6 10 420 https://digitalprojects.carlos.emory.edu/files/original/6365474a48237b25668c7b259fc82c10.jpg 1223af95e86d6601c31ead49e079c75b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.62 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/85fe9c7a800b4ccb5df9a7fdcd102c89.jpg 03887833b205ee564528666265f8dc7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 1/4 by 3 3/8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Andy Warhol (American, 1928-1987) Title A name given to the resource Sandro Chia Date A point or period of time associated with an event in the lifecycle of the resource 1980 Identifier An unambiguous reference to the resource within a given context 2008.17.64 Description An account of the resource Andy Warhol purchased a Polaroid Big Shot camera around 1970 and used it to capture the images that would be the starting point for much of his work until the end of his life. The photographs, like those of Italian artist Sandro Chia seen in the center case, served as “sketches” for Warhol’s iconic silkscreen portraits. Warhol recounts an encounter between himself, Sandro Chia, and Warhol’s Factory assistant Benjamin Liu that took place on Thursday, June 16, 1983— “…Benjamin said he looked in Chia’s eyes and that they were “wild eyes.” And afterwards I said to Benjamin, “Well what do you mean?” I said, “Look into my eyes and what do you see?” And Benjamin said, “Troubled eyes.” I said, “Oh who do you think you are?” Contributor An entity responsible for making contributions to the resource Gift of the Andy Warhol Foundation for the Visual Arts Source A related resource from which the described resource is derived Gift of the Andy Warhol Foundation for the Visual Arts Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. https://digitalprojects.carlos.emory.edu/files/original/797cf3e91eb7ea49990987614ff75c50.tif 881e10fb4c689e0e437a9fb4b9badec5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of the Patrons of Paper Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1512 Description An account of the resource MC (at rear) 15 15 II 377 (at rear) The Engraved Passion Format The file format, physical medium, or dimensions of the resource Engraving Image: 4 5/8 x 2 15/16 in. (11.7 x 7.5 cm) Identifier An unambiguous reference to the resource within a given context 2010.012.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Recent Aquisitions, Michael C. Carlos Museum, February 26 - June 5, 2011 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2010. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 25820 Title A name given to the resource Deposition Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/2a0f60682560fb7cf836bca8fec2aa1d.tif 7f92b260cad63c6e4c80fc9a3db0ee1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource James T. Laney Fund Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1519 Format The file format, physical medium, or dimensions of the resource Engraving Image: 5 5/8 x 3 7/8 in. (14.3 x 9.8 cm) Identifier An unambiguous reference to the resource within a given context 2010.044.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Recent Aquisitions, Michael C. Carlos Museum, February 26 - June 5, 2011 MCCM Newsletter, Spring/Summer 2011. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2011. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 33131 Title A name given to the resource St. Anthony Reading Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/bf93e536e15cdf6c208d4eae3e89e0e4.tif 532a1b74e69812e1fe3e80b938d96b55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Kangra-style Date A point or period of time associated with an event in the lifecycle of the resource late 18th Century - late 19th Century Description An account of the resource After Ravana kidnaps Sita, Rama journeys to rescue his wife. On the way, he meets Hanuman, who becomes his faithful servant. In this scene, Rama, Lakshmana, and Hanuman rest in the forest on a leaf mat in a moment of quiet devotion that contrasts with the scenes of ritual and violence depicted in other paintings in the exhibition. Rama’s bow and arrows lie on the ground in front of the leaf mat. Holding Rama’s foot in his hand, Lakshmana tenderly removes a thorn from Rama’s foot as Hanuman places his arm around Rama’s shoulder. Because this scene does not appear in textual versions of the Ramayana, it is possible that this painting was produced for devotional purposes. Rama, Lakshmana, and Hanuman often function as moral exemplars. Here, Hanuman and Lakshmana are the ideal devotees of Rama, understood to be God incarnate. Format The file format, physical medium, or dimensions of the resource Opaque watercolor on paper Image: 9 x 6 1/2 in. (22.9 x 16.5 cm) Page: 9 1/4 x 7 in. (23.5 x 17.8 cm) Identifier An unambiguous reference to the resource within a given context 2012.014.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, February 22, 2013 - October 27, 2014 MCCM Newsletter, Fall/Winter 2012. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2012. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 35153 Title A name given to the resource Rama, Lakshmana, and Hanuman Rest in the Forest Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/6540647749d72fb71a00d0b94d399e53.jpg 7fe59139f7436ac251f71b708a8b732b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9 in High x 6 1/2 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lakshmana and Hanuman's devotion to Rama Date A point or period of time associated with an event in the lifecycle of the resource late 18th - early 19th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Punjab Hills Format The file format, physical medium, or dimensions of the resource Opaque watercolor Identifier An unambiguous reference to the resource within a given context 2012.14.1 Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel and family to further the study of Hinduism Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2012 https://digitalprojects.carlos.emory.edu/files/original/92d66cdcfc459231ac66812636bff358.tif b1635ff1f5043cebd67e03ecbf3a1381 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Guler Date A point or period of time associated with an event in the lifecycle of the resource ca. 1840 Description An account of the resource Having defeated Ravana, rescued Sita, and returned to his kingdom, Rama here takes center stage at his coronation in Ayodhya. Holding his characteristic bow and arrow, clothed in gold, his crowned head ringed by a shining halo, he sits on a throne in the pose of royal ease, with one foot raised and the other resting firmly on a footstool. Below are the ritual vessels used in the consecration. To his left, Sita leans into her husband with a look of satisfaction; behind stand his three brothers bearing the implements of kingship. At the front edge of the pavilion, to the left, Rama’s monkey allies, joined by the demon defector Vibhishana—here in human form—attend their new king. To the right sit a group of Brahmin ascetics who have come from the forest to pay their regards. A depiction of Ayodhya frames this public display of kingship. A high horizon line—an index of Mughal influence in this later Pahari painting—is demarcated by a palatial wall. On the left, the towers of Ayodhya are balanced by the treetops of a dense forest on the right, a division that corresponds to the courtly and ascetic groups attending the coronation. The ongoing oscillation of city and forest forms a central objective of the Ramayana itself: by a bloody assault on the demonic forces of the wild, Rama secures a perfectly ordered kingdom. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and gold on paper Image: 8 5/8 x 11 1/4 in. (21.9 x 28.6 cm) Identifier An unambiguous reference to the resource within a given context 2013.010.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59155 Title A name given to the resource The Ideal Ending: Rama's Coronation Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/ae25d2bce8172d56927b4c29eb821d39.tif 5cc05b7bbe9e1a5c92fd9c83df4c2060 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu. Garuda's mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru's serpent sons. The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods. Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him. His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages. In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise. Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita. Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree. The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance. He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise. To retrieve the amrita, Garuda battled Indra and the other gods. He defeated all of them except for Vishnu, who was himself injured. Vishnu promised, then, that Garuda would become immortal and become his vahana. The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59165 Title A name given to the resource Stealing of the Amrita: Page from a Mahabharata Manuscript Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/3ce51ce7b5f01b27148eadbb9d4f97e9.tif 8e46f64d003c8445469ae969078d49d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu. Garuda's mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru's serpent sons. The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods. Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him. His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages. In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise. Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita. Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree. The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance. He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise. To retrieve the amrita, Garuda battled Indra and the other gods. He defeated all of them except for Vishnu, who was himself injured. Vishnu promised, then, that Garuda would become immortal and become his vahana. The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59165 Title A name given to the resource Stealing of the Amrita: Page from a Mahabharata Manuscript Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/e4902193894a058496c2888f12265364.tif 6d1d2fa8b4e84c418f81fa0e89c9fceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Kishangarh Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource Here, Rama is shown slaughtering Khara’s demon army and then resting after battle with Lakshmana and Sita, who massages his feet. Depictions of Rama on both sides of this manuscript page emphasize his nobility, grace, and might, illus-trating the hero as an archetypal warrior and nobleman. On this side, Rama’s strength is evident as he massacres an entire army, without incurring so much as a scratch. Below, he wears the princely attire of a Rajput nobleman, rather than the garb of a forest-dwelling ascetic, emphasizing his nobility. On the other side, Rama is depicted bow in hand, a proficient and elegant warrior. He smiles fearlessly as a demon army approaches, demonstrating the kingly virtue of bravery. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59178 Title A name given to the resource Rama Battles the Demon Army Type The nature or genre of the resource No