1 10 420 https://digitalprojects.carlos.emory.edu/files/original/82f144fb7c76917e10ef73b252763537.jpg 6cf807f87fb8615cabd033c472dbcb2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 37 1/2 in High x 24 in x 10 1/2 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eighteen-armed Vishnu Date A point or period of time associated with an event in the lifecycle of the resource 11th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Northern India Format The file format, physical medium, or dimensions of the resource Sandstone Identifier An unambiguous reference to the resource within a given context 2001.1.4 Contributor An entity responsible for making contributions to the resource The Ester R. Portnow Collection of Asian Art, a gift of the Nathan Rubin-Ida Ladd Family Foundation Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2007. https://digitalprojects.carlos.emory.edu/files/original/7e019d0a6d6aa7af41a6223fe68cd4e2.jpg 6ec914c8102ff1043982de041a7e0cbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Avatars of Vishnu Description An account of the resource Objects included in the exhibition The Avatars of Vishnu, on view April 24, 2021 - July 18, 2021 Rights Information about rights held in and over the resource Images © Michael C. Carlos Museum, Emory University. Special thanks to Jayantilal K. and Geeta J. Patel & Family, Harshna and Pyush Patel, the Nathan Rubin Ida Ladd Foundation, and William Torres for helping the museum enhance its collection of South Asian art through gifts and loans. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 35 1/2 in High x 48 in x 13 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vishnu reclining on the Cosmic Ocean Date A point or period of time associated with an event in the lifecycle of the resource 11th Century Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Northern India Format The file format, physical medium, or dimensions of the resource Sandstone Identifier An unambiguous reference to the resource within a given context 2001.1.14 Contributor An entity responsible for making contributions to the resource The Ester R. Portnow Collection of Asian Art, a gift of the Nathan Rubin-Ida Ladd Family Foundation. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2004. https://digitalprojects.carlos.emory.edu/files/original/c7f4ff663cb49cd71097f2de08279505.jpg 4714445d7c490002779592f7c78e4b60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Rogier van der Weyden (Flemish, 1399/1400-1464) Title A name given to the resource The Seven Sacraments Altarpiece Date A point or period of time associated with an event in the lifecycle of the resource 1455-1460 87 3/4 in High x 86 9/16 in Format The file format, physical medium, or dimensions of the resource Oil on Oak Panel Identifier An unambiguous reference to the resource within a given context 393-395 Contributor An entity responsible for making contributions to the resource Royal Museum of Fine Arts, Antwerp Rights Information about rights held in and over the resource Image courtesy of the Royal Museum of Fine Arts, Antwerp https://digitalprojects.carlos.emory.edu/files/original/6d04cdce15d9c4482ca4303dbdceb5c5.jpg b5ba2b6f10ea29461ca95db17b0406fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Michael C. Carlos Museum, Emory University Title A name given to the resource Chimera: Andy Warhol through the 1980s - Loan Objects Subject The topic of the resource Objects from the permanent collection of the Michael C. Carlos Museum and loans for the exhibition Chimera: Andy Warhol through the 1980s Rights Information about rights held in and over the resource © The Andy Warhol Foundation for the Visual Arts, Inc. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource A Lady on Horseback with a Landsquenet Date A point or period of time associated with an event in the lifecycle of the resource 1497 Format The file format, physical medium, or dimensions of the resource Engraving Identifier An unambiguous reference to the resource within a given context E, 4.142 Contributor An entity responsible for making contributions to the resource The British Museum Rights Information about rights held in and over the resource © Trustees of the British Museum Description An account of the resource This artist’s book, Andy Warhol’s Index (Book), allows another glimpse into Warhol’s working methods. The book is opened to a photograph that captures an intimate moment of the artist at work, amidst row upon row of unfinished silkscreens, feverishly working toward the perfect print. The photograph of Warhol above, which also appears in Warhol’s Index (Book), implies that he viewed himself as a master printmaker in the tradition of Albrecht Dürer (German, 1471-1528), the printmaking great of the Northern Renaissance. Dürer’s monogram, a combination of his initials, A and D, appears at bottom right. Warhol’s unusual jacket offers a second, subtler nod to Dürer. Not only indicative of Warhol’s fashion-forward style, the jacket’s shredded sleeves and high collar also recall the traditional attire of a landsknecht, a type of sixteenth-century German mercenary frequently depicted by Dürer (right). https://digitalprojects.carlos.emory.edu/files/original/b8b1758f6802b53a46ef19a1c4abcf6a.jpg 9982b29ca9257d9573d10ac06c089028 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource The Martyrdom of St. Catherine Date A point or period of time associated with an event in the lifecycle of the resource 1498 Format The file format, physical medium, or dimensions of the resource Woodcut Identifier An unambiguous reference to the resource within a given context L2018.021.001 Contributor An entity responsible for making contributions to the resource Lent by the Pitts Theology Library, Candler School of Theology Rights Information about rights held in and over the resource Image courtesy of the Pitts Theology Library, Candler School of Theology, Emory Universtiy https://digitalprojects.carlos.emory.edu/files/original/7b6d4a56d20c3bfd638bd7fe70beb828.jpg 4183760e43d58ef2b5adca35c296a8c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Description An account of the resource Items added to create the exhibition Rival Cuts: Process and Technique in Prints by Tom Hück and Albrecht Dürer Rights Information about rights held in and over the resource Selected artworks © Tom Hück. Other content © Michael C. Carlos Museum, Emory University Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Albrecht Dürer (German, 1471-1528) Title A name given to the resource The Crucifixion Date A point or period of time associated with an event in the lifecycle of the resource 1498-1499 (printed ca. 1650) Format The file format, physical medium, or dimensions of the resource Woodcut 15 3/8 in High x 11 in Identifier An unambiguous reference to the resource within a given context 1976.017 Contributor An entity responsible for making contributions to the resource Gift of William Knight Zewadski Rights Information about rights held in and over the resource This image is provided by the Michael C. Carlos Museum of Emory University and is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. https://digitalprojects.carlos.emory.edu/files/original/129f84abf6d21d71cc9b0c2a0741dcee.tif 8f7748e5d8354a79452adea8b100abca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Mr. and Mrs. Stephen H. Loeb Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1503, 1511 edition Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the 16th Century with the publication of three woodcut series, including the Life of the Virgin. In Durer's hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists. Life of the Virgin Format The file format, physical medium, or dimensions of the resource Woodcut 12 1/16 x 8 9/16 in. (30.6 x 21.8 cm) Identifier An unambiguous reference to the resource within a given context 1983.001.010 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1 - May 25, 1958| Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986| Old Master Works on Paper from the Permanent Collection, Michael C. Carlos Museum, May 11 - August 22, 1993| Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005 John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: The Museum, 1986), 52. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 27753 Subject The topic of the resource Woodcut Title A name given to the resource The Adoration of the Magi Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/d59493fc6e6e97d65c2fc90b8d114826.tif 28b56793a408657f9b4d724fb7e35326 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Gift of Margaret and Charlie Shufeldt Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1504 Description An account of the resource In this engraving Durer introduced the values of the Italian Renaissance to northern Europe. The print was much admired in his time and was to be a model for other artists for generations. In 1494-95 as a precocious young artist Durer traveled from his native Nuremberg to Italy, where he encountered the intellectual and artistic currents of the Renaissance, including the interest in newly discovered works of ancient sculpture. Thus, in this engraving, when he portrayed the first human beings created, he chose to model them with the perfection of the classical nude. Adam and Eve are portrayed with the proportions and contrapposto stance of two renowned antique statues, the Apollo Belvedere and a type of the Capitoline Venus. The idealized human figures, based on works of art, stand in contrast to the careful observation of nature found in his depiction of the animals. Despite their naturalism the animals also embody symbolic meaning. Four of the animals surrounding Eve were associated with the four humors or temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, the elk melancholic. According to medieval tradition the Fall of Man upset the original equilibrium of the humors and afflicted the human race with imbalanced temperaments. Format The file format, physical medium, or dimensions of the resource Engraving 9 3/4 x 7 9/16 in. (24.8 x 19.2 cm) Identifier An unambiguous reference to the resource within a given context 2006.057.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Renaissance to Contemporary: Recent Acquisitions in Works on Paper, Michael C. Carlos Museum, February 10 - May 27, 2007| God Spoke the Earth: Stories of Genesis in Prints and Drawings, Michael C. Carlos Museum, September 13 - December 7, 2014 Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Michael McKelvey. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 12628 Subject The topic of the resource Intaglio Title A name given to the resource Adam and Eve (The Fall of Man) Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/584e04e56973d93e7df90da1602602e3.tif ab864754bb116e78edc0a33376f11ceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Anonymous gift in honor of Dr. John Howett Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1508 Description An account of the resource Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the sixteenth century with the publication of the woodcut series, the Apocalypse. In Durer's hands the woodcut came to rival the technique of engraving with its subtle modeling and intricate detail, and he was able to achieve even greater refinement in his engravings. These three engravings belong to the series of fourteen that make up the Engraved Passion. Unlike Durer's two woodcut versions of Christ's Passion, these engravings were not accompanied by devotional text. This, together with the complex detail of the prints, suggests that the series was intended for art collectors interested in aesthetic contemplation as much as in religious meaning. The significance of each scene is only fully revealed in studying the image for an extended period of time. It was this narrative sophistication, combined with his skillful manipulation of light and shadow, that made Durer's engravings highly desirable to connoisseurs and widely copied by his contemporaries and successors. from the Engraved Passion Format The file format, physical medium, or dimensions of the resource Engraving 4 5/8 x 3 in. (11.7 x 7.6 cm) Identifier An unambiguous reference to the resource within a given context 2007.034.001 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Relation A related resource Old Masters: Highlights of the Works on Paper Collection, Michael C. Carlos Museum, August 15 - December 6, 2009 MCCM Newsletter, September - November, 2009. Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 13183 Title A name given to the resource The Betrayal of Christ Type The nature or genre of the resource No https://digitalprojects.carlos.emory.edu/files/original/d9fc4b9022b13f8c6928acf3e8f9f841.tif 8b9ebbbff296267c4f4111b235d0735b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource John Howett Fund Creator An entity primarily responsible for making the resource Albrecht Durer, German, 1471 - 1528 Date A point or period of time associated with an event in the lifecycle of the resource 1509-1510 Format The file format, physical medium, or dimensions of the resource Woodcut Image: 5 x 3 13/16 in. (12.7 x 9.7 cm) Mat: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm) Identifier An unambiguous reference to the resource within a given context 2015.052.002 Publisher An entity responsible for making the resource available Michael C. Carlos Museum, Emory University Rights Information about rights held in and over the resource © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2016. This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or mccm.collections.services@emory.edu. Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder. Source A related resource from which the described resource is derived 66727 Title A name given to the resource The Descent from the Cross Type The nature or genre of the resource No