16 in. (52.1 x 41.4 cm) Identifier An unambiguous reference to the resource within a given context 2007.027.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13180 Title A name given to the resource Portrait of Dirck Volckertsz Coornhert Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/bf35a5679b2ade8470ffa189d5286290.jpg 03b307d25d864fc79dc3d6b4c1ce2022 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Walter Iooss Creator An entity primarily responsible for making the resource Uncredited https://digitalprojects.carlos.emory.edu/files/original/51a86240841604f513f79b8df673f4e2.tif 6eaee76932f6db3e94982a9dbc1061c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Ex coll. William S. Arnett Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Benin, Africa Fon Date A point or period of time associated with an event in the lifecycle of the resource late 19th-early 20th Century Description An account of the resource Bocio, meaning "empowered cadaver," are power objects (bo) that represent deceased human beings (cio) though the figure may appear to be alive. A bocio is not a spirit, but a kind of decoy meant to trick death by substituting for a real person. Formerly, the Fon people of Dahomey (now Benin) placed bocio figures in tombs along with the deceased so that the dead person could not then claim another person's life. Essentially bocios are commissioned as a safeguard against misfortune, witchcraft, and death. This highly unusual bocio consists of two kneeling female figures, the lower one carved from wood, holding her breasts in an attitude of supplication, and the upper one cast in brass and proffering a large calabash-like bowl. They are bound together (both physically and psychologically) by a cloth strap wrapped over the legs of the top figure and under the chin of the lower one. The process of binding objects together is an important component of empowering the bocio figure. To further "energize" it, offerings -- which may include corn meal, blood, saliva, and urine -- are poured over it. Not only does the addition of these materials make the object more powerful, but this augmentation continually transforms the bocio's appearance as a work of art. The lower figure's face is obscured by sacrificial matter, and her mouth is sealed by a long iron chain, thereby blocking the ability to speak. Considered to be a potentially serious weapon, the act of speech is silenced, controlled by another. Iron attachments are often associated with Gu, the deity of iron and war, and are meant to drive away evil associated with physical force. There are several types of bocio figures, including those associated with divination (Fa), and other types with royalty, with sorcery and anti-sorcery, and with the gods (vodun). All but the royal bocio retained their importance in the lives of Fon and Ewe people from Dahomey and present-day Togo whose dispersion due to the slave trade created a creolized version of bo in Haiti and later among Haitian ex-slaves in the United States. There cloth dolls performed protective and "attack" functions similar to carved bocio figures, and like them, were closely associated with the dead and with cemeteries. In Haiti it was the manbo (mother of bo) priestess and the bokor (knowledgeable in bo) priest who along with the hungan priest were responsible for their manufacture and for activating them ritually. Format The file format, physical medium, or dimensions of the resource Wood, iron, brass, cloth, sacrificial material 9 x 2 1/2 x 2 1/4 in. (22.9 x 6.4 x 5.7 cm) Identifier An unambiguous reference to the resource within a given context 1994.004.469 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Divine Intervention: African Art and Religion, Michael C. Carlos Museum, February 5 - December 4, 2011 Michael C. Carlos Museum Handbook (Atlanta: Michael C. Carlos Museum, 1996), 108. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 17404 Subject The topic of the resource Sculpture Title A name given to the resource Power Figure, Bocio Type The nature or genre of the resource No