4 10 420 https://digitalprojects.carlos.emory.edu/files/original/f849ccfbd2ca47760ed4ad5b4f3cd094.tif d0220ad4e815cfcebea1b8643e70cc6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 The Marriage of Jim and Dolly T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.012 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74463 Title A name given to the resource The Marriage of Jim and Dolly Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/ed0afbfdc2cb8a2b60ca5a08c285fd05.tif a1d5f4c8493914c6f88a8bbc1fdbebb1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 Kohler City Revisited T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.013 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74466 Title A name given to the resource Kohler City Revisited Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/7e5a7e1b2a0adc4237aa33d3f69b286d.tif 63af8ec260ce488d0b0603ac01ea43f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 The Crossing Guard T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.014 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74470 Title A name given to the resource The Crossing Guard Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/95311cd26c1b735802f7bd0bad2020d8.tif 619e48114e639e00660c361600d37e5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 The Annual NRA Squirrel Hunt & BBQ T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 30 x 34 in. (76.2 x 86.4 cm) Image: 21 1/2 x 28 in. (54.6 x 71.1 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.015 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74473 Title A name given to the resource The Annual NRA Squirrel Hunt & BBQ Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/de292bf35838f649d17ab6c607eb7436.tif cc84e39286c8657174431acc7775311f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant West Africa, Nigeria Igbo, Abiriba (?) or Cross River region Date A point or period of time associated with an event in the lifecycle of the resource 19th-20th Century Description An account of the resource In the Cross River Region of Nigeria, the rivalry between masking associations gave artists incentives to generate new art forms and styles. Each association lavished great expense on masquerade paraphernalia in a bid to display the most impressive masks and most inspired dances. This striking crest mask cannot be traced to a particular ethnic or cultural group. It displays elements reminiscent of Igbo, Idoma, Boki and Ejagham carving styles. The mask is therefore typical for the Cross River region where artists, art objects, and styles are highly mobile. Format The file format, physical medium, or dimensions of the resource Wood, pigment 17 1/2 x 4 3/4 in. (44.5 x 12.1 cm) Identifier An unambiguous reference to the resource within a given context 2005.069.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, 2008 - December 1, 2014| MCCM Permanent Collection Gallery, August 6, 2016 - Present MCCM Newsletter, March - May 2008.| Michael C. Carlos Museum: Highlights of the Collections (Atlanta: Michael C. Carlos Museum, 2011), 103. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 17432 Title A name given to the resource Cap Crest Mask Type The nature or genre of the resource Yes https://digitalprojects.carlos.emory.edu/files/original/3b2d022e3b1b69dec1445e08f43ed575.tif aafc4fee9909b76cb88d786bd00d2e5d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant West Africa, Nigeria Igbo, Abiriba (?) or Cross River region Date A point or period of time associated with an event in the lifecycle of the resource 19th-20th Century Description An account of the resource In the Cross River Region of Nigeria, the rivalry between masking associations gave artists incentives to generate new art forms and styles. Each association lavished great expense on masquerade paraphernalia in a bid to display the most impressive masks and most inspired dances. This striking crest mask cannot be traced to a particular ethnic or cultural group. It displays elements reminiscent of Igbo, Idoma, Boki and Ejagham carving styles. The mask is therefore typical for the Cross River region where artists, art objects, and styles are highly mobile. Format The file format, physical medium, or dimensions of the resource Wood, pigment 17 1/2 x 4 3/4 in. (44.5 x 12.1 cm) Identifier An unambiguous reference to the resource within a given context 2005.069.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, 2008 - December 1, 2014| MCCM Permanent Collection Gallery, August 6, 2016 - Present MCCM Newsletter, March - May 2008.| Michael C. Carlos Museum: Highlights of the Collections (Atlanta: Michael C. Carlos Museum, 2011), 103. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 17432 Title A name given to the resource Cap Crest Mask Type The nature or genre of the resource Yes https://digitalprojects.carlos.emory.edu/files/original/d59493fc6e6e97d65c2fc90b8d114826.tif 28b56793a408657f9b4d724fb7e35326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Margaret and Charlie Shufeldt Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1504 Description An account of the resource In this engraving Durer introduced the values of the Italian Renaissance to northern Europe. The print was much admired in his time and was to be a model for other artists for generations. In 1494-95 as a precocious young artist Durer traveled from his native Nuremberg to Italy, where he encountered the intellectual and artistic currents of the Renaissance, including the interest in newly discovered works of ancient sculpture. Thus, in this engraving, when he portrayed the first human beings created, he chose to model them with the perfection of the classical nude. Adam and Eve are portrayed with the proportions and contrapposto stance of two renowned antique statues, the Apollo Belvedere and a type of the Capitoline Venus. The idealized human figures, based on works of art, stand in contrast to the careful observation of nature found in his depiction of the animals. Despite their naturalism the animals also embody symbolic meaning. Four of the animals surrounding Eve were associated with the four humors or temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, the elk melancholic. According to medieval tradition the Fall of Man upset the original equilibrium of the humors and afflicted the human race with imbalanced temperaments. Format The file format, physical medium, or dimensions of the resource Engraving 9 3/4 x 7 9/16 in. (24.8 x 19.2 cm) Identifier An unambiguous reference to the resource within a given context 2006.057.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007| God Spoke the Earth: Stories of Genesis in Prints and Drawings, Michael C. Carlos Museum, September 13 - December 7, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 12628 Subject The topic of the resource Intaglio Title A name given to the resource Adam and Eve (The Fall of Man) Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/0af09f315c7f824cb1dabf7cf83ee6c6.tif 6a57200cf5e5b7100a8986e84b0e23fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of the Patrons of Paper Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1520 Description An account of the resource This is the last in a series of ten devotional images of the Virgin and Child that Durer engraved over a period of more than twenty years. This is the only one, however, that portrays a sleeping child. Depictions of the infant Jesus asleep in his mother's lap are prefigurations of his Passion. Just as the sleeping child will awake, so will Christ rise again from the dead after his Crucifixion. The swaddling clothes also prefigure the funeral shroud. In addition, the corporal, the altar cloth on which the Host symbolizing Christ's body was placed during the celebration of Holy Eucharist, was interpreted as a symbol of both swaddling and shroud. Format The file format, physical medium, or dimensions of the resource Engraving 5 3/4 x 3 5/16 in. (14.6 x 8.4 cm) Identifier An unambiguous reference to the resource within a given context 2006.057.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 12627 Subject The topic of the resource Intaglio Title A name given to the resource The Virgin with the Swaddled Child Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/889eb689ac7c60aa9d03500f35b1c0ba.tif 9c5bf827c0e50cbce20d2b5de1059173 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Margaret and Charlie Shufeldt in honor of Dr. Walter S. Melion Creator An entity primarily responsible for making the resource Hendrick Goltzius, Dutch, 1558-1617 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1591-1592 Description An account of the resource The monumental size and extremely lifelike quality of this portrait of Coornhert (1522-1590), the master who taught Goltzius the art of engraving, are rivaled in this period only by the portrait of Goltzius engraved by his pupil Jan Muller. While the inscription on the oval frame states that the portrait was "painted from life" (ad vivum depictus), the engraving itself was executed only after Coornhert's death. It was an act of homage and remembrance from student to master. The portrait and its oval border were engraved on one copper plate, while the decorative surround was printed from another. The objects in each corner of the frame represent Coornhert's talents and accomplishments as an engraver and lover of painting, as a musician, as a swordsman, and as a humanist scholar. The motto in Dutch at the top center, "Weet, of rust" (Know, or be still) was Coornhert's own. The Latin inscription at the bottom praises Coornhert's love of truth and freendom as expressed in his writings. Border inscription: Theodorus Cornhertius, ad vivum depictus et aeri incisus ab H. goltzio/ Natus Amstelredami anno MDXXII. Denatus Goudea anno MDXC. Format The file format, physical medium, or dimensions of the resource Engraving 20 1/2 x 16 5/16 in. (52.1 x 41.4 cm) Identifier An unambiguous reference to the resource within a given context 2007.027.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13180 Title A name given to the resource Portrait of Dirck Volckertsz Coornhert Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/584e04e56973d93e7df90da1602602e3.tif ab864754bb116e78edc0a33376f11ceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Anonymous gift in honor of Dr. John Howett Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1508 Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of the woodcut series, the Apocalypse. In Durer's hands the woodcut came to rival the technique of engraving with its subtle modeling and intricate detail, and he was able to achieve even greater refinement in his engravings. These three engravings belong to the series of fourteen that make up the Engraved Passion. Unlike Durer's two woodcut versions of Christ's Passion, these engravings were not accompanied by devotional text. This, together with the complex detail of the prints, suggests that the series was intended for art collectors interested in aesthetic contemplation as much as in religious meaning. The significance of each scene is only fully revealed in studying the image for an extended period of time. It was this narrative sophistication, combined with his skillful manipulation of light and shadow, that made Durer's engravings highly desirable to connoisseurs and widely copied by his contemporaries and successors. from the Engraved Passion Format The file format, physical medium, or dimensions of the resource Engraving 4 5/8 x 3 in. (11.7 x 7.6 cm) Identifier An unambiguous reference to the resource within a given context 2007.034.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13183 Title A name given to the resource The Betrayal of Christ Type The nature or genre of the resource No