8 10 420 https://digitalprojects.carlos.emory.edu/files/original/c45deda1a4976724a42efa7bfde809e7.tif b4b12c07e5a3f4e5b94cdf0a8911bf63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource Suite 19/20 Bed of Bones T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 29 1/2 x 25 3/4 in. (74.9 x 65.4 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74433 Title A name given to the resource Bed of Bones Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/4dc78c5f1093e381e4b3f6669020e39e.tif 5f79731567706963b6aaee26dbfc5b66 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1997 Description An account of the resource Suite 19/20 Exhuming Moses T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.010 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74457 Title A name given to the resource Exhuming Moses Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/a5d5cf63afab1c5fc884653aaa64a9d1.jpg 8b73b94de5049cb22a4091d3cbd1ba4b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Archival pigment print Physical Dimensions The actual physical size of the original image 20in x 24in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Walter Iooss, American born 1943 Title A name given to the resource Havana, Cuba, March 1998 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Format The file format, physical medium, or dimensions of the resource Archival pigment print Identifier An unambiguous reference to the resource within a given context 2016.037.004 Contributor An entity responsible for making contributions to the resource Gift of Kurt Olender Description An account of the resource “There's a famous picture taken in the 1950s of Willie Mays playing stickball in Harlem. I played a lot of stickball growing up and always loved it. I wanted to replicate the Mays photo in Cuba because baseball is the national sport there. It's everywhere. Cuban children play ball in the streets like kids in U.S. cities used to do. It was my last Saturday on this trip and I was slowly weaving through the streets of old Havana, looking for kids playing ball, when I came upon this corner, La Esquina. If you study the picture, you see that every eye, not just the kids' but even the dog's, is on that taped ball. It's the decisive moment, and there's no way to anticipate when you're going to get it.” –wi https://digitalprojects.carlos.emory.edu/files/original/6d3bac8acb927d0bfbd101d84eb3990a.tif 6e1867dc73d0f469f215b32d9d97c14c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Center Oil Corporation Creator An entity primarily responsible for making the resource Thomas Huck, American, 1971- Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource Suite 19/20 High Water Hog Blues T. Huck 2000 Format The file format, physical medium, or dimensions of the resource Woodcut Sheet: 34 x 30 in. (86.4 x 76.2 cm) Image: 30 x 26 in. (76.2 x 66 cm) Identifier An unambiguous reference to the resource within a given context 2002.039.005 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Newsletter, March - May 2003. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2018. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. '' Source A related resource from which the described resource is derived 74442 Title A name given to the resource High Water Hog Blues Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/d85e37ff2fe622f99486996f7eb63a9d.jpg b13d216bddbc01fda816a8f600032214 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource 'And Something Magical Happened': Baseball Photographs by Walter Iooss Description An account of the resource Photos supporting the 'And Something Magical' virtual exhibition Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Physical Dimensions The actual physical size of the original image Sheet: 9 7/8in x 8in Image: 9 1/16in x 7 1/16in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Walter Iooss, American born 1943 Title A name given to the resource Stickball, Cuba, 1999 Date A point or period of time associated with an event in the lifecycle of the resource 1999 Format The file format, physical medium, or dimensions of the resource Photograph Contributor An entity responsible for making contributions to the resource Lent by Walter Iooss Rights Information about rights held in and over the resource © Walter Iooss Description An account of the resource “The best light in Cuba is reflected off these faded pastel toned walls. It might be amber, it might be pink. Even with black-and white film, it’s perfect. The light looks like somebody set it up in a studio.” Iooss loves photographing kids playing sports, you can hear it in his words: “The beauty of the game is seen when you’re a child—when the ball is thrown to you, nothing else exists in the world.” Identifier An unambiguous reference to the resource within a given context L2017.016.002 https://digitalprojects.carlos.emory.edu/files/original/ae25d2bce8172d56927b4c29eb821d39.tif 5cc05b7bbe9e1a5c92fd9c83df4c2060 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu. Garuda's mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru's serpent sons. The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods. Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him. His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages. In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise. Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita. Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree. The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance. He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise. To retrieve the amrita, Garuda battled Indra and the other gods. He defeated all of them except for Vishnu, who was himself injured. Vishnu promised, then, that Garuda would become immortal and become his vahana. The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59165 Title A name given to the resource Stealing of the Amrita: Page from a Mahabharata Manuscript Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/3ce51ce7b5f01b27148eadbb9d4f97e9.tif 8e46f64d003c8445469ae969078d49d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource This folio tells the story from the Adi Parva, the first book of the Mahabharata, of the eagle Garuda, who became the vahana (animal mount) for the god Vishnu. Garuda's mother Vinata and her co-wife Kadru had engaged in a wager that Vinata lost, which resulted in her life-long servitude to Kadru's serpent sons. The serpents told Garuda that he and his mother would be released from servitude only if he would bring to them the amrita (the nectar of immortality) that lay in the hands of the gods. Knowing he would have to fight the gods to procure the amrita, Garuda asked his father Kashyapa for some food to strengthen him. His father directed him towards a tortoise and elephant that were fighting at a nearby lake; they were, he explained, two fighting brothers who had been sages. In their anger, one sage had cursed the other to become an elephant and the other cursed his brother to become a tortoise. Eating these, Kashyapa assured his son, would give him the strength he required to obtain the amrita. Garuda grabbed the elephant in one claw and the tortoise in the other and flew with them to a magnificent tree. The tree trembled under his weight and he realized the branch upon which he was sitting was filled with Brahmans performing penance. He broke off the large limb they were inhabiting and carried it in his beak to a great mountain, where he gently put them down and proceeded to eat the elephant and tortoise. To retrieve the amrita, Garuda battled Indra and the other gods. He defeated all of them except for Vishnu, who was himself injured. Vishnu promised, then, that Garuda would become immortal and become his vahana. The folio pictures Garuda picking up the elephant and tortoise, the thousand-eyed Indra, and Garuda battling the gods for the amrita. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59165 Title A name given to the resource Stealing of the Amrita: Page from a Mahabharata Manuscript Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/e4902193894a058496c2888f12265364.tif 6d1d2fa8b4e84c418f81fa0e89c9fceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Kishangarh Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource Here, Rama is shown slaughtering Khara’s demon army and then resting after battle with Lakshmana and Sita, who massages his feet. Depictions of Rama on both sides of this manuscript page emphasize his nobility, grace, and might, illus-trating the hero as an archetypal warrior and nobleman. On this side, Rama’s strength is evident as he massacres an entire army, without incurring so much as a scratch. Below, he wears the princely attire of a Rajput nobleman, rather than the garb of a forest-dwelling ascetic, emphasizing his nobility. On the other side, Rama is depicted bow in hand, a proficient and elegant warrior. He smiles fearlessly as a demon army approaches, demonstrating the kingly virtue of bravery. Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59178 Title A name given to the resource Rama Battles the Demon Army Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/3b9bd4d10d50dc1845edf7be09783d2d.tif 0d2e7d7a86419fac9c7d76b7725dad20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Museum purchase Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Kishangarh Indian Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource Ravana’s sister Shurpanakha fell deeply in love with Rama when she encountered him in the forest. Rama, faithful to his wife, Sita, rejected the demoness’s advances and incited Lakshmana to punish her by cutting off her ears and nose. This manuscript illustrates the aftermath of these events. In the upper left, a wounded Shurpanakha, seeking revenge, enlists the help of her brother Khara, flanked by two demons, who leads an army to kill the heroes (center). Below, after Rama directs his brother and wife to seek refuge, Rama valiantly prepares for battle. This manuscript shows Shurpanakha as a fair-faced, beautiful maiden wearing a sari identical to Sita’s. This depiction contrasts with Valmiki’s portrayal of her as a hideous-looking demoness and humanizes Shurpanakha, especially in comparison to her animal-faced demon brothers Format The file format, physical medium, or dimensions of the resource Opaque watercolor and ink on paper Image: 16 1/8 x 11 1/8 in. (41 x 28.3 cm) Identifier An unambiguous reference to the resource within a given context 2013.011.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, April 1 - October 27, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2015. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 59178 Title A name given to the resource The Mutilation of Shurpanakha Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/0d0714e9e25b3fe9aa1d8438e40dcf29.tif 5b79d44ad4540858287fd9bcc8468e86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Jayantilal K. and Geeta J. Patel & Family to further the study of Hinduism Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant India, Kangra Date A point or period of time associated with an event in the lifecycle of the resource 19th Century Description An account of the resource Sons battle their father and uncles in this illustration of a scene from a later version of the Ramayana. Now ruling in Ayodhya, Rama begins the Ashvamedha, a horse sacrifice to define his territory. In this ritual, a horse, followed by the king’s army, wanders freely for one year, claiming new territories for the king. On this journey, the horse strays into the hermitage of the poet-sage Valmiki, where, unbeknownst to Rama, Sita and her twin sons Lava and Kusha have been living in her second exile. Lava and Kusha capture the horse and battle against the army of Rama, the father they have never known. At top center, Valmiki teaches young Lava and Kusha. Moving counter-clockwise, Sita embraces her sons, bidding them farewell as they head into battle. The sacrificial horse can be seen partly hidden in the bushes near other forest animals. Immediately to the right, Lava releases the captives Hanuman and Jambavan. The primary scene fills lower portion of the painting, and depicts the gruesome culmination of their battle, with Rama and his brothers left unconscious, but not dead. Format The file format, physical medium, or dimensions of the resource Opaque pigments on paper Frame: 17 1/2 x 20 1/2 in. (44.5 x 52.1 cm) Maximum (visible): 15 3/4 x 12 1/4 in. (40 x 31.1 cm) Identifier An unambiguous reference to the resource within a given context 2014.017.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource MCCM Permanent Collection Reinstallation, October 27, 2014 - November 7, 2016 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2014. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 48050 Title A name given to the resource An Alternative Ending: Rama Defeated by His Sons Type The nature or genre of the resource No Creator An entity primarily responsible for making the resource Attributed to Purkhu and his workshop