33 10 420 https://digitalprojects.carlos.emory.edu/files/original/c3ace20c20ea7bcabc1443931cd61d9a.jpg c3a07f83850ce742304d87f3ee1b381b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Textile https://digitalprojects.carlos.emory.edu/files/original/5ee1c9d491c926221062cb8b3203248c.jpg c3a07f83850ce742304d87f3ee1b381b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Textile https://digitalprojects.carlos.emory.edu/files/original/2637ae9c0f2bb7bff77c4c98ab6981ee.jpg e8525198f4700410c24e70ff6678114a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile https://digitalprojects.carlos.emory.edu/files/original/3aed5a4668386c2101a1a353046c9adc.jpg cc7f858886c7dfa8c3c6e2c43de724bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile https://digitalprojects.carlos.emory.edu/files/original/6ad9f34c02a93c895d4bca2cf2bdaf01.jpg 59721757a1348143f167c1d7849451aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile https://digitalprojects.carlos.emory.edu/files/original/f05ff37e881a3791423978179c78594d.jpg 0435b2901fa5fba66db2221305890e2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Textile https://digitalprojects.carlos.emory.edu/files/original/129f84abf6d21d71cc9b0c2a0741dcee.tif 8f7748e5d8354a79452adea8b100abca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Mr. and Mrs. Stephen H. Loeb Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1503, 1511 edition Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the 16th Century with the publication of three woodcut series, including the Life of the Virgin. In Durer's hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists. Life of the Virgin Format The file format, physical medium, or dimensions of the resource Woodcut 12 1/16 x 8 9/16 in. (30.6 x 21.8 cm) Identifier An unambiguous reference to the resource within a given context 1983.001.010 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1 - May 25, 1958| Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986| Old Master Works on Paper from the Permanent Collection, Michael C. Carlos Museum, May 11 - August 22, 1993| Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005 John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: The Museum, 1986), 52. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 27753 Subject The topic of the resource Woodcut Title A name given to the resource The Adoration of the Magi Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/95311cd26c1b735802f7bd0bad2020d8.tif 619e48114e639e00660c361600d37e5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 The Annual NRA Squirrel Hunt & BBQ T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 30 x 34 in. (76.2 x 86.4 cm) Image: 21 1/2 x 28 in. (54.6 x 71.1 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.015 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74473 Title A name given to the resource The Annual NRA Squirrel Hunt & BBQ Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/584e04e56973d93e7df90da1602602e3.tif ab864754bb116e78edc0a33376f11ceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Anonymous gift in honor of Dr. John Howett Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1508 Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of the woodcut series, the Apocalypse. In Durer's hands the woodcut came to rival the technique of engraving with its subtle modeling and intricate detail, and he was able to achieve even greater refinement in his engravings. These three engravings belong to the series of fourteen that make up the Engraved Passion. Unlike Durer's two woodcut versions of Christ's Passion, these engravings were not accompanied by devotional text. This, together with the complex detail of the prints, suggests that the series was intended for art collectors interested in aesthetic contemplation as much as in religious meaning. The significance of each scene is only fully revealed in studying the image for an extended period of time. It was this narrative sophistication, combined with his skillful manipulation of light and shadow, that made Durer's engravings highly desirable to connoisseurs and widely copied by his contemporaries and successors. from the Engraved Passion Format The file format, physical medium, or dimensions of the resource Engraving 4 5/8 x 3 in. (11.7 x 7.6 cm) Identifier An unambiguous reference to the resource within a given context 2007.034.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13183 Title A name given to the resource The Betrayal of Christ Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/d3cf7a102c3e1e3f02d15b37cf5cc6fb.jpg b7af6de1c64500a92a780d60073f30f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9 1/2 in High x 7 1/2 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Buddha as Vishnu Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant North India, Punjab Hills Format The file format, physical medium, or dimensions of the resource Opaque watercolor with gold Identifier An unambiguous reference to the resource within a given context L2020.11.5 Contributor An entity responsible for making contributions to the resource Courtesy of Harshna and Pyush Patel Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University