5 10 420 https://digitalprojects.carlos.emory.edu/files/original/11d22693b7de56bcaddccc0a3f09120a.jpg 59d4378162ec8d7f81b207dfc9029e72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource Christ Appearing to His Disciples (Doubting Thomas) Date A point or period of time associated with an event in the lifecycle of the resource ca. 1510 Format The file format, physical medium, or dimensions of the resource Woodcut Identifier An unambiguous reference to the resource within a given context L2018.021.004 Contributor An entity responsible for making contributions to the resource Lent by the Pitts Theology Library, Candler School of Theology https://digitalprojects.carlos.emory.edu/files/original/36f83b7e1ecb4eea08bb18c82b2c9811.tif 02872239e8e7f27e7d197b8dab74936f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase in memory of Clarence Haverty Ridley from Eleanor Horsey Ridley Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1511 Description An account of the resource from the Small Woodcut Passion, a series of 36 Format The file format, physical medium, or dimensions of the resource Woodcut Image: 5 x 3 7/8 in. (12.7 x 9.8 cm) Identifier An unambiguous reference to the resource within a given context 2013.045.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2014. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 48161 Subject The topic of the resource Print German, Bible, Renaissance, 16th Century Title A name given to the resource Christ before Herod Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/272f957d4f08a4047ef7870fd442afe5.tif 74bf9090901e35058fdae7f66314acbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource John Howett Fund Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource ca. 1509 Format The file format, physical medium, or dimensions of the resource Woodcut Image: 5 x 3 13/16 in. (12.7 x 9.7 cm) Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm) Identifier An unambiguous reference to the resource within a given context 2015.052.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2016. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 66724 Title A name given to the resource Christ Nailed to the Cross Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/19e8df9d0fe826b823dca43b20b8b579.jpeg 1e5d3a2410e174f4e7d8e9ca6f20b49f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Clara & Patricia Stitching https://digitalprojects.carlos.emory.edu/files/original/0280fd1129190f49b03851ef1465d7e1.jpg f93ae0b2a46dcfba4e6d6ed9da19dd50 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource J. Abel Title A name given to the resource Cleaning detail https://digitalprojects.carlos.emory.edu/files/original/8dfa365b6c08d808a84486ee3a6944d0.jpg c7ce7ba023fef65702bc721b90ce16d0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Cleaning methods https://digitalprojects.carlos.emory.edu/files/original/0491ee5bc77c79a789a93a1f42886c8a.jpg dbb8aa270dba4c943076c36863d29261 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Cleaning methods Subject The topic of the resource Small soft brush, tiny cotton swab, foam sponge used to reduce surface grime https://digitalprojects.carlos.emory.edu/files/original/8d00a069111223bca738701d1ae90035.jpg 5c4bd2227f2089e43d13194f0646a23a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Cleaning methods Subject The topic of the resource Dirty and clean sponges, brushes, swabs, and gelled solution for targeted cleaning of non-design areas. https://digitalprojects.carlos.emory.edu/files/original/816075a2cf0a6e11ce7ed44b68a326b6.jpg 52af537b72ee73bc3aba0dc452afb1eb Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource R. Stein Title A name given to the resource Cleaning solution gelled in agarose https://digitalprojects.carlos.emory.edu/files/original/b65908a2012580c4c13c36b730cdc28f.jpg c041e07d9cb42fd839da273b923fefdc https://digitalprojects.carlos.emory.edu/files/original/a3467524b0773241819d95f47abbf33d.jpg fbff473940f8599b4dc4912adddfe2b4 https://digitalprojects.carlos.emory.edu/files/original/4187f8ebf4e060b9d10d376bcabc2f22.jpg a3c677367e55293be261c19b76090563 https://digitalprojects.carlos.emory.edu/files/original/86398332f6b5929bc5c7290bb43a847c.jpg 3cc5c9a970fa7c26e4f7ca6c108470ed https://digitalprojects.carlos.emory.edu/files/original/797b13a822af55ab00e948babfa05c90.jpg 9bcdc78dd54d5da46ff30674f75e86a9 https://digitalprojects.carlos.emory.edu/files/original/fd4126a6845d31870b7f8c02c78cef4c.jpg cd9fdfcdc11afe96b1ae63529afbe5ce https://digitalprojects.carlos.emory.edu/files/original/94b368872f9592b70709d26b26553621.jpg 8742b2f973096ae2f26306873f5085ba https://digitalprojects.carlos.emory.edu/files/original/1ba5626318fe913c662f8d753fb1b8f3.jpg c041e07d9cb42fd839da273b923fefdc https://digitalprojects.carlos.emory.edu/files/original/8480ffc6e3871f9a88ae524e163b1e7e.jpg fa2d3cc3994de2b40ba2325f7eaeab82 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Georges Ricard Foundation Senusret Collection Subject The topic of the resource Objects of ancient Egyptian, Near-Eastern, Greek, Etruscan, and Roman art acquired in 2018 by the Michael C. Carlos Museum from the Georges Ricard Foundation Identifier An unambiguous reference to the resource within a given context 2018.010 Contributor An entity responsible for making contributions to the resource Georges Ricard Foundation California Institute of World Archaeology (CIWA) Michael C. Carlos Museum Emory University Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University, courtesy of the Georges Ricard Foundation and the California Institute of World Archaeology. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coffin Assemblage of Taosiris (Includes Coffin, Mummy, Cartonnage Mask, and Trappings) Date A point or period of time associated with an event in the lifecycle of the resource Early Ptolemaic Period, 332-275 BC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Egypt, Akhmim Format The file format, physical medium, or dimensions of the resource Wood, pigment, gold, cartonnage, human remains 30.5 cm x 183.5cm x 52 cm (coffin lid) 11.5 cm x 183.5cm x 52 cm (coffin base) 34 cm x 20 cm x 22 cm (mummy mask) 35.5 cm x 27 cm (pectoral trapping) 34 cm x 26.7 cm (abdominal trapping) 7.4 cm x 9.5 cm (lower leg trapping) 13 cm x 18 cm x 17 cm (foot cover) Identifier An unambiguous reference to the resource within a given context 2018.010.181 (mummy mask), 2018.010.250 (lower-leg trapping), 2018.010.253 (abdominal trapping), 2018.010.517 (foot cover), 2018.010.641 (pectoral trapping), 2018.010.824A (coffin lid), 2018.010.824B (coffin base), 2018.010.826 (mummy) Description An account of the resource This coffin assemblage belongs to Taosiris who was a priestess of Osiris in Akhmim (ancient Egyptian name Ipu). She was the daughter of Nesmin and his wife Taamun. The assemblage consists of a coffin lid and base, cartonnage mummy trappings, and a wrapped mummy. The coffin group dates stylistically to the early Ptolemaic Period. 
Taosiris’ coffin lid is decorated with a number of religious images. She wears a tripartite blue wig with rows of red, yellow, blue and green between. Below is a pectoral of disks, petals and lotus flowers ending with a row of drop beads and falcon-headed terminal fasteners. Also, around her neck, lying on top of the pectoral is a necklace with the gods Osiris, Ma’at and another god within a shrine. Below this, the kneeling figure of a winged goddess wearing a sun disk stretches out her arms, protecting the mummy. In her hands, she holds two Ma’at feathers, symbolizing truth. Above the goddess, two flanking udjat eyes, and below two sphinxes and a kneeling woman on one side before Qebhsenuef and on the other, Imsety, all facing outwards. The next scene, a djed-pillar with the crown of Osiris is flanked by two cobras wearing the atef-crowns. To either side are four sets of deities. Below these images are seven columns of offering text, framed by five vignettes to either side with three kneeling figures each. At the foot of the coffin are two images of jackal-god Anubis on his shrine, upside down, so Taosiris could view him. On the bottom of the coffin foot is a representation of the Apis bull carrying the mummy of the deceased. Above the join between the bottom of the coffin and the coffin lid are thirty-nine protective kneeling figures holding knives. The coffin interior is decorated with a full-length red outline of a goddess wearing a tripartite wig. 

 The face of the cartonnage mummy mask is gilded and framed by a tripartite blue wig, diadem, and broad collar. At the top of her head, the winged scarab beetle Khepri pushes a gilded sun disk. The mummy trappings include the chest covering with rows of protective winged gods, a multicolored bead collar and a winged goddess with arms outstretched holding the feathers of truth above an alternating frieze of hieroglyphs saying “all dominion and life.” The central panel shows Isis and Nepthys mourning over the mummy on a bier under a winged disk, which is framed by the Four Sons of Horus enclosed in shrines and two mourners below. The foot cover depicts sandals with straps and a buckle, with a frieze above of alternating djed-pillars and ankh signs between two representations of Anubis on his shrine. The mummy is wrapped in its original bandages. In 1884, the coffin was given by Gaston Maspero to the French Commander Cazeneuve. In 1914, the coffin was in the collection of Gabriel Peytraud of Toulouse who wrote Charles Boreux, curator of the Department of Egyptian Antiquities at the Louvre, to ask for a translation of the coffin and the papyrus that was with it. In 1915, the coffin was acquired by the Marquis de Gestas in Tarbes. Georges Ricard acquired the coffin in May 1975. [See additional images below] Contributor An entity responsible for making contributions to the resource Gift of the Georges Ricard Foundation Rights Information about rights held in and over the resource <h5><em><span style="text-decoration:underline;"><a href="https://digitalprojects.carlos.emory.edu/senusretrights">Senusret Collection: Usage and Reproduction Rights</a></span></em></h5> Relation A related resource Parallels and References: Berlin, Ägyptisches Museum, no. 868. In: Kaiser, Werner (ed.) 1967. Ägyptisches Museum Berlin: östlicher Stülerbau am Schloss Charlottenburg. Staatliche Museen Preussischer Kulturbesitz. Berlin: Staatliche Museen Berlin. Memphis, Institute of Egyptian Art and Archaeology, University of Memphis, no. 1985.3.1a. Brech, Ruth 2008. Spätägyptische Särge aus Achmim: eine typologische und chronologische Studie. Aegyptiaca Hamburgensia 3. Gladbeck: PeWe-Verlag, ‘Group-E.’ Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. Given by Gaston Maspero French Commander Cazeneuve in 1884. In 1914, the coffin was in the collection of Gabriel Peytraud of Toulouse who wrote Charles Boreux, then curator of Egyptian Antiquities at the Louvre, to ask for a translation of the coffin and the papyrus that was with it. In 1915, the coffin was acquired by the Marquis de Gestas in Tarbes. Georges Richard acquired the coffin in May 1975.