32 10 420 https://digitalprojects.carlos.emory.edu/files/original/4531bd30699969d46d8df3afbcbc3b8a.jpg 07b226f2cf96f779979f92ce3a676e27 https://digitalprojects.carlos.emory.edu/files/original/2d411e697b3804fec7013a06c3e2b6af.jpg 8c45e1443204797646a4abe5e1cafcbc https://digitalprojects.carlos.emory.edu/files/original/821b60aff50072f87cb448e8ff4df22e.jpg ccd60b042454b95fa5a20c79db7aec1d https://digitalprojects.carlos.emory.edu/files/original/c80350c5b9196bbe3d304766fbdfdd3a.jpg 6a162a932c498bd56834014570d13769 https://digitalprojects.carlos.emory.edu/files/original/4e085248436f95a1b29a6267797d9f9d.jpg 0cc7dfd3e4428a95ed7dbe404dd20b52 https://digitalprojects.carlos.emory.edu/files/original/b458180783ba13a92a6be84336f7bd5d.jpg 2333b55948c973f975a668902e04c806 https://digitalprojects.carlos.emory.edu/files/original/706af2d911697c8c707d0df8cb967e69.jpg 48e5bdefe652b9928e2bb970686b569f https://digitalprojects.carlos.emory.edu/files/original/8195ad99e00a95923f6c1b4655c6d292.jpg f75f541bb0f989eeb3f642c7a6261697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stela of the Standard Bearer, Smen Date A point or period of time associated with an event in the lifecycle of the resource New Kingdom, Dynasty 18, Reign of Thutmose IV, 1400-1390 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Limestone 65 cm High x 44 cm x 7 cm Identifier An unambiguous reference to the resource within a given context 2018.010.408 Description An account of the resource This round-topped stela belongs to a man named Smen who was the “standard bearer (of the boat) Menkheperure (Thutmose IV), the destroyer of Syria.” On the top register, Smen gives praise to Osiris-Wennefer, who is seated before an offering table. Behind Smen, the text reads: “born of the mistress of the house, Tjenna and the dignitary Shemsu.” The lower register depicts a man, Khaset, and a woman, Ruia, seated on a couch being libated by their daughter, Hesitre. Smen, meaning “goose,” was a member of military unit that served in Syria during the reign of king Thutmose IV. His wife, Hesetre, is shown offering to her parents, Khaset and Ruia. Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: For Louvre C 202, see: Boreux, Charles 1932. Musée National du Louvre, Département des Antiquités Égyptiennes : guide-catalogue sommaire (Paris: Musées Nationaux), p. 88; Pierret, Paul. Recueil d'inscriptions inédites du Musée Égyptien du Louvre (Paris : Franck, 1874-1878), pt. 2, p. 35. The stela appears in the Hôtel Drouot Sale Catalogue, March 12-13, 1862, no. 5. See also PM VIII, no, 803-045-670 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. https://digitalprojects.carlos.emory.edu/files/original/d85e37ff2fe622f99486996f7eb63a9d.jpg b13d216bddbc01fda816a8f600032214 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image Sheet: 9 7/8in x 8in Image: 9 1/16in x 7 1/16in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Walter Iooss, American born 1943 Title A name given to the resource Stickball, Cuba, 1999 Date A point or period of time associated with an event in the lifecycle of the resource 1999 Format The file format, physical medium, or dimensions of the resource Photograph Contributor An entity responsible for making contributions to the resource Lent by Walter Iooss Rights Information about rights held in and over the resource © Walter Iooss Description An account of the resource “The best light in Cuba is reflected off these faded pastel toned walls. It might be amber, it might be pink. Even with black-and white film, it’s perfect. The light looks like somebody set it up in a studio.” Iooss loves photographing kids playing sports, you can hear it in his words: “The beauty of the game is seen when you’re a child—when the ball is thrown to you, nothing else exists in the world.” Identifier An unambiguous reference to the resource within a given context L2017.016.002 https://digitalprojects.carlos.emory.edu/files/original/3f8d977247a6d1960d6398ea7bda8612.jpg af65d14a261f93511c96a262ad84a5da Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Stitching detail Subject The topic of the resource Stitching with curved needle. https://digitalprojects.carlos.emory.edu/files/original/f0216c76ac4b375d6c33d5ef5bffadec.jpg f8a5e6ed9084e3ddff2b205921eb0fe7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Stitching to wrapped support panel Subject The topic of the resource Cosmic Man painting (MCCM 2005.18.1) https://digitalprojects.carlos.emory.edu/files/original/f6dafab39d38618759f9ee1501bbf69a.jpeg 683ec0deb40054b493aff316155b995b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource B. Dinneen Title A name given to the resource Stitching with curved needle https://digitalprojects.carlos.emory.edu/files/original/91efd1f211eaded5862db68d08dac3eb.jpg db565ef87dd9a6448877d36ffc00a18b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource B. Dinneen Title A name given to the resource Straining Funori Subject The topic of the resource Straining Funori (seaweed) to prepare adhesive for consolidation of powdery flaking paint. https://digitalprojects.carlos.emory.edu/files/original/5002e881c04d7e77fc8dd172689452ea.jpg 8283e9f1a33f9235c643eea1cb368d30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sunset Date A point or period of time associated with an event in the lifecycle of the resource 1972 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context 2013.50.2 Description An account of the resource In 1972, the architectural firm Johnson & Burgee commissioned Warhol to create a series of sunset prints to decorate the Hotel Marquette in Minneapolis. The resulting 632 prints, each one different and unique, exemplify Warhol’s utilization of the mechanized screen printing process, his obsessive production, and his fearless, sometimes counterintuitive, yet always dazzling color combinations. Also referred to as silkscreens or serigraphs, screen prints are created by stretching a porous material over a frame, blocking out portions using a stencil or a grease-like liquid ground, then forcing ink through the permeable spaces to create an image. The process can be repeated with multiple screens to create additional layers of ink. Warhol’s Sunset prints were created using only three screens. One screen formed the sun, another the sinuous bands of background color, and the third a single-color overlaying dot pattern. By adjusting the color combinations of ink and the registration (the positioning of the screen in relation to already applied layers), Warhol created an astounding number of unique color patterns. This series is widely considered one of Warhol’s most expressive projects. In some Sunset prints, the sun glows red-orange, almost blinding. In others, muted purples and greens dominate the color palette. Of these prints, 472 were used to decorate the hotel, while 160 were sold in portfolios of four. This print, likely a trial proof, was in Warhol’s possession at the time of his death in 1987. Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White 2018. https://digitalprojects.carlos.emory.edu/files/original/0caf8965e741ed1f218ed2307275c33e.jpg 07a5eab81cb26557a84ca6a8208b9733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Table Date A point or period of time associated with an event in the lifecycle of the resource ca. 1980 Format The file format, physical medium, or dimensions of the resource Gelatin Silver Print Identifier An unambiguous reference to the resource within a given context 2008.17.151 Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Description An account of the resource Andy Warhol, prodigy of American Pop Art, was born Andrew Warhola in 1928. As a child, he suffered from a rare neurological disorder typified by uncontrollable movements, requiring him to miss school frequently. He escaped boredom during these times through comic books and magazines, immersing himself in the worlds of both heroes and Hollywood glamour. From these publications, he made paper cutouts of advertisements and photographs. This childhood hobby likely inspired his distinctive silkscreen technique—the repetitive recreation of emblematic figures and familiar products for a consumer-driven and celebrity-obsessed audience. The themes of repetition, celebrity, and glamour became synonymous with Warhol, not only in his screen prints, but also in his documentation of life. The photograph at the right, Table, encapsulates these themes in a single frame. The composition revolves around the repeated table settings, the reflection of the camera’s flash, and the empty chairs holding the promise of prominent and glamorous event attendees. The screen print of Queen Ntombi Twala of Swaziland comes from Warhol’s Reigning Queens series, which also included portraits of Queen Elizabeth II of England, Queen Beatrix of the Netherlands, and Queen Magrethe II of Denmark. Warhol based the images on existing photographs of the queens, but used abstract shapes and large blocks of color to achieve a collaged effect in a screen print medium. He enhanced the effect by adding diamond dust, tiny bits of cut glass designed to catch and reflect light, to the surface layer of ink. This sparkle also lends a sense of opulence to the queens, each of whom ruled in her own right rather than through a male relative. https://digitalprojects.carlos.emory.edu/files/original/75b0b968729bc5238256d994227ae5ef.jpg 37b3a7d44beac334f9f1fb85d110e75c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Archival pigment print Physical Dimensions The actual physical size of the original image 24in x 20in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Walter Iooss, American born 1943 Title A name given to the resource Ted Williams, Yankee Stadium, The Bronx, N.Y. Date A point or period of time associated with an event in the lifecycle of the resource 1960 Format The file format, physical medium, or dimensions of the resource Archival pigment print Identifier An unambiguous reference to the resource within a given context 2016.037.001 Rights Information about rights held in and over the resource © Walter Iooss Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Contributor An entity responsible for making contributions to the resource Donated by Kurt Olender Description An account of the resource Williams spent his entire career as a left fielder for the Boston Red Sox. This photograph was taken during Williams’ last year with the team. Iooss was 17 years old. https://digitalprojects.carlos.emory.edu/files/original/89916f34377c59ace1ee01102a191dec.tif e68dc7ec84f9316cb3936d7ae76fab68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Ex coll. William S. Arnett Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Central Africa, Democratic Republic of the Congo Kuba Date A point or period of time associated with an event in the lifecycle of the resource 20th Century Description An account of the resource This embroidered cloth is sometimes called "Kasai velvet" after the region of the Democratic Republic of Congo from which they originate and the cut-pile technique of their manufacture. The underlying raffia structure is woven by men on upright looms while women embroider and cut the intricate geometric designs of intermeshing chevrons, squares, and crosses. Each pattern is separately named, and many are said to have originated with Woot, the mythic founder-hero of the Kuba state or with his mother who is said to have invented mat-weaving. The most distinctive feature of Kuba textile design is the staggering and suspension of the pattern. This characteristic discontinuity makes them quite different from European textiles which usually exhibit either an overall symmetry or continuous repeats of design elements. Instead the offbeat repetitions found in Kuba designs have been likened by scholars to the improvisation and breaks found in jazz music. At the same time the overall effect is one of an orderly decorated surface. Format The file format, physical medium, or dimensions of the resource Raffia, pigment 24 3/16 x 21 7/8 in. (61.4 x 55.5 cm) Identifier An unambiguous reference to the resource within a given context 1994.004.520 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource The Social Life of Kuba Cloth, Michael C. Carlos Museum, June 27, 1998 - February 21, 1999 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2012. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 36449 Subject The topic of the resource Textile, cloth, fiber Title A name given to the resource Textile Type The nature or genre of the resource No