29 10 420 https://digitalprojects.carlos.emory.edu/files/original/3040a8bf2f86a195bac3aa6baabe702b.jpg 9d93e978182b9c8c95182342a0a86c1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Tell the Whole Story from Beginning to End: Loan Objects Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ravana Description An account of the resource Ten-headed demon king of the island kingdom of Lanka, Ravana is a complicated and flawed character. He is at the same time a superb scholar, a capable ruler, a terrifying warrior, a lusty trickster, and the ultimate villain. https://digitalprojects.carlos.emory.edu/files/original/90f607b5a4013ec75c9fb308dd52bebf.jpg 5492c72a3ca4208311daafb6b20be8b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Tell the Whole Story from Beginning to End: Loan Objects Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink, polychrome pigments, and gold on paper Physical Dimensions The actual physical size of the original image Image: 8 1/16 x 5 7/8 in. Sheet: 12 x 8 7/16 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ravana Fights Back Date A point or period of time associated with an event in the lifecycle of the resource ca. 1840 Identifier An unambiguous reference to the resource within a given context L2017.019.001 Source A related resource from which the described resource is derived Courtesy of Harshna and Pyush Patel Medium The material or physical carrier of the resource. Ink, polychrome pigments, and gold on paper Description An account of the resource Besieged in Lanka and on the verge of defeat, Ravana enlists the help of two demon allies, his brother, Kumbhakarna, and the illusionist Kalanemi. The upper scene depicts Ravana with nine human heads and a tenth donkey head promising the demon Kalanemi half his kingdom if he can defeat Hanuman. The lower scene depicts Ravana supervising his demon soldiers as they sound horns and drums to awaken his indolent giant brother Kumbhakarna from his usual six-month slumber. Both demons are reluctant to fight and are ultimately killed by Rama’s allies. This painting illustrates Ravana’s desperate attempt to coerce mercenaries, who contrast with the willing heroes fighting with Rama. While Rama is the ideal king, certain of his victory, Ravana stubbornly enlists allies into a war he is doomed to lose. The ornate border, adorned with flowers and animals, suggests that the painting was created in a workshop in Jaipur. A black Sanskrit inscription below the border corrects the gold label in the top left that misidentifies Kalenemi. This correction may indicate the artist’s unfamiliarity with the Kalanemi narrative, which only occurs in some tellings of the Ramayana. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Jaipur Format The file format, physical medium, or dimensions of the resource Opaque pigments on paper Image: 8 1/16 x 5 7/8 in. Sheet: 12 x 8 7/16 in. https://digitalprojects.carlos.emory.edu/files/original/e009a1e4ebfbfdca0a921dbf09489704.jpg 44a821f0e0a05ff1c1d7078a6d4c6705 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource E. Schulte Title A name given to the resource Reducing surface grime https://digitalprojects.carlos.emory.edu/files/original/b8ae7bf756fc55f38a43dbd74834e92b.png 1712499211f359c04c55c89dcf2b6277 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Religion Banner https://digitalprojects.carlos.emory.edu/files/original/9de73c53935a13b110d8275d51c154f8.jpg 227130819e6bcaaef8a4ce758eb09f8f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Removing secondary cloth Subject The topic of the resource Assistant Conservator Brittany Dinneen removes secondary cloth, revealing back of painted textile. https://digitalprojects.carlos.emory.edu/files/original/ba79b200f81c8e0a99f81d027e2a2597.jpg ec66ea08ecaef89c370f30953619f68a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.59 Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Date Created Date of creation of the resource. 1980 Medium The material or physical carrier of the resource. Polacolor 2 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” https://digitalprojects.carlos.emory.edu/files/original/e7fbd80b35b359e2580e56b853803f66.jpg 3cf2997338a1200c56c95c67e8587461 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.60 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Date Created Date of creation of the resource. 1980 https://digitalprojects.carlos.emory.edu/files/original/1ee7ff8483d95fe6eae5280ee0fb43c5.jpg a698ed4f81f4c56a7173ba9da8b8f949 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.61 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/402e03c3fd0870d6d8a0ec9a668ab7e0.jpg 874adefe01dfb69f6e1242a0df559b52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.62 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/6365474a48237b25668c7b259fc82c10.jpg 1223af95e86d6601c31ead49e079c75b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.62 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc.