33 10 420 https://digitalprojects.carlos.emory.edu/files/original/d26f5a49455df46ee7b48fbe8951b339.jpg 897f7805cb86ea08c0eb099c29b01497 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statuette of Osiris Date A point or period of time associated with an event in the lifecycle of the resource Late Period, 722-332 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 19.3 cm High x 4.6 cm x 3.4 cm Identifier An unambiguous reference to the resource within a given context 2018.010.531 Description An account of the resource This bronze statuette depicts the mummiform god of the underworld Osiris. The body of the god is wrapped in a close-fitting shroud with his hands poking out of vertical slits. In his right hand he holds a flail, and in his left, a crook. On his head, Osiris wears the atef-crown, which combines the white crown of Upper Egypt with a central uraeus and ostrich feathers to either side of the crown. His beard and broad collar are delicately incised, as are the feathers on his crown, his flail and crook. The bronze stands on a rectangular base. The statuette was once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: London, The British Museum, EA29409 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Ex collection Lord George Talbot (1763-1850), acquired by Georges Ricard in 3/3/1975 from Roger Galliano, who was a collector and an expert for French customs. https://digitalprojects.carlos.emory.edu/files/original/ad74cea28de6cb84b7df796bd331ff82.jpg 719642213f56ca58666db990f0dae900 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statuette of a Seated Cat Date A point or period of time associated with an event in the lifecycle of the resource Late Period, 722-332 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 13.5 cm High x 5.8 cm x 8.4 cm Identifier An unambiguous reference to the resource within a given context 2018.010.736 Description An account of the resource Cats, in ancient Egypt, were not just pets but symbols of Bastet, the goddess of fertility and protection. The popularity of Bastet’s cult from the Late Period to the Ptolemaic Period led to the creation of a large number of seated cat statuettes. This cat is seated with head held erect and tail curled to the right. Her expression is attentive with ears slightly back. These features express the essence of a cat being dignified and aware. The left ear of the cat was pierced and wears a modern gold earring. The statuette was once part of the Capitant collection and was purchased by Georges Ricard for the Senusret Collection on 21-22 May 1977 in Avignon, France at the Hotel des Ventes d’Avignon: Exceptionnelle grande vente aux enchères publique: Meubles, objets d’art, lot number 47.  Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Museum of Fine Arts Boston 53.2385 Leiden, Rijksmuseum van Oudheden AB 166 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The statuette was once part of the Capitant collection and was purchased by Georges Ricard for the Senusret Collection at the Hotel des Ventes d’Avignon Exceptionnelle grande vente aux enchères publique: Meubles, objets d’art on 21-22 May 1977. https://digitalprojects.carlos.emory.edu/files/original/380727d431a915590cbb86eeebcf730c.jpg 1e6f08d9a6349228bbad7a2b16cf6522 https://digitalprojects.carlos.emory.edu/files/original/ddb38531cced312071c1f43374eeafc6.jpg 860db99b655603956851eed27c959f51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of Horus Date A point or period of time associated with an event in the lifecycle of the resource Late Period - Ptolemaic Period, 722-30 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 22.1 cm High x 5.9 cm x 11.2 cm Identifier An unambiguous reference to the resource within a given context 2018.010.107 Description An account of the resource This large bronze of the falcon god Horus wears a uraeus and the double-crown of Upper and Lower Egypt. The distinctive eye markings of the falcon are carefully incised as are the individual feathers on the falcon’s back and wings. A portion of the tail has broken off. The figure would have likely been perched atop a base or perhaps a small coffin. The statuette once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. [See additional images below] Relation A related resource Parallels and References: New York, Brooklyn Museum, 05.394 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The statuette once part of the collection of Lord George Talbot (1763-1850) and was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> https://digitalprojects.carlos.emory.edu/files/original/21fdcac536a81764b044322070f3b8cd.jpg b01b23dec18003de473ed103df1dd94d https://digitalprojects.carlos.emory.edu/files/original/e6451e76dbabf5e1a152ab40c9f1c5df.jpg f03d976d675cf17477b1e1b94eb6fc86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Head of Amun-Re with Feather Crown Date A point or period of time associated with an event in the lifecycle of the resource Third Intermediate Period, 1076-723 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Schist, stone, gold 26.7 cm High x 9 cm x 7.6 cm Identifier An unambiguous reference to the resource within a given context 2018.010.067 Description An account of the resource This head depicts the god Amun-Re, wearing the deity’s distinctive crown topped by two tall feathers. A round sun disk rests between the feathers on the modius of the crown. The eyes of the statue are inlaid with white and black stone, which becomes popular in Third Intermediate Period hard stone statuary. Traces of gold remain, which indicates the statue may once been gilded. The head was once part of a larger unfinished statue of the god with a tall back pillar. The statue remains unfinished as indicated by the original chisel marks on the neck, remaining shoulders, high back pillar and side of the statue. This head of Amun-Re was the first object purchased by Georges Ricard for the Senusret Collection. The sculpture was purchased by Georges Ricard for the Senusret Collection on 4 March 1972 in Marseille, France at the Ventes aux enchères Hotel du Prado: Collection d’un Amateur, lot number 49. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Relation A related resource Parallels and References: From the 18th Dynasty: New York, Metropolitan Museum of Art, 07.228.35 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The sculpture was purchased by Georges Ricard for the Senusret Collection on 4 March 1972 at the Ventes aux enchères Hotel du Prado: Collection d’un Amateur, lot number 49. https://digitalprojects.carlos.emory.edu/files/original/4531bd30699969d46d8df3afbcbc3b8a.jpg 07b226f2cf96f779979f92ce3a676e27 https://digitalprojects.carlos.emory.edu/files/original/2d411e697b3804fec7013a06c3e2b6af.jpg 8c45e1443204797646a4abe5e1cafcbc https://digitalprojects.carlos.emory.edu/files/original/821b60aff50072f87cb448e8ff4df22e.jpg ccd60b042454b95fa5a20c79db7aec1d https://digitalprojects.carlos.emory.edu/files/original/c80350c5b9196bbe3d304766fbdfdd3a.jpg 6a162a932c498bd56834014570d13769 https://digitalprojects.carlos.emory.edu/files/original/4e085248436f95a1b29a6267797d9f9d.jpg 0cc7dfd3e4428a95ed7dbe404dd20b52 https://digitalprojects.carlos.emory.edu/files/original/b458180783ba13a92a6be84336f7bd5d.jpg 2333b55948c973f975a668902e04c806 https://digitalprojects.carlos.emory.edu/files/original/706af2d911697c8c707d0df8cb967e69.jpg 48e5bdefe652b9928e2bb970686b569f https://digitalprojects.carlos.emory.edu/files/original/8195ad99e00a95923f6c1b4655c6d292.jpg f75f541bb0f989eeb3f642c7a6261697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stela of the Standard Bearer, Smen Date A point or period of time associated with an event in the lifecycle of the resource New Kingdom, Dynasty 18, Reign of Thutmose IV, 1400-1390 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Limestone 65 cm High x 44 cm x 7 cm Identifier An unambiguous reference to the resource within a given context 2018.010.408 Description An account of the resource This round-topped stela belongs to a man named Smen who was the “standard bearer (of the boat) Menkheperure (Thutmose IV), the destroyer of Syria.” On the top register, Smen gives praise to Osiris-Wennefer, who is seated before an offering table. Behind Smen, the text reads: “born of the mistress of the house, Tjenna and the dignitary Shemsu.” The lower register depicts a man, Khaset, and a woman, Ruia, seated on a couch being libated by their daughter, Hesitre. Smen, meaning “goose,” was a member of military unit that served in Syria during the reign of king Thutmose IV. His wife, Hesetre, is shown offering to her parents, Khaset and Ruia. Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: For Louvre C 202, see: Boreux, Charles 1932. Musée National du Louvre, Département des Antiquités Égyptiennes : guide-catalogue sommaire (Paris: Musées Nationaux), p. 88; Pierret, Paul. Recueil d'inscriptions inédites du Musée Égyptien du Louvre (Paris : Franck, 1874-1878), pt. 2, p. 35. The stela appears in the Hôtel Drouot Sale Catalogue, March 12-13, 1862, no. 5. See also PM VIII, no, 803-045-670 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Another stela belonging to Smen is in the Louvre (C202), which gives the name of Smen as well as his wife, Hesetre, and their son Nai. This stela was acquired by the Louvre at the Hôtel Drouot Sale on March 12-13, 1862, lot number 5. The stela in the Senusret Collection was purchased by Georges Ricard for the Senusret Collection on 3 March 1975 from Jean-Francois Mignon, who bought and sold objects privately in Aix-en Provence. He started his career under Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. https://digitalprojects.carlos.emory.edu/files/original/84b3a41a741f1b86b319186ce3536710.jpg ce4c4480bf2123cbd62ee5a91a0cafca https://digitalprojects.carlos.emory.edu/files/original/d9862c2e7b749fc269c9c3cb3dbc2bb3.jpg 76c893dc38c568f98572dd92bc9987b4 https://digitalprojects.carlos.emory.edu/files/original/1e211d029aad4026c46e4153db479b40.jpg 8c5d8a43051dd4c794024959fe06e37a https://digitalprojects.carlos.emory.edu/files/original/a5c304fa4a5a1ec5c5762ef3a9a0d045.jpg af3c130a44a11cdf536bbdf0241ea04a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gilded Cartonnage Mummy Mask and Trappings Date A point or period of time associated with an event in the lifecycle of the resource late Ptolemaic Period, ca. 197-30 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Linen, gesso, pigment, gold Mummy mask: 34 cm High x 20 cm x 6 cm Abdominal trapping: 15.3 cm High x 25.2 cm Collar: 15.3 cm High x 26.2 cm Leg cover: 37 cm High x 11.2 cm Identifier An unambiguous reference to the resource within a given context 2018.010.247 (abdominal trapping), 2018.010.248 (collar trapping), 2018.010.639 (leg trapping), 2018.010.673 (mummy mask) Description An account of the resource Masks protected the mummified head and presented the transfigured state of the deceased. If the mummified head was lost or damaged, masks ensured the deceased could be whole. This brightly painted cartonnage mummy mask has a gilded face, a tripartite blue wig and a multi-strand beaded broad collar visible between the wig lappets. This cartonnage mask is part of a set of polychrome and gilded cartonnage mummy trappings that include a wesekh-collar, a panel with winged goddess Nut, and a center panel. The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The cartonnage mask and mummy trappings were once part of the collection of Princess Maddevi Yukanthor, who was born in 1925 and lives in Paris. The mask was purchased by Georges Ricard for the Senusret Collection on 5 April 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Relation A related resource Parallels and References: Washington, DC. Smithsonian, CAT number A553190 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> https://digitalprojects.carlos.emory.edu/files/original/8ccde5473ffd71df82f089cbbf059149.jpg e5b29366912b9ecf74373275bc0baa7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coffin Board of a Woman Date A point or period of time associated with an event in the lifecycle of the resource Third Intermediate Period - Late Period, Dynasty 22 - Dynasty 25, ca. 943-655 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Wood, gesso, pigment 74 cm High x 50 cm Identifier An unambiguous reference to the resource within a given context 2018.010.410 Description An account of the resource A polychromed wooden upper end of a coffin lid. The owner wears the vulture headdress, a circlet, and a blue and yellow striped tripartite wig with lappets ending in a yellow band. Above her forehead is a winged scarab and she wears a broad collar. Below, her two-fisted hands are painted yellow, emerging from within the vestment. Between her hands is a column of text with the offering formula, surmounted by the recumbent form of Anubis holding his insignia. Coffin lids such as these date to the 22nd-25th Dynasties, and are common in and around the Faiyum area of Egypt. The coffin lid was purchased by Georges Ricard for the Senusret Collection on 2 October 1975 in Cannes, France, Ventes aux enchères: Collection of M. X. et à divers, lot number 134. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Bolton, UK. Bolton Museum and Art Gallery, no. 1892.7.2. New Orleans Museum of Art, 1977, no. 9004-06. Stockholm, Medelhavsmuseet, NME 1971.005. Other examples in: Taylor, John H. 2009. “Coffins as evidence for a "north-south divide" in the 22nd-25th Dynasties.” In Broekman, G. P. F., R. J. Demarée, and O. E. Kaper (eds), pp. 380-385. The Libyan Period in Egypt. Historical and cultural studies into the 21st-24th Dynasties: proceedings of a conference at Leiden University, 25-27 October 2007. Egyptologische Uitgaven 23. Leuven: Peeters. Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The coffin lid was purchased by Georges Ricard for the Senusret Collection on 2 October 1975 at the Cannes ventes aux enchères: Collection of M. X. et à divers, lot 134. https://digitalprojects.carlos.emory.edu/files/original/ead49f66ab65643c425be0623ec5f357.jpg 099c9841936cfd6152b1a37bc297239f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statuette of Sekhmet Date A point or period of time associated with an event in the lifecycle of the resource Third Intermediate Period, 1076-723 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Bronze 37.7 cm High x 7.4 cm x 7.1 cm Identifier An unambiguous reference to the resource within a given context 2018.010.139 Description An account of the resource This standing figure represents a lion-headed goddess, most likely Sekhmet, whose name means “The Powerful One.” Her attributes include a sun disk with a uraeus. Together they connect her with the sun god, Re, and emphasize her roles as his daughter, as the “Eye of the Sun,” and as protector of the king. The goddess stands with arms at her side and is clothed in a gown to her ankles. The lioness wears bracelets and armlets and a multi-strand broad collar on her chest. Her head is covered by a combination of a tripartite wig and leonine mane. Her eyes were once inlaid. High-waisted torsos and long legs are typical for the Third Intermediate Period, along with finely detailed incision.  The statuette was once part of the Dr. Jacob von Hirsch (1874-1955) collection and sold at the auction, Collection Hirsch: antiquités égyptiennes, grecques et romaines (Paris: Hôtel Drouot, 1921), lot number 33. The statuette was purchased by Georges Ricard for the Senusret Collection 13 October 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Christie’s New York, Antiquities sale no. 12257, lot 42. Ex collection Omar Pacha Sultan, Cairo Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The statuette was once part of the Dr. Jacob von Hirsch (1874-1955) collection and sold at the auction, Collection Hirsch: antiquités égyptiennes, grecques et romaines (Paris: Hôtel Drouot, 1921), lot number 33. The statuette was purchased by Georges Ricard for the Senusret Collection 13 October 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. https://digitalprojects.carlos.emory.edu/files/original/7a96e76c4b16a0ed84f76dbbb3b6abe7.jpg 29a8b7fa80d15566b0beb0080a3f1167 https://digitalprojects.carlos.emory.edu/files/original/d6e90b34fd337514f8c6429e8d5c210e.jpg 59263f0337a7ec38ede2bf7691ef715c https://digitalprojects.carlos.emory.edu/files/original/86e914e087ee8d629df217ea5111a1b8.jpg ae102ff553fa685bd013ef6e1b8e00d4 https://digitalprojects.carlos.emory.edu/files/original/3c31957c2040e49dd9040bfed52d58ea.jpg 655c60eb9f31d213393a850ee98467fd https://digitalprojects.carlos.emory.edu/files/original/3d86f01358193f27ffeeb936b74a133f.jpg 02dd05352795a03bc6f8474927bd38db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Falcon Sarcophagus with Corn Osiris Mummy and Four Magic Balls Date A point or period of time associated with an event in the lifecycle of the resource Late Period, Dynasty 26, 664-525 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt Format The file format, physical medium, or dimensions of the resource Coffin: wood, pigment; 14 cm High x 49.7 cm x 19.5 cm Mummy: grain, sand, clay and/or soil, resin, linen bandages; 11.9 cm High x 40 cm x 6 cm Mask: wax, gold; 4.8 cm High x 17.4 cm x 7.7 cm Identifier An unambiguous reference to the resource within a given context 2018.010.001A (coffin lid), 2018.010.001B (coffin base), 2018.010.001C (mummy), 2018.010.001D (mummy mask), 2018.010.001E-H (magic balls) Description An account of the resource The falcon-headed coffin and the hieroglyphic text is associated with the funerary deity Ptah-Sokar-Osiris. Inside the coffin is a corn mummy composed of grain and earth wrapped in linen that is covered with resin. The head of the mummy is fitted with an Osiris mask of gilded beeswax with the eyebrows, eyes and beard painted in black pigment. The four clay magic balls have white markings and once accompanied the corn Osiris as magical protection. The lower part of the lid has two columns of inscription. The text is Utterance 368 of the Pyramid Texts, reading: “words spoken by Osiris…. Your (mother) Nut (spreads herself) over you in her name….For you are the greatest of her children. Geb is gracious to you….He has given you your head….He has caused Thoth to reassemble you. . . " 
 Corn-mummies embody the forces of rebirth under the control of the god Osiris. The process of assembling grain and earth in the form of Osiris symbolizes the cosmic cycle of death and rebirth and its preservation. The object was once part of the collection of Viscountess Elizabeth Dow Dalton from the early 20th century and was purchased by Georges Ricard for the Senusret Collection on 24 July 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Publication: Centrone, Maria 2009. Egyptian Corn-mummies: A class of religious artefacts catalogued and systematically analysed (Saarbrücken: VDM), pp. 70-73, pl. XXXVII. Parallels and References: Cairo, Grand Egyptian Museum, 32685. Originally from Ashmunein. Boston, Museum of Fine Arts, 2001.547.1-2
 Berlin, Ägyptisches Museum, Inv. No. 6/66
 New York, Metropolitan Museum of Art, 58.98 A-D New York, Metropolitan Museum of Art, 58.106 A-C
 London, British Museum, EA 41552 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The object was once part of the collection of Viscountess Elizabeth Dow Dalton from the early 20th century and was purchased by Georges Ricard for the Senusret Collection on 24 July 1974 from Roger F. Galliano, a member of the Conciliation Commission at Central Customs in Paris, certified expert of the Chamber of Auctioneers of France and Judicial Officer of Geneva. https://digitalprojects.carlos.emory.edu/files/original/02f6253cfacc4c9ec49a0212c279b93b.jpg 5c36b514ef6615a79854c1e6714b7372 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Face from a Coffin Lid Date A point or period of time associated with an event in the lifecycle of the resource Late Period, Dynasty 25, 722-655 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt, Faiyum Format The file format, physical medium, or dimensions of the resource Wood, gesso, pigment, bronze, resin (?) 45.7 cm High x 31 cm x 12 cm Identifier An unambiguous reference to the resource within a given context 2018.010.420 Description An account of the resource The deceased is shown wearing a blue tripartite wig with yellow stripes and a false beard. His eyes are inlaid and rimmed. Only three upper rows of the broad collar remain and a portion of drop-shaped beads in red, green, blue and yellow at the figure’s bottom left. The gesso remaining portion of the upper torso is painted white. Resin was painted over the pigment, which has yellowed over time. This upper part of a coffin lid is typical of cemeteries in and around the Faiyum in Egypt. Coffins are typified by the deceased wearing a flat-topped wig with broad stripes, a long beard, and a white coffin body decorated only with a collar. The coffin face was purchased by Georges Ricard for the Senusret Collection on 31 March 1973 in Marseille, France at the Ventes aux enchères publiques en l’Hotel des ventes du Prado, lot number 193. Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Relation A related resource Parallels and References: Boston, Museum of Fine Arts, no. 1995.94 Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. The coffin face was purchased by Georges Ricard for the Senusret Collection on 31 March 1973 at the Ventes aux enchères publiques en l’Hotel des Ventes du Prado, lot 193.