4 10 420 https://digitalprojects.carlos.emory.edu/files/original/a4254f2191c90222cdc4a00b45e60e63.jpg 9de0d524d4450e60e69400b572e1898b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Boxes Date A point or period of time associated with an event in the lifecycle of the resource April 26, 1982 Format The file format, physical medium, or dimensions of the resource Gelatin Silver Print Identifier An unambiguous reference to the resource within a given context 2008.17.143 Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Description An account of the resource Despite the financial hardships of his Depression era youth, Warhol’s parents, Andrej and Julia, bought his first camera at the age of eight. This gift would lead to a lifetime of observing and documenting his surroundings and relationships that influenced his compositional sense and inspired the working method for some of his most well-known prints. For example, the photograph at the left reveals his affinity for the repetition of shapes, here in the form of stacked boxes. This type of composition also appears in his many of his finished portraits, such as this vivid screen print of German artist Joseph Beuys. Warhol first met Beuys in 1979 at an art opening in Düsseldorf, Germany. Mere moments after meeting Beuys, Warhol asked to photograph him. Perhaps because of the public setting, Warhol only took one shot of Beuys, rather than his typical multitude of poses per subject (like the Polaroids of artist Sandro Chia in the center case). The photograph of Beuys, which served as a “sketch,” became the basis for a series of screen print portraits with many variations. Some held only a single, monochromatic image of Beuys. Others, like this one, bear Warhol’s recognizable multiplicity of brightly-colored images. In a nod to Beuys’ own preferred materials, one of which was felt, Warhol covered this portrait of the artist with rayon flocking. Warhol’s humorous diary entry from a later encounter with Beuys demonstrates both his respect for the artist and his openness regarding what constitutes finished work of art. Sunday, March 8, 1981 Düsseldorf—“We had breakfast with Joseph Beuys, he insisted that I come to his house and see his studio and the way he lives and have tea and cake, it was really nice. He gave me a work of art which was two bottles of effervescent water which ended up exploding in my suitcase and damaging everything I have, so I can’t open the box now, because I don’t know if it’s a work of art anymore or just broken bottles. So if he comes to New York I’ve got to get him to come sign the box because it’s just a real muck.” https://digitalprojects.carlos.emory.edu/files/original/907e161fea7ade497d56e1ef8c11c41f.jpg e3cd6b2f07b5055d38bac32e5787b823 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Buffalo Nickel from Cowboys and Indians Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context 2013.50.5 Description An account of the resource The screen prints and photographs seen here illustrate the breadth of Warhol’s documentation of American culture, from a surreptitious beach shot to the glitz of the high-fashion runway to his more reflective late works that forefront romanticized prototypes of the American West. From the original 36 trial proofs of the Cowboys and Indians portfolio, comprised of 14 images each, Warhol chose only 10 for his final portfolio. Buffalo Nickel and Sitting Bull, seen here, were two of the four images removed. Buffalo Nickel depicts the reverse of the coin designed by sculptor James Earle Fraser and struck by the US Mint from 1913-1938. The coin was also known as the Indian Head nickel because of the profile image of a Native American seen on the coin’s face. The Latin phrase e pluribus unum (“out of many, one”), appears on the coin and in the screen print. The motto is generally understood as representing the many states that form the United States of America or, alternately, many different people united under one flag. The phrase takes on a complicated, tragic meaning when applied to a coin that commemorates Native Americans, who suffered horrific loss of life during the late nineteenth-century American westward expansion. Likewise, the buffalo that had once been ubiquitous to the North American plains had been hunted to near extinction by the time the coin was produced. Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White, 2018. https://digitalprojects.carlos.emory.edu/files/original/468ed6963491c00781b0020fc34df324.jpg d19869cc04a2b3587947bb8b10ec58c5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data mask Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Bwa https://digitalprojects.carlos.emory.edu/files/original/3d09e9625b3da0462511df6fd1afe488.jpg 14ab85d35851fb5e4891163e4f2d87c3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Wood, palm oil, pigment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Byeri Guardian Figure Date A point or period of time associated with an event in the lifecycle of the resource late 19th - early 20th century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Gabon Format The file format, physical medium, or dimensions of the resource Wood, palm oil, pigment Identifier An unambiguous reference to the resource within a given context L2010.4.1 Description An account of the resource Byeri reliquary figures are guardian figures that stand atop cylindrical bark boxes (nsuk byeri) filled with powerful medicine and the skulls of ancestors. Thus, they are not powerful in and of themselves, but indicate that something powerful lay beneath. The figures, however, were of great interest to western collectors and readily sold by the Fang, who considered the relics to be the most important part. This, in addition to colonial laws imposed during the twentieth century that outlawed byeri practices, meant that byeri tradition was virtually extinct by the middle of the century. Byeri figures are known for their animated quality. They are not naturalistic, but they are dynamic; the face is often carved with a relaxed expression, while the arms and legs are active and engaged, bent as though the figure is about to leap into action. The figure is further animated by the reflective surface that vibrantly responds to light. The goal of the Byeri cult was to connect living and deceased so the Fang kept the guardian figures and relics happy and nourished with the application of camwood oil, giving the figure a reddish sheen. Source A related resource from which the described resource is derived Lent by Lewis M. Dubroff https://digitalprojects.carlos.emory.edu/files/original/84533992b8a5445f9f93a3f8e3d035ca.jpg 6e433bbda3b4b1c66aa08a276cc1ed2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image Sheet: 15 7/8in x 19 7/8in Image: 11 3/8in x 17in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Walter Iooss, American born 1943 Title A name given to the resource Cal Ripken, Jr. Signing Autographs, Baltimore, 1995 Date A point or period of time associated with an event in the lifecycle of the resource 1995 Format The file format, physical medium, or dimensions of the resource Photograph Description An account of the resource Iooss took this pre-game photograph of Cal Ripken Jr. on the day that he broke the record for consecutive games played. Lou Gehrig previously held this record with 2,130 consecutive games. Ripken’s streak would finally end in 1998 at 2,632, a record that still holds. Contributor An entity responsible for making contributions to the resource Lent by Walter Iooss Rights Information about rights held in and over the resource © Walter Iooss Identifier An unambiguous reference to the resource within a given context L2017.016.004 https://digitalprojects.carlos.emory.edu/files/original/de292bf35838f649d17ab6c607eb7436.tif cc84e39286c8657174431acc7775311f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant West Africa, Nigeria Igbo, Abiriba (?) or Cross River region Date A point or period of time associated with an event in the lifecycle of the resource 19th-20th Century Description An account of the resource In the Cross River Region of Nigeria, the rivalry between masking associations gave artists incentives to generate new art forms and styles. Each association lavished great expense on masquerade paraphernalia in a bid to display the most impressive masks and most inspired dances. This striking crest mask cannot be traced to a particular ethnic or cultural group. It displays elements reminiscent of Igbo, Idoma, Boki and Ejagham carving styles. The mask is therefore typical for the Cross River region where artists, art objects, and styles are highly mobile. Format The file format, physical medium, or dimensions of the resource Wood, pigment 17 1/2 x 4 3/4 in. (44.5 x 12.1 cm) Identifier An unambiguous reference to the resource within a given context 2005.069.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, 2008 - December 1, 2014| MCCM Permanent Collection Gallery, August 6, 2016 - Present MCCM Newsletter, March - May 2008.| Michael C. Carlos Museum: Highlights of the Collections (Atlanta: Michael C. Carlos Museum, 2011), 103. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 17432 Title A name given to the resource Cap Crest Mask Type The nature or genre of the resource Yes https://digitalprojects.carlos.emory.edu/files/original/3b2d022e3b1b69dec1445e08f43ed575.tif aafc4fee9909b76cb88d786bd00d2e5d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant West Africa, Nigeria Igbo, Abiriba (?) or Cross River region Date A point or period of time associated with an event in the lifecycle of the resource 19th-20th Century Description An account of the resource In the Cross River Region of Nigeria, the rivalry between masking associations gave artists incentives to generate new art forms and styles. Each association lavished great expense on masquerade paraphernalia in a bid to display the most impressive masks and most inspired dances. This striking crest mask cannot be traced to a particular ethnic or cultural group. It displays elements reminiscent of Igbo, Idoma, Boki and Ejagham carving styles. The mask is therefore typical for the Cross River region where artists, art objects, and styles are highly mobile. Format The file format, physical medium, or dimensions of the resource Wood, pigment 17 1/2 x 4 3/4 in. (44.5 x 12.1 cm) Identifier An unambiguous reference to the resource within a given context 2005.069.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, 2008 - December 1, 2014| MCCM Permanent Collection Gallery, August 6, 2016 - Present MCCM Newsletter, March - May 2008.| Michael C. Carlos Museum: Highlights of the Collections (Atlanta: Michael C. Carlos Museum, 2011), 103. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 17432 Title A name given to the resource Cap Crest Mask Type The nature or genre of the resource Yes https://digitalprojects.carlos.emory.edu/files/original/79caefa923463f6d11149cde6ad9e515.tif 070cc53df2e19fad09683ab5fab644aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 Catwalk: Here They Come! T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.009 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74454 Title A name given to the resource Cat Walk: Here They Come! Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/3303ba4f8ad5b26da4e184b8e20a07f8.jpg 98544634d11197254234eea43240f062 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data ceramic Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource A. Hellman Title A name given to the resource Ceramic 2004.16.57 Subject The topic of the resource Materiality https://digitalprojects.carlos.emory.edu/files/original/8df75623cabeffd890e107ded8bb2976.tif e711318bd01fbc0676b49777578f5c97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource Suite 19/20 Chili Dogs, Chicks and Monster Trucks T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.007 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74448 Title A name given to the resource Chili Dogs, Chicks, and Monster Trucks Type The nature or genre of the resource No