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                  <text>Michael C. Carlos Museum, Emory University</text>
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                  <text>Chimera: Andy Warhol through the 1980s - Loan Objects</text>
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                  <text>Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s</text>
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                  <text>© The Andy Warhol Foundation for the Visual Arts, Inc.</text>
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              <text>4 1/4 by 3 3/8 in.</text>
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                <text>Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits.&#13;
Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983—&#13;
“…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?”</text>
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                <text>Gift of the Andy Warhol Foundation for the Visual Arts</text>
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                <text>Gift of the Andy Warhol Foundation for the Visual Arts</text>
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                <text>© The Andy Warhol Foundation for the Visual Arts, Inc.</text>
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                <text>Sandy Koufax - 1965 World Series Game 7. L.A. at Minnesota, 10/14/65</text>
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                <text>© Walter Iooss</text>
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                <text>Gift of Kurt Olender</text>
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                <text>“He was the best. The best pitcher I ever saw, maybe the best pitcher anyone ever saw or will see.” –wi</text>
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                <text>Sandy Koufax - 1965 World Series, Minnesota, 10/14/65</text>
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                <text>1965, printed 1990</text>
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                <text>Lent by Walter Iooss</text>
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                <text>© Walter Iooss</text>
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                <text>There are only so many angles that a photographer can capture from the press box. Iooss created this non-sequential series of images to represent what he calls Koufax’s “perfect motion.” The central image is also featured in this exhibition.</text>
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                <text>L2017.016.001</text>
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                  <text>Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation</text>
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                  <text>Georges Ricard Foundation&#13;
California Institute of World Archaeology (CIWA)&#13;
Michael C. Carlos Museum&#13;
Emory University</text>
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                  <text>This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties.  The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.</text>
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                <text>Shabti of Sety I</text>
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                <text>New Kingdom, Dynasty 19, Reign of Sety I, 1290-1279 BC</text>
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                <text>Egypt</text>
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                <text>Wood, resin&#13;
19.6 cm High x 5.8 cm x 4.1 cm</text>
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                <text>The Egyptian ruler Sety I was buried with over 1000 shabtis of different materials, many of which are found in Egypt and museums around the world. When the king’s tomb (KV 17) was discovered by Giovanni Belzoni in 1817, he found shabtis strewn across the tomb floor. The king’s wooden shabtis were coated with resin, known as ‘black varnish,’ symbolizing the god Osiris and life after death. &#13;
&#13;
Shabtis were placed in the tomb to serve as surrogate for the king if he was called upon to do manual labor in the hereafter. The mummiform figurine is inscribed with the “shabit text” – Chapter 6 of the Book of the Dead – and royal cartouches containing the king’s name, Sety, and his throne name or prenomen, Menmaatra.&#13;
&#13;
The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.&#13;
&#13;
[See additional images below]</text>
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                <text>Parallels and References: &#13;
Many parallels in Leiden, Rijksmuseum van Oudheden; London, British Museum; New York, Metropolitan Museum of Art; Rome, Vatican Museum, among others.&#13;
&#13;
Schneider, H. 1977. Shabtis, Part II (Leiden: Rijksmuseum van Oudheden), pp. 30-32.&#13;
Aubert, J.-F. &amp; L. Aubert 1974. Statuettes Égyptiennes: Chouabtis, Ouchebtis (Paris: Maisonneuve), pp.79-81, pls.12-13.</text>
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                <text>The shabti was sold by Jean-Francois Mignon to Georges Ricard on 22 May 1978, who stated the shabti was “found by Belzoni in 1817.” Jean-Francois Mignon, bought and sold objects privately in Aix-en Provence and started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva.  Georges Ricard also acquired several other wooden shabtis of Sety I, including one from the Belmore collection.</text>
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