6 10 420 https://digitalprojects.carlos.emory.edu/files/original/85fe9c7a800b4ccb5df9a7fdcd102c89.jpg 03887833b205ee564528666265f8dc7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.64 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/bcf6a1435b7a0f487fdf3a7ac6c050c3.jpg 2f3435a2f79a47813a3bb8afd98d444a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Joseph Beuys Date A point or period of time associated with an event in the lifecycle of the resource 1980-1983 Format The file format, physical medium, or dimensions of the resource Screen print with rayon flocking Identifier An unambiguous reference to the resource within a given context 2013.50.3 Description An account of the resource Despite the financial hardships of his Depression era youth, Warhol’s parents, Andrej and Julia, bought his first camera at the age of eight. This gift would lead to a lifetime of observing and documenting his surroundings and relationships that influenced his compositional sense and inspired the working method for some of his most well-known prints. For example, the photograph at the left reveals his affinity for the repetition of shapes, here in the form of stacked boxes. This type of composition also appears in his many of his finished portraits, such as this vivid screen print of German artist Joseph Beuys. Warhol first met Beuys in 1979 at an art opening in Düsseldorf, Germany. Mere moments after meeting Beuys, Warhol asked to photograph him. Perhaps because of the public setting, Warhol only took one shot of Beuys, rather than his typical multitude of poses per subject (like the Polaroids of artist Sandro Chia in the center case). The photograph of Beuys, which served as a “sketch,” became the basis for a series of screen print portraits with many variations. Some held only a single, monochromatic image of Beuys. Others, like this one, bear Warhol’s recognizable multiplicity of brightly-colored images. In a nod to Beuys’ own preferred materials, one of which was felt, Warhol covered this portrait of the artist with rayon flocking. Warhol’s humorous diary entry from a later encounter with Beuys demonstrates both his respect for the artist and his openness regarding what constitutes finished work of art. Sunday, March 8, 1981 Düsseldorf—“We had breakfast with Joseph Beuys, he insisted that I come to his house and see his studio and the way he lives and have tea and cake, it was really nice. He gave me a work of art which was two bottles of effervescent water which ended up exploding in my suitcase and damaging everything I have, so I can’t open the box now, because I don’t know if it’s a work of art anymore or just broken bottles. So if he comes to New York I’ve got to get him to come sign the box because it’s just a real muck.” Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White, 2018. https://digitalprojects.carlos.emory.edu/files/original/745b366cc37a8743417d1f9a3b12a9c2.jpg 0467019b842dfc9c9385f433624b46e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Unidentified Men and Women on the Beach Date A point or period of time associated with an event in the lifecycle of the resource 1982 Format The file format, physical medium, or dimensions of the resource Gelatin Silver Print Identifier An unambiguous reference to the resource within a given context 2008.17.135 Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/765bc4f51a77851aa92d0c267d1c08a9.jpg bdecf6089dd5a1a984a6d8405e2664f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Queen Ntombi from Reigning Queens Date A point or period of time associated with an event in the lifecycle of the resource 1985 Format The file format, physical medium, or dimensions of the resource Screen print with diamond dust Identifier An unambiguous reference to the resource within a given context 2013.50.4 Description An account of the resource Andy Warhol, prodigy of American Pop Art, was born Andrew Warhola in 1928. As a child, he suffered from a rare neurological disorder typified by uncontrollable movements, requiring him to miss school frequently. He escaped boredom during these times through comic books and magazines, immersing himself in the worlds of both heroes and Hollywood glamour. From these publications, he made paper cutouts of advertisements and photographs. This childhood hobby likely inspired his distinctive silkscreen technique—the repetitive recreation of emblematic figures and familiar products for a consumer-driven and celebrity-obsessed audience. The themes of repetition, celebrity, and glamour became synonymous with Warhol, not only in his screen prints, but also in his documentation of life. The photograph at the right, Table, encapsulates these themes in a single frame. The composition revolves around the repeated table settings, the reflection of the camera’s flash, and the empty chairs holding the promise of prominent and glamorous event attendees. The screen print of Queen Ntombi Twala of Swaziland comes from Warhol’s Reigning Queens series, which also included portraits of Queen Elizabeth II of England, Queen Beatrix of the Netherlands, and Queen Magrethe II of Denmark. Warhol based the images on existing photographs of the queens, but used abstract shapes and large blocks of color to achieve a collaged effect in a screen print medium. He enhanced the effect by adding diamond dust, tiny bits of cut glass designed to catch and reflect light, to the surface layer of ink. This sparkle also lends a sense of opulence to the queens, each of whom ruled in her own right rather than through a male relative. Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White, 2018. https://digitalprojects.carlos.emory.edu/files/original/907e161fea7ade497d56e1ef8c11c41f.jpg e3cd6b2f07b5055d38bac32e5787b823 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Buffalo Nickel from Cowboys and Indians Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context 2013.50.5 Description An account of the resource The screen prints and photographs seen here illustrate the breadth of Warhol’s documentation of American culture, from a surreptitious beach shot to the glitz of the high-fashion runway to his more reflective late works that forefront romanticized prototypes of the American West. From the original 36 trial proofs of the Cowboys and Indians portfolio, comprised of 14 images each, Warhol chose only 10 for his final portfolio. Buffalo Nickel and Sitting Bull, seen here, were two of the four images removed. Buffalo Nickel depicts the reverse of the coin designed by sculptor James Earle Fraser and struck by the US Mint from 1913-1938. The coin was also known as the Indian Head nickel because of the profile image of a Native American seen on the coin’s face. The Latin phrase e pluribus unum (“out of many, one”), appears on the coin and in the screen print. The motto is generally understood as representing the many states that form the United States of America or, alternately, many different people united under one flag. The phrase takes on a complicated, tragic meaning when applied to a coin that commemorates Native Americans, who suffered horrific loss of life during the late nineteenth-century American westward expansion. Likewise, the buffalo that had once been ubiquitous to the North American plains had been hunted to near extinction by the time the coin was produced. Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White, 2018. https://digitalprojects.carlos.emory.edu/files/original/ecd23ab18b9fd7ee7439569a8ad67dee.jpg 18431696ff592d00c750b7ebdae9352c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Annie Oakley from Cowboys and Indians Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context 2013.50.6 Description An account of the resource IIn 1986, Andy Warhol produced Cowboys and Indians, a series of ten prints depicting legendary figures of the American West—General Custer, pop culture’s eternal cowboy John Wayne, and Geronimo—along with a romanticized portrait of a Native American mother and child and renderings of Native American objects, including a Northwest Coast mask and a Plains Indian shield. Annie Oakley, a sharpshooter in Buffalo Bill Cody’s live performance troupe, was also included. Like other portraits in the series, the image of Annie Oakley was based on a popular photograph, in this case one that had originally appeared as an advertisement for Buffalo Bill’s German tour. To create Cowboys and Indians, Warhol and his Factory studio assistants produced 36 trial proofs of 14 images in various colors, tonalities, and positions. From these, Warhol selected his favorite versions of the 10 images that constituted the final series and ran an edition (a series of multiple originals) of 250 prints for each image. The Annie Oakley screen print at left was included in the edition, while the print at the right is an unfinished or perhaps discarded version that remained in Warhol’s possession. The editioned print is replete with detail, from the inticate medals pinned to Oakley’s shirt to her individual strands of hair. The unfinished print displays fewer layers of ink than the finished version, most obviously lacking Warhol’s characteristic photo reproduction layer. The result is striking. Simple outlines form Oakley’s face and subtly suggest the medals on her shirt, allowing the viewer to fill in detail or simply appreciate the unrestrained, yet minimalistic, composition of color and line. Contributor An entity responsible for making contributions to the resource Extra, out of the edition. Designated for research and educational purposes only. The Andy Warhol Foundation for the Visual Arts, Inc. Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Photo by Bruce M. White, 2018. https://digitalprojects.carlos.emory.edu/files/original/105152f475c7306b4bd61a69b18e0028 f366093c689d6dd042262e4ec1fd50a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Annie Oakley from Cowboys and Indians Date A point or period of time associated with an event in the lifecycle of the resource 1986 Format The file format, physical medium, or dimensions of the resource Screen print Identifier An unambiguous reference to the resource within a given context L2018.16.1 Contributor An entity responsible for making contributions to the resource Lent by Ralph and Nita Howard Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Description An account of the resource In 1986, Andy Warhol produced Cowboys and Indians, a series of ten prints depicting legendary figures of the American West—General Custer, pop culture’s eternal cowboy John Wayne, and Geronimo—along with a romanticized portrait of a Native American mother and child and renderings of Native American objects, including a Northwest Coast mask and a Plains Indian shield. Annie Oakley, a sharpshooter in Buffalo Bill Cody’s live performance troupe, was also included. Like other portraits in the series, the image of Annie Oakley was based on a popular photograph, in this case one that had originally appeared as an advertisement for Buffalo Bill’s German tour. To create Cowboys and Indians, Warhol and his Factory studio assistants produced 36 trial proofs of 14 images in various colors, tonalities, and positions. From these, Warhol selected his favorite versions of the 10 images that constituted the final series and ran an edition (a series of multiple originals) of 250 prints for each image. The Annie Oakley screen print at left was included in the edition, while the print at the right is an unfinished or perhaps discarded version that remained in Warhol’s possession. The editioned print is replete with detail, from the inticate medals pinned to Oakley’s shirt to her individual strands of hair. The unfinished print displays fewer layers of ink than the finished version, most obviously lacking Warhol’s characteristic photo reproduction layer. The result is striking. Simple outlines form Oakley’s face and subtly suggest the medals on her shirt, allowing the viewer to fill in detail or simply appreciate the unrestrained, yet minimalistic, composition of color and line. https://digitalprojects.carlos.emory.edu/files/original/84533992b8a5445f9f93a3f8e3d035ca.jpg 6e433bbda3b4b1c66aa08a276cc1ed2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image Sheet: 15 7/8in x 19 7/8in Image: 11 3/8in x 17in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Walter Iooss, American born 1943 Title A name given to the resource Cal Ripken, Jr. Signing Autographs, Baltimore, 1995 Date A point or period of time associated with an event in the lifecycle of the resource 1995 Format The file format, physical medium, or dimensions of the resource Photograph Description An account of the resource Iooss took this pre-game photograph of Cal Ripken Jr. on the day that he broke the record for consecutive games played. Lou Gehrig previously held this record with 2,130 consecutive games. Ripken’s streak would finally end in 1998 at 2,632, a record that still holds. Contributor An entity responsible for making contributions to the resource Lent by Walter Iooss Rights Information about rights held in and over the resource © Walter Iooss Identifier An unambiguous reference to the resource within a given context L2017.016.004 https://digitalprojects.carlos.emory.edu/files/original/1eb318e2b64e5a171ad6985a883f2694.tif 8c4abadcf759942e0c6a039bb1b24d5f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995 Description An account of the resource Suite 19/20 Martha and the Greased Pig T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 29 1/2 x 25 3/4 in. (74.9 x 65.4 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.003 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74436 Title A name given to the resource Martha and the Greased Pig Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/724e4dc4bbdaa9625ffde0c1f45ac9b9.tif b4750ea3622877aecc1d7247ea13324e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1995-1998 Description An account of the resource Suite 19/20 Party Till She's Cute T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.011 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74460 Title A name given to the resource Party 'Til She's Cute Type The nature or genre of the resource No