32 10 420 https://digitalprojects.carlos.emory.edu/files/original/dde6aa126354b66e8ac86a87c898cb51.jpg 70c8226b27f16b6b3505f757a141b966 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Tell the Whole Story from Beginning to End: Loan Objects Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the Gallery Date A point or period of time associated with an event in the lifecycle of the resource January 13, 2018 - May 20, 2018 Description An account of the resource Gallery installation photographs from 'Tell the Whole Story from Beginning to End': The Ramayana in Indian Painting Rights Information about rights held in and over the resource Photo © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/b899d05d1d14328b8e69308eab49ec05.jpg 66e952162676dd70978237cdf9ff9ba8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Tell the Whole Story from Beginning to End: Loan Objects Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the gallery Date A point or period of time associated with an event in the lifecycle of the resource January 13, 2018 - May 20, 2018 Description An account of the resource Gallery installation photographs from 'Tell the Whole Story from Beginning to End': The Ramayana in Indian Painting Rights Information about rights held in and over the resource Photo © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/8acafc75c7076b7436feff996a5baf38.jpg 316acff6e2c8ab292d53d2c4abbf80d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Tell the Whole Story from Beginning to End: Loan Objects Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Views of the gallery Date A point or period of time associated with an event in the lifecycle of the resource January 13, 2018 - May 20, 2018 Description An account of the resource Gallery installation photographs from 'Tell the Whole Story from Beginning to End': The Ramayana in Indian Painting Rights Information about rights held in and over the resource Photo © Michael C. Carlos Museum, Emory University https://digitalprojects.carlos.emory.edu/files/original/7c9e0cd00a5546fbf36974bf1da81d3f.jpg 8de89a3e296df0eec204b808204e9c55 https://digitalprojects.carlos.emory.edu/files/original/5d8737c2970d0b475adf79ae840d3735.jpg 43db9f679ac9b02d9108ece49c970845 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beaded Bowl Figure https://digitalprojects.carlos.emory.edu/files/original/722c531cc126484c07ae3345a09dcfa8.jpg c6ec8151c6e859d26338b90696ddc088 https://digitalprojects.carlos.emory.edu/files/original/abb0e47846caa951e92de69ae0d6057a.jpg 5c3e79034128bffcc885a3f8b19a61bc Hyperlink A link, or reference, to another resource on the Internet. Local URL The URL of the local directory containing all assets of the website https://digitalprojects.carlos.emory.edu/exhibits/show/power-figures-testing/mami-wata/mami-wata-details Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bocio https://digitalprojects.carlos.emory.edu/files/original/9ce51a3e9eb9bf4040cdd4a1069b4ff9.jpg 4c77027aadd99249614ec3735ac00254 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beaded Bowl Preview https://digitalprojects.carlos.emory.edu/files/original/8af1c74d2840c7e5b9dd8aedd815f833.jpg f59e40f584cece0224815439e14e94b8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bocio Preview https://digitalprojects.carlos.emory.edu/files/original/c336d80cbd92f84d30a5f9022ef13d44.jpg a3408e40fe9fe5686f607b60eb334971 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mami Wata Preview https://digitalprojects.carlos.emory.edu/files/original/b65908a2012580c4c13c36b730cdc28f.jpg c041e07d9cb42fd839da273b923fefdc https://digitalprojects.carlos.emory.edu/files/original/a3467524b0773241819d95f47abbf33d.jpg fbff473940f8599b4dc4912adddfe2b4 https://digitalprojects.carlos.emory.edu/files/original/4187f8ebf4e060b9d10d376bcabc2f22.jpg a3c677367e55293be261c19b76090563 https://digitalprojects.carlos.emory.edu/files/original/86398332f6b5929bc5c7290bb43a847c.jpg 3cc5c9a970fa7c26e4f7ca6c108470ed https://digitalprojects.carlos.emory.edu/files/original/797b13a822af55ab00e948babfa05c90.jpg 9bcdc78dd54d5da46ff30674f75e86a9 https://digitalprojects.carlos.emory.edu/files/original/fd4126a6845d31870b7f8c02c78cef4c.jpg cd9fdfcdc11afe96b1ae63529afbe5ce https://digitalprojects.carlos.emory.edu/files/original/94b368872f9592b70709d26b26553621.jpg 8742b2f973096ae2f26306873f5085ba https://digitalprojects.carlos.emory.edu/files/original/1ba5626318fe913c662f8d753fb1b8f3.jpg c041e07d9cb42fd839da273b923fefdc https://digitalprojects.carlos.emory.edu/files/original/8480ffc6e3871f9a88ae524e163b1e7e.jpg fa2d3cc3994de2b40ba2325f7eaeab82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coffin Assemblage of Taosiris (Includes Coffin, Mummy, Cartonnage Mask, and Trappings) Date A point or period of time associated with an event in the lifecycle of the resource Early Ptolemaic Period, 332-275 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt, Akhmim Format The file format, physical medium, or dimensions of the resource Wood, pigment, gold, cartonnage, human remains 30.5 cm x 183.5cm x 52 cm (coffin lid) 11.5 cm x 183.5cm x 52 cm (coffin base) 34 cm x 20 cm x 22 cm (mummy mask) 35.5 cm x 27 cm (pectoral trapping) 34 cm x 26.7 cm (abdominal trapping) 7.4 cm x 9.5 cm (lower leg trapping) 13 cm x 18 cm x 17 cm (foot cover) Identifier An unambiguous reference to the resource within a given context 2018.010.181 (mummy mask), 2018.010.250 (lower-leg trapping), 2018.010.253 (abdominal trapping), 2018.010.517 (foot cover), 2018.010.641 (pectoral trapping), 2018.010.824A (coffin lid), 2018.010.824B (coffin base), 2018.010.826 (mummy) Description An account of the resource This coffin assemblage belongs to Taosiris who was a priestess of Osiris in Akhmim (ancient Egyptian name Ipu). She was the daughter of Nesmin and his wife Taamun. The assemblage consists of a coffin lid and base, cartonnage mummy trappings, and a wrapped mummy. The coffin group dates stylistically to the early Ptolemaic Period. 
Taosiris’ coffin lid is decorated with a number of religious images. She wears a tripartite blue wig with rows of red, yellow, blue and green between. Below is a pectoral of disks, petals and lotus flowers ending with a row of drop beads and falcon-headed terminal fasteners. Also, around her neck, lying on top of the pectoral is a necklace with the gods Osiris, Ma’at and another god within a shrine. Below this, the kneeling figure of a winged goddess wearing a sun disk stretches out her arms, protecting the mummy. In her hands, she holds two Ma’at feathers, symbolizing truth. Above the goddess, two flanking udjat eyes, and below two sphinxes and a kneeling woman on one side before Qebhsenuef and on the other, Imsety, all facing outwards. The next scene, a djed-pillar with the crown of Osiris is flanked by two cobras wearing the atef-crowns. To either side are four sets of deities. Below these images are seven columns of offering text, framed by five vignettes to either side with three kneeling figures each. At the foot of the coffin are two images of jackal-god Anubis on his shrine, upside down, so Taosiris could view him. On the bottom of the coffin foot is a representation of the Apis bull carrying the mummy of the deceased. Above the join between the bottom of the coffin and the coffin lid are thirty-nine protective kneeling figures holding knives. The coffin interior is decorated with a full-length red outline of a goddess wearing a tripartite wig. 

 The face of the cartonnage mummy mask is gilded and framed by a tripartite blue wig, diadem, and broad collar. At the top of her head, the winged scarab beetle Khepri pushes a gilded sun disk. The mummy trappings include the chest covering with rows of protective winged gods, a multicolored bead collar and a winged goddess with arms outstretched holding the feathers of truth above an alternating frieze of hieroglyphs saying “all dominion and life.” The central panel shows Isis and Nepthys mourning over the mummy on a bier under a winged disk, which is framed by the Four Sons of Horus enclosed in shrines and two mourners below. The foot cover depicts sandals with straps and a buckle, with a frieze above of alternating djed-pillars and ankh signs between two representations of Anubis on his shrine. The mummy is wrapped in its original bandages. In 1884, the coffin was given by Gaston Maspero to the French Commander Cazeneuve. In 1914, the coffin was in the collection of Gabriel Peytraud of Toulouse who wrote Charles Boreux, curator of the Department of Egyptian Antiquities at the Louvre, to ask for a translation of the coffin and the papyrus that was with it. In 1915, the coffin was acquired by the Marquis de Gestas in Tarbes. Georges Ricard acquired the coffin in May 1975. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Relation A related resource Parallels and References: Berlin, Ägyptisches Museum, no. 868. In: Kaiser, Werner (ed.) 1967. Ägyptisches Museum Berlin: östlicher Stülerbau am Schloss Charlottenburg. Staatliche Museen Preussischer Kulturbesitz. Berlin: Staatliche Museen Berlin. Memphis, Institute of Egyptian Art and Archaeology, University of Memphis, no. 1985.3.1a. Brech, Ruth 2008. Spätägyptische Särge aus Achmim: eine typologische und chronologische Studie. Aegyptiaca Hamburgensia 3. Gladbeck: PeWe-Verlag, ‘Group-E.’ Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Given by Gaston Maspero French Commander Cazeneuve in 1884. In 1914, the coffin was in the collection of Gabriel Peytraud of Toulouse who wrote Charles Boreux, then curator of Egyptian Antiquities at the Louvre, to ask for a translation of the coffin and the papyrus that was with it. In 1915, the coffin was acquired by the Marquis de Gestas in Tarbes. Georges Richard acquired the coffin in May 1975. https://digitalprojects.carlos.emory.edu/files/original/41a934286145928e7dc9d86ec913b6c8.jpg 57303ff625dff4191586dca574e86d76 https://digitalprojects.carlos.emory.edu/files/original/22906805890759b22be662e0ccf4fc48.jpg 51cd2a9eadb4b2180b76ce4148bee3d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Model Solar Boat Date A point or period of time associated with an event in the lifecycle of the resource Middle Kingdom, mid-Dynasty 11 - Dynasty 12, ca. 2000-1760 BC Format The file format, physical medium, or dimensions of the resource Wood, stucco, paint Height: 50.8 cm High x 89.3 cm x 15.2 cm Identifier An unambiguous reference to the resource within a given context 2018.010.415 Description An account of the resource Models of sailing boats were more common in burials of the 11th and 12th Dynasties to aid the deceased’s transportation in the afterlife. This model represents a solar boat with an erroneously placed crew and mast. The original solar boat had a raised prow and cover. The stern is missing and replaced by a rectangular box that originally had two round sticks at each corner. The falcon originally sat atop a cylindrical object that is now missing. The mast and crew were originally part of another boat, a sailing vessel. Ten figures stand around a central mast, wearing knee-length kilts and short wigs. Their arms are outstretched to adjust the rigging of sails. Kneeling figures sit one at the bow and the other at the stern, facing inward. A few model solar boats survive from Middle Kingdom tombs at Bersheh and Meir, but they are rare. Their purpose was to help the deceased join Ra in his bark as noted in the Coffin Texts and the Book of the Dead which contain the spells “for bringing the great bark of Ra” (Book of the Dead, Spells 102 and 136A). Ex-collection Henriette Zanon, Monte-Carlo, Monaco, since early 1900s. Purchased by Georges Ricard for the Senusret Collection on 3 May 1975. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Cairo, Egyptian Museum, nos. 4949, 4953. In: Reisner, George Andrew. Models of ships and boats (CG ; 4798-4976. 5034-5200) (Cairo: Impr. de l'IFAO, 1913), pp. 101-102, CG 4949, Pl. XXII, bottom, and 106-107, CG 4953, Pl. XXIV, top (from Bersheh). Merriman, Ann. Egyptian Watercraft Models from the Predynastic to Third Intermediate Periods. British Archaeological Reports, International Series no. 2263 (Oxford, England, 2011), pp. 401-402, and cat. 206, 207. New York, Metropolitan Museum of Art, no. 14.3.21. In: Hayes, William C. 1953. Scepter of Egypt I: A Background for the Study of the Egyptian Antiquities in The Metropolitan Museum of Art: From the Earliest Times to the End of the Middle Kingdom (Cambridge, Mass.: The Metropolitan Museum of Art), pp. 271-2, fig. 178; 270, fig. 177. Berkeley, CA, Phoebe Apperson Hearst Museum of Anthropology houses fragments of a 12th Dynasty model cedar boat from Tebtunis that includes a falcon, PAHMA no 6-20848. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ex collection Mrs. Henriette Zanon, Monte-Carlo, since early 1900, and thereby by descent Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt